Georgian Furniture

A Fantastic and Quite Well Constructed 19th-Century English George III Hand-Carved Mahogany Open Armchair. The rectangular backrest has a subtly curved crest rail and is fully uphols...

English Georgian satinwood demilune console table with various inlaid flowers and scrolls on apron and top with bronze sabot on feet. (Attri...

A pair of hand-carved mahogany scallop sconces by David Duncan Studio. The backplates with a hand-painted artisan finish with a base of Benjamin Moore...

"English Georgian-style (19th Century) mahogany 6 legged console table with carved drape corners. Antique condition"

A Magnificent, Exceptionally Rare, Museum Quality Pair of 18th Century English Ormolu Mounted, Hand-Carved and Hand-Polished Carrara Marble Cassolettes, By Matthew Boulton. These beautiful ormolu-mounted white marble cassolettes are by Matthew Boulton (1728-1809) and John Fothergill (1730- circa 1782) published in their Pattern Book No. 1 (page 171, figure t) and reproduced in Sir Nicholas Goodison's Ormolu: The Work of Matthew Boulton (New York, 1974, page 383, figure 161). Josiah Wedgwood (1730-1795) was a close friend of Boulton's and his patterns are thought to be the source for the medallions used on the plinths of these. Boulton's medallions of classical figures are almost identical to the cameos and intaglios made by Wedgwood and his partner James Tassie. Molds for these examples can be found in the Wedgwood Collection at the Victoria & Albert Museum. All derive from the same classical source of Renaissance gems. Many gem collections in Europe were widely published at this time and Boulton's library contained A. F. Gori's Museum Florentinum (1731-1766), in which gems from the Medici collection were engraved. The subjects of the medallions on this pair are: Pomona, a Roman goddess of fruit trees, gardens, and orchards, and depicted carrying a basket on her head overloaded with fruit, tumbling to the ground, shown once on each vase. Hygeia, once on each, with an olive branch in her right hand, as seen in Tassie's reproduction of Valerio Belli's gem, and holding a snake in her left hand over an altar. This was produced by Wedgwood both as an intaglio and as a cameo. Venus & Cupid, only on one vase, showing Venus leaning against a column with a pike, and giving a helmet to Cupid. Aesclepius, Greek GD of medicine, only on one vase, depicted with a snake wrapped around his staff .The last medallion subject is either Diomedes or Perseus, shown once on each vase, depicted as a conquering hero. Boulton asked patrons to choose from a limited repertoire of motifs, and therefore each vase or pair of vases is adorned with their own combination. Boulton used nine medallion subjects on recorded vases of this type. PROVENANCE & COMPS Another pair of this model, with slightly less elaborate lids and finials, from a private collection are illustrated in Goodison's Matthew Boulton: ORMOLU, (page 379, figure 153). A further example is in a private New York collection. This pair, which was acquired from Hotspur in 1981, was formerly in the Collection of Marjorie Wiggin Prescott, sold Christie’s, New York, 31 January 1981, lot 76. The Prescott Collection was one of the most important English furniture collections of its time. The sale consisted mostly of late 17th and 18th century English furniture...

Early 19th century George III mahogany table with one expanding leaf, the top with reeded edge supported on two turned baluster pods with out...

This diverse set of early 19th-century English painted snuff boxes, of various shapes and sizes, are finely decorated with a variety of subjects, inc...

5 English Georgian (18th Cent) dark oak stained side chairs with carved legs and seat edge having a grey leather upholstered seat and shaped back with nail heads. (PRICED EACH)

Each with deep brown patinated surface and in the form of a column from the composite order which combines the volutes of the ionic order with the foliate capital of the Corinthian; ...

George VI sterling silver salver. Made by Viner’s Ltd in Sheffield in 1950. Square with lobed corners and molded rim. Traditional Georgian from the postwar era. Fully marked includin...

A pair of hand-carved Boissy sconces from mahogany Georgian-style backplates with a painted finish, patinated brass sconce fittings, and hand-blown shades. Electrified with two candelabra-based socket per sconce. Our custom hurricane sconces...

English Georgian style (19th Century) mahogany architects desk.

British stately homes Georgian style mirror. Antique gold metal leaf finish Resin and wood made in late 1980s at Stephen Cavallo Overall size H. ...

Nineteenth century Georgian gilt bronze fire fender with lions head and swag sides united by parallel bars.

A Brass Georgian Styled Lantern made by David Duncan Studio. This fixture is suspended from a chain and canopy with an intricate rope-like design. Consi...

This early 18th century Irish George I wall mirror is topped by a broken pediment with a shell and acanthus leaf cartouche. The shaped apron is adorned...

Set of 4 George III Ormolu and marble Chambers pattern Neo classical Griffin Candlesticks and gartinure. Sir William Chambers was the court architect to George III.

In George III style; with serpentine upholstered seats in modern oyster horsehair. England, late 18th / 19th century

George III Mahogany Library Chair With Striped Silk Upholstery England, Last Quarter 18th century

English Edwardian (late 19th Century) mahogany 3 section magazine rack with turned spindle supports and porcelain caster feet. Light scratching

Each sconce with two arms issuing from a channeled oval backplate topped with an urn and plume finial, impressed manufacturer mark on reverse, Maker: Edward F. Caldwell Co. (1851-...

English Georgian style (19th Cent) mahogany oval fernery/planter with lion carving on legs and brass trim with copper liner.

