Portuguese Cavalry Officer with Royal Standard — Equestrian Engraving, 1790

Antique Andalusian Horse Lithograph by Brodtmann, Equus Hispanicus 1816 This elegant and finely hand-colored antique lithograph depicts a proud rider mounted on a graceful Andalusia...

Mounted Warrior of the Kassai Region – Antique Costume Print, circa 1800 This dramatic antique engraving titled “Een Cassaische Ruiter” (“A Kassai Horseman”) presents a dynamic imag...

Napoleonic General of Division on Horseback, Bellangé, French Military Print 1843 This finely hand-coloured military print depicts a General of Division of the Napoleonic army, shown on horseback and accompanied by his aide-de-camp, identified in the caption as “Général de division et son aide-de-camp, 1812.” The scene captures the commanding presence and ceremonial splendour of a senior French officer during the height of Napoleon I’s imperial campaigns, with particular reference to the period of the Russian campaign and the later years of the Empire. The general is portrayed mounted on a white horse, wearing a richly decorated dark blue uniform with gold epaulettes, sash, and orders, emphasizing his high rank within the Grande Armée. The aide-de-camp follows closely behind, reinforcing the hierarchical structure and operational discipline of Napoleonic command. The careful rendering of uniforms, horse trappings, and regalia reflects the period’s obsession with military distinction and visual authority, making this image both a historical document and a work of refined military art. This print originates from the illustrated volume “Histoire de l’Empereur Napoléon” by P.-M. Laurent de l’Ardèche, published in Paris in 1843 and illustrated after designs by Hippolyte (Horace) Bellangé, one of the most important 19th-century French military art...

Original Antique Print of Louis XIII on Horseback by F. Roy, circa 1860 Description: A graceful original antique French costume print depicting King Louis XIII of France on horsebac...

Antique mid 18th century German engraved portrait of Spanish ambassador Francisco de Moncada, with full armor and horse Measures with frame: 71 * 52 * 1.5 cm.  

Charles III, King of Spain is an etching on paper realized by Filippo Morghen after Camillo Paderni in the 1760s. Signed on the plate. Good conditions ...

Royal Gendarmerie on horseback is an original lithograph by Antonio Zezon. Naples 1853. Interesting colored lithograph which describes the Royal Gendarmerie on horseback: An Officer...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...