The Louise Round Table in Fine Hammered Brass is 30 inches in diameter, 30 inches tall, and entirely in Fine Hammered Brass metal. The round top sits on four cabriole legs, each hand-carved from solid teak and encased in Fine Hammered Brass metal from foot to apron. The serpentine apron curves between the legs beneath the circular top. The geometric panel lines on the top surface, formed where the hand-applied metal sheets meet, give the horizontal plane its surface detail.
The teak legs are carved before Fine Hammered Brass metal sheets are pattern-cut and fitted by hand to each surface. The compound S-curve of each leg is covered without visible join; the circular top is fitted in Fine Hammered Brass metal with seam lines and flush-set nails forming the panel pattern on the surface. The serpentine apron is fitted separately between the four legs.
The Louise Round Table measures 30 inches in diameter and 30 inches tall. Works as a side table, end table, accent table, or lamp table. The round form suits placement beside a sofa, between chairs, or in a corner. Available in all twelve standard finishes. Custom sizing available. Made entirely to order.
Designed by Paul Mathieu for Stephanie Odegard Collection. The Louise Round Table belongs to the same family as the Louise Card Table, Console Table, and Dining Table, sharing the same cabriole leg, the same hand-applied metal cladding, and the same Louis XV formal vocabulary. The round top is the form's most distinctive variation within the series. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Fine Hammered Brass surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.