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Fine Hammered Copper Louise Round Table – Hollywood Regency Cabriole

$4,000per item
£3,024.12per item
€3,530.33per item
CA$5,691.80per item
A$5,773.31per item
CHF 3,296.72per item
MX$69,916.72per item
NOK 38,810.47per item
SEK 38,681.66per item
DKK 26,389.44per item
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About the Item

The Louise Round Table in Fine Hammered Copper is 30 inches in diameter on four cabriole legs in Fine Hammered Copper metal, the circular top covered in the same Fine Hammered Copper surface, the serpentine apron curved between the legs. The panel lines on the top and the nail-head seam lines along the apron give the surface its rhythm. The round form places it comfortably in the centre of a seating group or at the side of a chair. Teak legs are carved before Fine Hammered Copper metal is pattern-cut and fitted by hand. The S-curve of each cabriole leg is covered without visible join; the circular top is fitted in Fine Hammered Copper with seam lines and flush-set nails. The serpentine apron is fitted between the legs. Measures 30 inches diameter, 30 inches tall. Works as a side table, end table, accent table, or lamp table. Available in all twelve standard finishes. Custom sizing available. Made entirely to order. Designed by Paul Mathieu for Stephanie Odegard Collection. The Louise Round Table gives the Louis XV vocabulary of the Louise series its most symmetrical form: a circular top on four cabriole legs, equally readable from any angle in a room. Produced in Udaipur. Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Fine Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character. The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand. Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed. All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred. None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request. The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving. The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing. As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.

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