Framed 18th Century Comte de Buffon Engraving of ‘English Horses’

Really stunning large print — one of a set of three hunting trophy lithographs. After Jean-Baptiste Oudre (1686-1755), 'Etude de Nature Morte’ a hand colored 19th Century lithograph ...

Really stunning large print — one of a set of three hunting trophy lithographs. After Jean-Baptiste Oudre (1686-1755), 'Etude de Nature Morte’ a hand colored 19th Century lithograph ...

Large lid from an antique wallpaper box featuring “The Rhinoceros Hunt” paper. The paper is a rare, American early 19th century block-printed decorative paper. It was less used as a ...

This charming reverse glass painting is titled "Painting" and part of a set with another subject titled "Architecture". The scene depicted is a fête champêtre or outdoor party, a pop...

One is 27.25 x25 and other 28.63 x25. Image 16.5 x 20. With birds eye maple frames. Features horse winners at Doncaster races in England.

A watercolor finished print, depicting racing horses. Samuel Howitt. Solid cherry wood (Prunus Avium, Linnaeus 1755), frame, polished and beeswaxed. England 1799.

Great image of a racehorse presented in an antique oak frame Lithograph after George Stubbs with original hand color. Published, 1847. Please note the dark area to the right of th...

This elegant framed horse print depicts “George Frederick,” a finely rendered equine portrait originally issued as Plate 18 in a 19th-century sporting or stud reference series. The composition showcases a richly colored chestnut horse in classical side profile, posed with lifted foreleg in the traditional stance favored for documenting prized bloodstock and conformation. The print is executed in warm brown and russet tones with subtle shading, emphasizing musculature, coat sheen, and anatomical precision. The artist’s approach reflects the golden age of British sporting art, where horses were treated with the same reverence as aristocratic portrait subjects. The work is presented in a decorative, patterned gilt frame with a repeating textile-like motif in gold and deep brown tones, likely a later 20th-century custom framing that complements the warmth of the image beautifully. A neutral mat with white inner liner provides balance and visual depth. The backing bears a label from Pirates Alley Picture Frames, Oklahoma City, indicating professional framing. This horse print is ideal for collectors of equestrian art, English sporting décor, or traditional library and study interiors. George Frederick This print references the horse George Frederick rather than the artist’s name, which is typical of 19th-century equestrian plates...