Lithograph by Henri Rivière - Paysages Parisiens - Le Trocadéro

**Lithograph on China Paper by Henri Rivière *Paysages Parisiens – L’Institut et la Cité* This lithograph, *Paysages Parisiens – L’Institut et la Cité*, is signed by Henri Rivière ...

Lithography by Henri Rivière, Parisian Landscapes - The Institute and the City This lithography, "Parisian Landscapes - The Institute and the City," is signed Henri Rivière and bea...

Lithograph by Henri Rivière Parisian Landscapes - Le Pont des Saints-Pères et Le Louvre This lithograph “Parisian Landscapes - The Pont des Saints-Pères and the Louvre” is signed H...

This lithograph, “Parisian Landscapes – Pont des Saints-Pères and the Louvre”, is signed by Henri Rivière in the lower right corner. The artwork is authentic and original. As for it...

Antique print titled 'Le Louvre et la Seine, Vue prise du Pont-Neuf'. Lithograph with a view of the Louvre and Seine river, France. This print originates from 'Paris dans sa splendeu...

This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...

Offered is a hand-colored framed antique steel engraving entitled Quai des Orfevres, depicting people and boats on the shores of le Seine with Notre Dame in the distance. The print ...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...