Items Similar to The Martyrdom of Father John Forest, Burned by Order of Henry VIII in 1538

Fray Antonio de San Pedro by Manuel de Arellano, XVII Century

Christ Healing the Possessed and the Paralytic – Antique Biblical Print, c.1700

Print of Religious Punishments with the Sword and Fire, Incl Decapitating, 1731

Engraving of Rituals and Cremation Ceremonies in New Spain by Montanus, 1673

Engraving of Roman Punishments of Mass Crucifixion Outside the City Wall, 1690

Justice and Diversity in the Early Modern World by R. de Hooghe, circa 1708

Want more images or videos?

Request additional images or videos from the seller

1 of 9

The Martyrdom of Father John Forest, Burned by Order of Henry VIII in 1538

$329.84

£244.60

€280VAT Included

CA$460.54

A$467.27

CHF 266.93

MX$5,657.44

NOK 3,135.95

SEK 3,131.80

DKK 2,134.98

About the Item

Engraving of the burning at the stake of a Franciscan friar. Here is a detailed analysis, including a description and a translated version of the text: The text at the bottom reads: "P. IOANNES FOREST Minderbroeder ende biechtvader van Catharina Coninginne van Engelandt wort bij last van Henricus VIII met een laeckeen vyer verbrandt op den 23. Meij 1538." "Father John Forest, a Franciscan friar and confessor to Queen Catherine of England, is burned by order of Henry VIII with a slow fire on May 23, 1538." This engraving depicts Father John Forest, a Franciscan friar, tied to a stake and about to be burned at the stake. Father Forest is shown with his arms tied above his head, and his expression conveys a sense of resolve, suggesting that he is facing his fate with bravery and faith. Two men in the foreground are setting up the firewood, preparing to light the flames. The detail with which the men are depicted suggests a sense of routine, perhaps hinting at the frequency of executions during this period of religious upheaval. In the background, a small figure is holding up a crucifix or a religious statue, emphasizing the religious element of the scene and the devotion of Father Forest even in the face of death. The setting sun and the dramatic cloud cover evoke a somber and emotional tone, consistent with Baroque artistic conventions. Probable Maker and Source This engraving likely dates to the late 17th century and could have been made by an artist like Romeyn de Hooghe, who was known for his politically and religiously charged prints. The engraving style and the subject of a Catholic martyr opposed to Henry VIII suggest that it was created as part of a series depicting the persecution of Catholic clergy during the English Reformation. Father John Forest was a known figure in the English Reformation, and his execution is well documented, as he was one of the notable martyrs who stood against Henry VIII's break with the Catholic Church. Significance of the Engraving This engraving is significant for several reasons: 1. **Historical Context**: It depicts the **martyrdom of Father John Forest**, who opposed Henry VIII's policies and remained loyal to the Catholic Church. He was executed for refusing to acknowledge the king as the supreme head of the Church of England. 2. **Religious Symbolism**: The emphasis on the friar's religious stance, coupled with the inclusion of the crucifix/statue, underscores the print's role as a **Catholic propaganda piece**. It evokes sympathy for those who faced persecution under Protestant reformers, highlighting their devotion even in the face of gruesome death. 3. **Artistic Detail**: The engraving's dramatic composition and the depiction of various figures involved in the execution contribute to its emotional impact. The Baroque style, characterized by movement, emotional tension, and dramatic lighting, is evident here in the interplay of light and shadow and the expressive poses of the figures. Medium: Copper engraving on laid paper Dimensions: Approximately 30 x 20 cm (image size) Description: This evocative Baroque engraving portrays the martyrdom of Father John Forest, a Franciscan friar and confessor to Queen Catherine of England, who was burned at the stake on May 23, 1538, by order of Henry VIII. The scene shows Father Forest tied to a stake, with firewood being prepared around him. His expression conveys calmness and resolve, emphasizing his unwavering faith. The background features a figure holding a crucifix or religious statue, reinforcing the religious context of his death. Such engravings were used as Catholic propaganda during the Reformation, intended to evoke admiration for religious martyrs who resisted the Reformation. The detailed rendering of the figures and the dramatic atmosphere exemplify the emotional intensity of Baroque art. Condition: Good, with age-related toning, minor creases, and intact margins. Provenance: Likely part of a larger series or publication detailing the persecution of Catholic martyrs during the English Reformation. Significance: An important historical and religious document highlighting the persecution of Catholic clergy who resisted Henry VIII's religious reforms. The engraving's detail, emotional depth, and dramatic composition make it a significant piece for understanding the religious conflicts of the Reformation era.

Dimensions:
Height: 11.42 in (29 cm)Width: 7.49 in (19 cm)Depth: 0.01 in (0.2 mm)
Materials and Techniques:
Paper,Engraved
Period:
1680-1689
Date of Manufacture:
circa 1680
Condition:
Condition: Good, with some age-related toning, small margins, and minor creases, especially in the right border. Please study the images carefully.
Seller Location:
Langweer, NL
Reference Number:
Seller: BG-13894-51stDibs: LU3054342372652

Materials

Fruitwood

Fray Antonio de San Pedro by Manuel de Arellano, XVII Century

By Manuel de Arellano

Located in Ciudad de México, CDMX

XVII century Mexican Painting by Arellano. "EL BENERABLE SIERVO D DIOS Fray Antonio de S. Pedro de la Sagrada Religion N. S. de la Merced" Signed: Arellano fecit

Category

Antique 17th Century North American Spanish Colonial Paintings

Materials

Canvas

19th Century Italian Lithograph of Assassination of Adeodato Doge IV

Located in Queens, NY

Italian Neo-classic framed lithograph of the assassination of Adeodato Doge IV by Galla and conspirators in a black and gold decorated frame (FRANCESCO DEL PEDRO)

Category

Antique 19th Century Italian Neoclassical Prints

Materials

Gold

Theodoor GalleTheodoor Galle Martin de Vos 17th Century Engraving The Traitor, 17th century

Theodoor Galle Martin de Vos 17th Century Engraving The Traitor

By Theodoor Galle

Located in London, GB

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...

Category

17th Century Realist Figurative Prints

Materials

Engraving

"the Flagellation of Jesus" After Ludovico Carracci by Guilio Tomba 1780-1841

Located in Norton, MA

Description: Etching "The Flagellation of Jesus" after Ludovico Carracci by Guilio Tomba, 1780- 1841 Paper size: 13" W x 19" H (33 cm W x 48...

Category

Antique 19th Century Italian Other Prints

Materials

Paper

16th Century, Italian Painting with Flagellation of Christ

Located in IT

Flagellation of Christ, Roman painter of the second half of the 16th century, follower of Sebastiano del Piombo, oil on panel Measurements: W 41.5 x H 58,5 cm, frame W 58 x H 72,5 cm...

Category