Abstract Raku Tile Panel by Recuperando Italy

A unique patchwork composition panel. The fun and colorful hand painted panel consists of 35 moroccan tiles. All tiles show sketches and drawings of fish in the style of the Berber c...

This is a amazing and unique set of 35 antique handmade ceramic tiles. Manufactured in Holland, circa 1920s. Stylized design. These tiles would be charming displayed on easels, frame...

An amazing set of six Raku pottery wall panels. Depicting a stream flowing between golden hills, each panel is comprised of individual tiles. Those on the top and bottom edges of eac...

Edmond Xavier Kapp (British, 1890 – 1978) Abstracted tiles Painted ceramic Signed and adated ‘Kapp 60’ (lower middle) 15.5/8 x 12in. (39.7 x 30.5 cm.) measured to slip edge Edmond Kapp was born in Islington, London, on 5 November 1890, of American and German Jewish parentage. He gave himself the middle initial ‘X’ – sometimes said to stand for Xavier – to distinguish himself from his father Emil Kapp, who was a wine merchant. However, his parents called him ‘Eddie’ while his wife and friends knew him as ‘Peter’. During his early years, Kapp was continually ill and, while convalescing, entertained himself by drawing at home. As his health improved, he attended Dame Alice Owen’s School, Islington (1903-10), with periods at Berlin University (1909) and L’Institut Français pour les Etrangers, Paris (1909). He then read Languages at Christ’s College, Cambridge (1910-13), though spent most of his time writing and drawing. Kapp took a studio in London, and worked intensively until the outbreak of the First World War, contributing to the Daily News, the Onlooker and other periodicals. During the war, he served as a 2nd Lieutenant in the Royal Sussex Regiment on the Western Front, and then in Intelligence, rising to the position of Staff Captain on Haig’s Staff. Finally, he founded and directed the Neutral Press Counter-propaganda Section. In 1919, Kapp returned to London and, after abortive periods at three art schools, worked alone. In that year, he made his name with an exhibition of caricatures, held at Furst’s Gallery, London, and accompanied by a catalogue introduced by Max Beerbohm. This soon led to contracts with three London periodicals and a book of caricatures, Personalities, published by Martin Secker. Through the 1920s and 30s, his drawings of musicians...