PAIR of English Georgian style (20th Century) brass candlesticks with a round tiered design resting on a square base (PRIDED AS PAIR)

William Bateman pair of sterling silver salvers or footed trays, with a gadrooned rim, from 1812 (Georgian era), standing on 3 feet, with an engraved coat of arms. They measure 9'' i...

Georgian-style, Continental silver (.800) candlewick snuffer or cutter, Austria, year -hallmarked for 1855. Measures 5 inches long x 1 3/4 inches wide (at widest point) x 1 1/4 inche...

A Georgian-Style Console Table having green marbled tops and mahogany frames with intricate scalloped decorations. Finished on four sides with a shell motif on front and a surroundin...

Pair of Georgian mahogany pot cupboards. Each with a galleried top, cabinet door and drawer, on square tapering legs with scrolled corner brackets. With o...

A pair of hand-carved shell form mahogany Georgian-style backplates with patinated brass sconce fittings and flared violet hurricane shades. Electrified with one candelabra base sock...

Mahogany and parcel-gilt overmantel mirror. With e´glomise´ panels and an arched cresting centered by a ho ho bird.

John Wakelin & William Taylor pair of sterling silver open salts from 1783 in Georgian style with gilt wash bowls and in exquis...

Gorgeous Georgian style side chair in Cuban mahogany with original tapestry upholstery, expertly carved ball-and-claw feet, and an Eastern-influenced flowing back-splat. The design f...

An authentic handmade late 19th century antique Turkish Oushak rug with a celadon green. field, ivory central medallion and border. Accents in light yellow and an orangey red. Mea...

A pair of early 20th century hand-carved mahogany Anglo Indian styled backplate with patinated brass sconce fittings and rare hand blown amber glass hurricane...

18th century Serpentine two-door cabinet.

English Georgian (Circa 1770) mahogany low end table / box commode with lift top and a shaped lower apron resting on square tapered legs Condition consistent with age

Georgian or Scottish sterling silver beer pitcher with engraved coat of arms and applied ribbon-shaped decoration by the handle. Most likely 18th century ...

English Georgian (18th century) walnut spoon back open armchair with a burl oval back.

18th century mahogany low boy with cabriole legs and slipper feet. Consisting of one long and two short drawers, with original pierced batwing brass h...

SET of 4 English Georgian-style brass fire tools comprised of a brush, shovel, poker and tongs; each with brass spindle finials, supported by a curved hook brass rack anchored to a c...

English Georgian-style (19th Century) oak corner armchair with filigree splat back and needlepoint seat.

These over-scaled chairs were said to have been designed by Chicago architect Sam Marx, but they were probably made by William Quigley, whose workshop ...

English Georgian gilt sterling silver snuffbox, 1812. Rectangular with straight sides. Cover hinged and tabbed; on top, chased pastoral scene: A shepherd sits under a tree with a lam...

This George II mahogany and parcel gilt mirror is topped by a swan's neck pediment which is centered by a gilt ho-ho bird. The sides are ornamented with gilt fruiting vinery, flankin...

Georgian sterling silver serving tray after Paul de Lamerie. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1935. Oval well. Shoulder has engraved diaper in curvilinear frame...

This very fine George III cut-glass footed bowl, from Cork, Ireland, is distinguished by a fluted fold-over rim, shallow-faceted body, cylindrical stem, and a square-mounted lemon-sq...

Kittinger George III Style Mahogany Chest on Chest, the top portion with three short drawers above three long drawers and the lower half with pull-out surface above three long drawer...

George III Style Mahogany Tripod Table, the birdcage tilt top above three cabriole legs. 28" H x 22.5" Diameter. Provenance: From a New York City Collection.

Traditional Georgian-style sterling silver candlesticks, circa 1950. Each: spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marke...

English Chinese Chippendale style (1st half 20th Century) camelback sofa / settee having rolled arms and a large seat cushion with a red and white stripped upholstery resting on legs...

Georgian mahogany low boy with cabriole legs and slipper feet. Consisting of two short and one long drawer, with original pierced batwing brass handle...

George III Style Red Painted Circular Drop Leaf Table, with two gate legs. 30" H x 40" W x 9.75" D. Provenance: From a Connecticut Estate.

English Georgian style mahogany partner's desk with kneehole design surrounded by drawers and 3 section leather top.

Our pair of ormolu bronze wall lights from the late Georgian period date from the late 18th century. They feature two u-shaped candle arms decorated with an acanthus leaf and bellflo...

Threaded soup ladle. Made by S. Kirk & Son in Baltimore. An early piece in this pattern, which was first produced by Kirk in 1835. Script monogram engraved on terminal recto. Marks (...

Rare, large, Georgian (George III), sterling silver serving fork, London, year-hallmarked for 1806, Stephen Adams - maker. Measures almost...

A mid 20th-century all-over pattern Persian Tabriz rug with an array of colors on a creamy yellow field. Measures: 9'6'' x 13'.

An exceptional vintage pair of hand painted French/Austrian enamel vases that are artist-signed & designed in the 19th century. The vases display detailed and elaborately costume...

Large Georgian-style sterling silver tray. Made by International in Meriden, Conn. Round with curved and tapering sides, and flat ogee piecrust rim. Fully marked including maker’s st...

English Georgian sterling silver salver, 1945. Serpentine and gadrooned rim; three claw-and-ball feet. An affirmation of tradition from the start of the postwar era. Marks include ma...

English Georgian style (19th century) cast iron coat of arms wall plaque / fireplace back with rounded top.