David Malin IC 2118, the Witch’S Head Nebula, in Eridanus 2010 Print

Print: Digital Print Size: 508 x 406 mm (20 x 16 in) Edition of 30 This work is signed (2015) Hungarian conceptual artist Agnes Denes was a pioneer of early environmental ar...

Print: Full color digital archival print on Epson hot press natural 330g/m2 Size: 610 x 508 mm (24 x 20 in) Edition of 100 This work will come with a signed and numbered archival ...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Photograph Color photograph made with archival pigments on fine art rag paper Size varies based on edition This work comes with a Certificate of Authenticity and an artist signed label on verso. For over a decade Maxi Cohen has been photographing and filming lush abstract images of water from Bali to Botswana to Brazil which are mesmerizing, meditative, and colorful. The Zambezi River Stacking Tables was her first in an on-going progression of video multimedia sculptures. Here she is offering a photographic series of water lilies from the Okavango Delta...

Artist: Thomas Ruff (German 1958) Title: Star 16h30m / -50 degrees (Stern 16h 30m - 50°), from the series Sterne (Stars) Medium: Colour coupler print, signed, dated and numbered vers...

Entitled "Study for Tarantula Nebula," this painting by Chicago-based artist Jan Pieter Fokkens offers a representation of the gigantic star-forming region of the same name. Located ...

Thomas Ruff (German, b. 1958) Untitled (Stars 17h 38m/-30°, 1990), 1990/2004 Medium: C-print, bookplate and artist’s book Dimensions: 40 × 30 cm (15 7/10 × 11 4/5 in) Edition of 30: ...

Were I, all of a sudden, to find myself lost in a dream, I would search in the horizon for the right moment to make it come true. Even if everything seems frozen in time, it’s actua...