Antique Matthew Dubourg Rome Ponte Lucano Aquatint Engraving 18"

Decorate an office or study with this antique black and white engraving. Hand colored in Italy circa 1760, the large monochromatic etching is set in a black and gilt frame with protective glass, and depicts the "Veduta Generale del Monte...

A rare view of Milan, an 18th century Italian etching and burin engraving with original ebonized walnut frame and glass depicting San Paolo delle Monache a Milan view, dated 1788, by...

each large engraving framed in period ebonized frame, the scenes depicting Roman views with architecture and figures

Italian Neo-Classic lithograph of The Great Gallery of Palmyra with the Temple of Neptune in the background with a scene of people wandering about in a burl wood and gilded frame att...

Italian Neo-classic style print of a group of four engravings: Temple of Antony's and Faustina, Temple of Fortuna Virilis, Arch of the Goldsmiths and Arch of Trajan, Ancona, all matt...

Engraving printed in black on laid paper framed with a neoclassical style gold leaf frame. The engraving shows a beautiful view from the Aqueduct of Corigliano, Calabria. Marks with ...

An Italian hand colored etching in gilt frame with custom matting and glass

Avignon is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: Avignon....

An evocative 18th century Italian architectural engraving depicting romanticized classical ruins and monumental masonry structures within the famed gardens of Monte Cavallo, Rome. Rich in atmospheric detail, the composition captures the enduring fascination with antiquity that defined the Grand Tour era and the decorative arts of the late Baroque and early Neoclassical periods. Executed with fine linear engraving techniques, the scene presents towering ruined architectural forms, arched passageways, and lush foliage populated by small strolling figures, creating a dramatic sense of scale and timelessness. The lower inscription references the Giardino Colonnese al Monte Cavallo and credits the design to Bernardo Gamucci, connecting the print to Rome’s celebrated antiquarian and architectural traditions. Presented under matting in a giltwood frame with subtle distressed patina, this piece works beautifully in both traditional and transitional interiors. Ideal for collectors of Grand Tour material, Italian architectural prints...

Italian Neo-classic engravings of architecture in a gold frame (18th/19th Cent)