Kidnapping at the Red River – Antique Frontier Scene Lithograph, 1868

Title: Native American Camp Scene – Trapper and Buffalo Hunters, c.1845 Description: This finely hand-colored lithograph, titled “Amérique du Nord – États-Unis,” originates from Le ...

Antique Chromolithograph of a Native American Village Scene, circa 1890 This vivid chromolithograph, titled “Ein Indianerdorf” (A Native American Village), was published around 1890...

Experience a captivating glimpse into the world of 19th-century ethnography with the "Aborigines of North America", an antique print from Blackie's Comprehensive Atlas and Geography,...

The Rocky Mountains, Western Frontier Landscape – Antique American Engraving, 1873 This refined 19th-century engraving titled The Rocky Mountains presents a serene yet expansive vie...

"The Last War-Whoop!" is a lithograph by Currier & Ives. The framed size is 26 x 32.62 x 1.25 inches. Provenance: Private Collection

This is a very rare and important original image of early Western Americana, or more specifically, "Californiana". Mid 19th century and researched to have been engraved in 1856, it captures, in incredible detail, a group of twelve Native American Indians with a baby in a papoose, gathered together in front of their hanging tools, baskets, implements and weaponry behind them on a "tent like" backdrop. There are men, women, young, and elderly. It is a signed wood cut engraving applied in ink by well known wood cut engraver of the mid 19th century, William J. Peirce (active 1851-1879). It is in excellent all original condition with no additions, no restoration of any kind and it is housed in it's original 1 1/2" double beveled wooden birds eye maple veneered frame with a gilt 1/2" filet interior border. "A Group Of California Indians" is engraved at the base along with a non-descript notation "For description see page 381" which appears in the margin, in addition to an illegible signature. Both these line items are also noted by the New York Public Library, where a digital example exists from the esteemed collection of "The Miriam and Ira D. Wallach Division Picture Collection", which was assembled in 1986 and recently digitalized. The Library of Congress also memorializes this image and theirs is similarly a digital image. My example came out of the Grant Smith Collection of "Californiana", as is noted on the back of the framed engraving. He was located at Main Street in Bolinas, California (see images on the rear for provenance). Research reveals that he was a direct descendant of the coastal Miwok people who built a settlement in the Bolinas lagoon area. The engraving is referenced in both the New York Library and The Library of Congress as "A Group of California Indians". It is one of the earlier images you will find, along with McKenny and Hall lithographed mages of Native American Indians; and because of it's subject matter and extreme rarity, "A Group Of California Indians" commands attention and interest from the Western art collectors' arena. California became a state on September 9, 1850 making this one of the earliest known images (Circa 1856) of "Californiana" and California Native American...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. In this image, Stanley shows an encampment of the people known as the Red River of the North hunters. They were generations of European and mixed-race trappers who lived on the frontier and had Indian wives and mixed-race children. They had come to the area for bison hunting, as the herds were still vast on the prairies. In the image, the figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Camp Red River Hunters' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XII' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

The conversation of vagabond and hunter is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Cheva...