Framed Italian Neo-Classic Lithograph of Temple of Neptune, Signed

Italian Neo-Classic lithograph of the Third Triumphal Arch in Palmyra, Syria depicting a scene of life being taken in front the remains of Lenobia in a burl wood and gilded frame att...

Italian Neo-Classic lithograph of The Great Gallery of Palmyra with the Temple of Neptune in the background with a scene of people wandering about in a burl wood and gilded frame att...

Italian featuring several neo-classic lintels from the Temple of Jupiter Tonans, matted in a painted platinum finish ornamental wood frame. (G.H. Jones, 1821, \"Temple of Jupiter Ton...

Italian Neo-classic style print of a group of four engravings: Temple of Antony's and Faustina, Temple of Fortuna Virilis, Arch of the Goldsmiths and Arch of Trajan, Ancona, all matt...

Late 18th century print "Temple Herastyle Périptère de Pestum", French. No 381, G.G., Gravé à L'eau-forte par Weisbret. Terminé par J. Miamet graveur du Roi. From "Voyage Pittoresque...

Decorate an office or study with this antique black and white engraving. Hand colored in England circa 1847, the large Egyptian mono...

A 19th century watercolour of the Temple of Vespasian and Titus & The Temple of Saturn. Attributed on the reverse to Samuel Prout (British, 1783-1852) and dated ’34, this painting i...

An evocative 18th century Italian architectural engraving depicting romanticized classical ruins and monumental masonry structures within the famed gardens of Monte Cavallo, Rome. Rich in atmospheric detail, the composition captures the enduring fascination with antiquity that defined the Grand Tour era and the decorative arts of the late Baroque and early Neoclassical periods. Executed with fine linear engraving techniques, the scene presents towering ruined architectural forms, arched passageways, and lush foliage populated by small strolling figures, creating a dramatic sense of scale and timelessness. The lower inscription references the Giardino Colonnese al Monte Cavallo and credits the design to Bernardo Gamucci, connecting the print to Rome’s celebrated antiquarian and architectural traditions. Presented under matting in a giltwood frame with subtle distressed patina, this piece works beautifully in both traditional and transitional interiors. Ideal for collectors of Grand Tour material, Italian architectural prints...