Antique Print of the Siege of Nice by Chereau, 'circa 1790'

Antique print titled 'Bataille de Montereau'. Steel engraving of the Battle of Montereau (1814). This print originates from 'Album de Vingt Batailles de la Révolution et de l'Empire'...

Antique print Barcelona titled 'Aggressio et Circumunitio in via cooperta'. Optical view depicting the siege of Barcelona (Spain) which took place between 25 July 1713 and 11 September 1714. With Latin, French, Italian and German caption. Artists and Engravers: Georg Balthasar Probst (1732 - 1801) was a German artist, engraver and publisher in Augsburg. The Siege of Barcelona (Catalan: Setge de Barcelona) was a battle at the end of the War of Spanish Succession, which pitted Archduke Charles of Austria (backed by Great Britain and the Netherlands, i.e. the Grand Alliance) against Philip V of Spain, backed by France in a contest for the Spanish crown. The surrender of the pro-Archduke forces to the Franco-Spanish army in 1714 was not only the end of the war, but also a phase in the centralization of various monarchies on the European continent which had been going on for two centuries. With the War of the Spanish Succession completed, Spain evolved from a personal union of different states to a centralized kingdom. The defenders of the city were buried in a cemetery, now a plaça (Catalan: square) called Fossar de les Moreres, where Catalans gather every 11 September, known as the National Day of Catalonia or la Diada. The former market hall Mercat del Born covers archaeological ruins which were part of the La Ribera district of Barcelona that was demolished after the defeat of Catalonia in 1714. The alleged abandonment of the Catalans defenders of Barcelona was one of the criticisms made by his opponents during the British Parliament...

Combat Naval dans le Golfe de Venise – Rare Optical Print of the Venetian Victory over the Turks, circa 1770 This rare and vividly hand-colored 18th-century 'vue d’optique' titled 'Combat naval dans le Golfe de Venise gagné par les Vénitiens sur les Turcs le 29 may 1749' portrays the dramatic naval engagement between Venetian and Ottoman forces in the Gulf of Venice. Published anonymously around 1770 and engraved with both French and contemporary Dutch captions, this optical print commemorates the final large-scale clashes between two former Mediterranean naval superpowers. The scene is packed with explosive detail. On the left, Venetian galleons fly red flags and dominate the composition, their cannon smoke billowing across the water. Soldiers and sailors tumble into the sea or scramble into longboats, while others engage in intense shipboard combat. To the right, the Ottoman fleet, also with full sails and ornate sterns, exchanges fire from a line of vessels that extends toward the hazy horizon. The turbulent sea, streaked with swimmers, debris, and gunfire, draws the viewer's eye toward the vanishing point, a classic technique in *vues d’optique* designed to create depth when viewed through a zograscope. The perspective is exaggerated and theatrical, heightening the tension of the moment. The hand coloring, still strong and fresh, adds to the dramatic impact—especially the reds, blues, and blacks used to signify uniforms, flames, and flags. Above the scene, a reversed French title along the top border is a hallmark of optical prints, meant to appear legible when viewed through mirrored optical devices. The lower margin features a printed French description and a carefully penned Dutch caption in brown ink, adding provenance and local historical context for a Dutch-speaking audience. These types of naval battle scenes are among the most collectable of optical prints, especially when they depict rare or less frequently recorded events such as this Turkish-Venetian engagement, which helped mark the waning of Ottoman influence in the Adriatic. Keywords: Venetian naval battle print, Ottoman fleet, vue d’optique maritime, 18th-century naval...

Antique print titled 'Perspective View of Gibraltar. With the the Disposition of the Spanish Attack, and Relief of the Garrison by the English Fleet under the command of Admiral Darby, 12 April 1781'. View of the island clearly showing the fortifications, during a bombardment, with the Spanish encampments on the left wing of the bay and a few Spanish ships...

La Valetta is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital letters on the lower ma...

View of the castle of FONTAINEBLEAU from the garden. A rare engraving from the early nineteenth century. ref. ST/777.

Great print of New York City Steel engraving after W.H Bartlett Published by Virtue 1837 Unframed. The measurement is the paper size. Free shipping  

Siege of Toulon is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the s...