Refinished Walnut and Leather Folding Card / Game Table, c. Early 20th Century

This exquisite coffee table by Jules Leleu was executed in circa 1957 France, in Mahogany with patinated metal stretchers, brass accents and a antiqued mirrored glass top. Documented in Leleu Decorateurs Ensembliers by Francoise Siriex, the underside is impressed with Maison Leleu inventory numbers '29090'. Jules Leleu first opened Maison Leleu, a Paris gallery, in 1924 and won a grand prize at the 1925 Exposition Industrielle et Arts Decoratifs. Later, Leleu designed the Grand Salon of the Ambassadors at the Society of Nations in Geneva and the French Embassies of several nations and the SS Ile de France...

This gorgeous French Art Deco dining table in exotic Macassar Ebony wood, which would also work beautifully as a desk, was just restored in a French Polish lacquer. From circa 1930s ...

An exceptional and highly refined extendable dining table by Vladimir Kagan, featuring a spectacularly figured rosewood top, leather-wrapped architectural base with chrome banding, a...

This rare and important model #VK-201 sculptured Rosewood and Walnut 'Round Extension Dining Table' by Vladimir Kagan for Kagan-Dreyfuss was designed in 1958, this example produced between 1958 and 1960, during Kagan's partnership with Hugo Dreyfuss which ended in 1960. This rare example is stamped with the Kagan-Dreyfuss branded marks on the underside of the table and under one of the two leaves, and serves as an important early example of this sought-after design, perfect for collectors, art and design investors, and interior designers working on high profile projects. This Model VK-201, described in Kagan's early catalogues as a 'Round Extension Dining Table in walnut with rosewood top' has Kagan's signature gorgeous sculpted legs in solid walnut along with a magnificent vivid-grained Rosewood top. Just look at the closeup photos of the sculpted edges and tailored legs... this table looks more like a sculpture than merely just furniture. Quality of materials and craftsmanship you don't find in todays products - this table is the epitome of the saying 'they don't make them like they used to'. Ultra refinement in this gorgeous collectors piece which extends from a dining or card / game / cafe table seating for four, to a larger dining or meeting table suitable for eight. With no leaves - the table is 48" round and with both leaves extends to 96" while retaining a very nice 48" width. Vladimir Kagan's works have been highly valued by collectors and art / design investors, and his earlier works in the 1950s partnership with Hugo Dreyfuss (Kagan-Dreyfuss from 1950 to 1960) are among the most sought after by 'purist collectors' like myself. Why do I prize his 1950s works above all else? I can write a short book on this, but one easy to explain reason is that this was a period unlike the rest of his career, where items produced in this time are hallmarked within that period - a distinction that his later works lacked. Essentially, everything post the early 60s blended together with the decades thereafter. A novice Kagan collector is content with anything by Kagan, even items produced by Directional and American Leather Company...