Patrick Hughes
Patrick was born in Birmingham, England in October 1939. His first exhibition was in 1961 and his first reverspective, Sticking-out Room, was made in 1964. Hughes' original painted reliefs are concerned with optical and visual illusions, the science of perception and the nature of artistic representation. He has written and collated three books on the visual and verbal rhetoric of the paradox and oxymoron. He has made a hundred editions of screenprints and made more than a hundred editions of multiples.
Patrick’s ‘relief’ reverspective paintings, together with his rainbow works, have become hugely popular due their playful and intriguing nature, and Surrealist edge. Today, Patrick’s art is shown in the collections of London’s most prominent institutions, from The British Library to Tate Modern, and continues to show in exhibitions throughout the world. The artist-come-author has also produced a number of books, including Vicious Circles and Infinity, Upon the Pun, Dual Meaning in Words and Pictures and Paradoxymoron and Foolish Wisdom in Words and Pictures.
Patrick Hughes' geometric abstract works often have a strong sense of narrative through their depth, and even when working on a flat surface, he still manages to create depth with his intricate skill and refined mark making.
One might notice that there are no human figures in Patrick Hughes's art. This can be said both for the rainbow art, as well as for the Reverspective art. When showing at a gallery in London in the early 2000's, Hughes explains his choice. He states that in his opinion, the viewer is half of the work. He therefore does not need to depict figures in his paintings as it's his audience that completes the overall composition. Hughes finds great pleasure in observing others as they study his art. He watches them shift back and forth on their feet, slowly adjusting to the ever-shifting and mind-bogglingly accurate perspective. He says it's somewhat of a dance and that as they engage with his paintings, they are the finishing touch on the body of work.
SELECTED SOLO EXHIBITIONS
2019
60 Years of Art, Bel Air Fine Art, New Bond Street, London
2019
Geometry in Motion: Paintings and Multiples by Patrick Hughes, Galerie Boisserée, Cologne
2015
Moving Rooms, Osthaus Museum, Hagan
2015
Art Paris, Grand Palais, Paris
2014
Studiolospective, Flowers Gallery, New York
2014
Moving Spaces, Panorama Mesdag, The Hague
2014
Reading Paradox, Hanmi Gallery, Seoul
2013
Structure of Space, Galerie Boisserée, Cologne
2010
Perspective and Perception, Flowers Gallery, New York
2008
Superperspectivision, Scott Richards Contemporary Art, San Francisco
2003
Patrick Hughes, Park Ryu Sook Gallery, Seoul, South Korea
SELECTED GROUP EXHIBITIONS
2019
Poppin, BSTM Space, London
2015
Visual Deception II: The Future, Nagoya City Art Museum, Nagoya
2014
Visual Deception II: Into the Future, Touring Exhibition, Japan
2014
Concurrent 20/20, Winsor Gallery, Vancouver
2012
Is It or Isn’t It? Contemporary Tromp L’oeil, Bernardussi Meisel Gallery, New York
2007
Small is Beautiful, Flowers Gallery, New York
COLLECTIONS
Adelson Galleries, New York, United States
Alon Zakaim Fine Art, London, United Kingdom
Axel Pairon Gallery, Knokke-Heist, Belgium
Bel Air Fine Art, Geneva, Switzerland
Blackrock, London, United Kingdom
Deutsche Bank AG, London, United Kingdom
Galerie de Bellefeuille, Montreal, Canada
Hanmi Gallery, Seoul, Korea
Museum of Fine Arts, Boston, United States
Tangent Contemporary Art, San Francisco, United States
Tate, London, United Kingdom