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Ed Moses Signed Limited Edition Screenprint "Ikuru Speak-No" 34/250, 1990

Name: Ed Moses Signed Limited Edition Screenprint "Ikuru Speak-No" 34/250, 1990
Brand: Ed Moses
Rating: 5 (113 reviews)

$4,995

£3,772.52

€4,416.75

CA$7,096.47

A$7,219.74

CHF 4,137.63

MX$86,930.19

NOK 48,361.30

SEK 48,573.54

DKK 33,019.20

About the Item

A fantastic and rivetting work by American/ California artist Ed Moses titled "Ikuru Speak-No". This work is on wove and Japanese paper (The print was made with two attached sheets of paper. The bottom sheet is hand-made Seikishu rice paper). The limited edition color screenprint collage was printed by Jeff Wasserman with a blind stamp in the lower corner and published by the Los Angeles County Museum (LACMA). The work is hand pencil signed, dated (1990), and numbered (34/250) by Moses. Provenance: from the UCLA Medical Center Art Collection (there appear to be collection accession numbers on the paper frame backing). We have seen this work displayed both vertically (which appears how this piece was exhibited) and horizontally so have provided images of both views. Moses' awards include: 1996 – Honorary Ph.D., Otis Art Institute, Los Angeles, CA 1993 – Long Beach City College Hall of Fame Inductee 1980 – Guggenheim Fellowship 1976 – National Endowment for the Arts Fellowship Grant His work can be found in numerous prominent collections and international museums including: Albright-Knox Gallery, Buffalo, NY Art Institute of Chicago, Chicago, IL Berkeley Art Museum, University of California, Berkeley, CA Cincinnati Museum of Art, Cincinnati, OH Corcoran Gallery of Art, Washington, DC Dallas Museum of Art Dartmouth College Gallery, Hanover, NH Denver Art Museum, Denver, CO CU Art Museum, University of Colorado Boulder, CO Hammer Museum, Los Angeles, CA Hirshhorn Museum and Sculpture Garden, Washington, DC Irvine Collection, Irvine, CA Janss Foundation, Thousand Oaks, CA Lannan Foundation, Santa Fe, NM Long Beach Museum of Art, Long Beach, CA Los Angeles County Museum of Art, Los Angeles, CA Lowe Art Museum, University of Miami, Miami, FL Menil Foundation, Rice University Art Gallery Houston, TX Minneapolis Institute of Art Musee national d'art moderne – Centre Georges Pompidou, Paris, France Museum of Contemporary Art, Los Angeles, CA Museum of Contemporary Art San Diego, La Jolla, CA Museum of Fine Arts Houston Museum of Modern Art, New York, NY National Gallery of Art Smithsonian American Art Museum, Washington, DC Neuberger Museum of Art, Purchase, NY New Mexico Museum of Art, Santa Fe, NM Norton Simon Museum, Pasadena, CA Oakland Museum of California, Oakland, CA Orange County Museum of Art, Newport Beach, CA Palm Springs Desert Museum, Palm Springs, CA Philadelphia Museum of Art, Philadelphia, PA Prudential Insurance Company, Newark, NJ San Francisco Museum of Modern Art, San Francisco, CA Seattle Museum of Art, Seattle, WA Spencer Museum of Art, University of Kansas, Lawrence, KS The Broad Art Foundation, Santa Monica, CA Walker Art Center, Minneapolis, MN Frederick R. Weisman Art Foundation, Los Angeles, CA Whitney Museum of American Art, New York, NY Yale University Art Gallery, New Haven, CT The work has been professionally framed. Frame dimensions: 41" high, 29.75" wide, 1.5" deep Sheet: 36" x 24".

Creator:
Ed Moses (Artist)
Dimensions:
Height: 41 in (104.14 cm)Width: 29.75 in (75.57 cm)Depth: 1.5 in (3.81 cm)
Style:
Post-Modern (Of the Period)
Materials and Techniques:
Glass,Paper,Wood
Place of Origin:
United States
Period:
1990-1999
Date of Manufacture:
1990
Condition:
The print is in excellent vintage condition. The frame may have light wear consistent with age and use and the paper backing has some tearing which can be easily replaced (please see photos). Beautiful and highly engaging overall.
Seller Location:
Studio City, CA
Reference Number:
1stDibs: LU2254334621252

Shop All Ed Moses

Ed Moses

Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. By 1990, Moses—a spiritual descendant of the Abstract Expressionists and a dedicated student of Buddhism—was living in Venice, California, meditating daily and blazing his own trail to aesthetic truth. Working with unconventional materials and tools, including mops, hoses, and rubber scrapers, he painted behind his house in Venice, where he lived for more than 30 years. Here, influenced by the tenants of Buddhism, he was working in the moment, embracing and responding to elements of chance and circumstance. Endlessly intrigued with the metaphysical power of painting, he created works that embraced temporality, process, and presence, remarking that “the point is not to be in control, but to be in tune.” Moses’ works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d’art moderne – Centre Georges Pompidou, Paris, FR; and many others.

Category

1990s Prints and Multiples

Materials

Screen

Fernando García Ponce 1970s Untitled No. 11 Silkscreen Print

Located in Mexico City, MX

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