John Charles Ford Pacific Northwest Artist (1929-1977) Marker on Paper Abstract

Abstract ink drawing on paper by French artist Jacques Germain (1915–2001), a significant figure of the postwar École de Paris and a contributor to the movement of Lyrical Abstractio...

Original Abstract Pen and Ink Drawing by well listed artist Jacob El Hanani. Hand signed and dated 1989. It retains its warm original patina.

Abstract charcoal drawing by Miriam Kubach, American, circa 1960s. Similar to works by Louise Bourgeois from the same era. It is executed on paper and has been professionally framed ...

Artist: Frédéric Charron (b. 1962) Date: 1999 Medium: Pastel and pencil on paper Style/Movement: Abstract Dimensions: 11.5" W x 15.5" H Additional Details: Rear translation: "For Bo...

A drawing of quiet defiance — Rudolf Bauer, a founding figure of European abstraction, working in secret with a stub of pencil on scavenged brown wrapping paper while held in a Gesta...

Italian modern Mixed media abstract drawing on paper, 1950s-1990s Drawing on paper with black charcoal and white oil pastel. The subject of ...

This compelling drawing by Elise Speights is a striking example of her disciplined approach to line, structure, and spatial rhythm. Executed in pencil and ink on paper, the compositi...

Jean Da Milano (1928-2017), Abstract composition, Mixed media on paper, Signed lower left, N°854-74, 1974, France. Measures : Height 65 cm, width 50 cm. Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

Abstract painting by Miriam Kubach, American, circa 1960s. It is executed on paper and has been professionally framed under UV resistant glass in a clean lined black lacquer gallery ...

A fine abstract painting, signed. Unidentified artist. A wonderfully intriguing E.A. or artist proof bursting with color and movement. It sparks the imagination at every glance. ...