17th Flemish School "The Presentation in the Temple (Simeon with the Child )

This 18th-century Flemish oil on wood painting depicts the moment of adoration of the Child Jesus, in the loving arms of the Virgin Mary. Kneeling at their feet is the young Saint J...

Intimate oil on wood Portrait of Saint Joseph and the Christ Child This oil painting offers a unique glimpse into the Holy Family through the tender bond between Saint Joseph and th...

Antique 18th-century Flemish painting. Oil on canvas artwork depicting a religious subject, the Holy Family, of good pictorial quality. The vertically oriented painting, well-lit and...

Belgium / 18th century / Painting / wood / Antique / Religious A 18th century painting on wood after a Rubens painting “Adoration of the Magi”. Elegantly encased in a stunning blac...

Beautiful Flemish 17th century oil on canvas painting depicting the adoration of the magi. Vivid color and wonderful quality of pa...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

This 18th century Italian painting captures one of the most iconic biblical moments: the Adoration of the Magi. The mysterious travelers kneel in reverence before the Infant Jesus, ...

"17th Century Flemish School Old Master Adoration of the Magi." Oil on canvas. Previously relined. Unsigned. Artwork: 81 × 61 cm (31.9 × 24 in.). 88 × 69 cm (34.6 × 27.2 in.). (Fra...

This Flemish panel painting, dated circa 1620, masterfully depicts the Holy Family and young Saint John the Baptist. A Flemish School altarpiece work of art, a masterfully achieved ...

Ca. late 17th -early 18th century oil painting on copper of Holly Mother and child. Likely Dutch school, likely pupils or followers of Peter Paul Rubens. Measures 53 cm x 43 cm and ...