Jennifer Printz "Quietus II" Prints, Graphite and Inks on Antique Paper, 2017

Contemporary artist Jennifer Printz "Quietus II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wo...

Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...