19th Century French Gilt Bronze Portrait Plaque of Jesus with Crown of Thorns

19th-Century Russian Orthodox Crucifixion Icon with Extensive Church Slavonic Inscriptions A deeply atmospheric and finely detailed 19th-century Russian Orthodox icon depicting the Crucifixion of Christ, executed in the traditional Byzantine manner with extensive Church Slavonic inscriptions and an unusually decorative turquoise and gilt border evocative of cloisonné enamelwork. The icon presents Christ crucified upon a dark wooden cross, flanked by the mourning figures of the Virgin Mary and Saint John the Theologian, all rendered with elongated proportions and solemn devotional expression characteristic of Russian icon painting of the period. The arched upper register bears the title “Распятие Господне” Translated: “The Crucifixion of the Lord.” The cross plaque is inscribed with “І.Н. Ц.І.” The Church Slavonic equivalent of INRI, translating to the following: “Jesus of Nazareth, King of the Jews.” Above Christ appears the sacred Christogram. “ІС ХС” Translated: “Jesus Christ.” Additional inscriptions include: “ЦРЬ СЛВЫ” Translated: “King of Glory.” and likely: “СЫН БОЖИЙ” Translated: “Son of God.” The Virgin is identified by the traditional Greek abbreviation "MR. ΘΥ.” Meaning: “Mother of God.” while Saint John is inscribed. “СТЫ ИОАНН БОГОСЛОВ” Translated: “Saint John the Theologian.” The richly ornamented border with geometric floral motifs provides exceptional decorative presence, uncommon among more austere provincial examples. The reverse retains an old typed collection or import label reading, “Russian Icon of the Crucifixion, 14 in. by 12 in., 19th Century," along with an apparent 1971 import or inventory date stamp, suggesting the work entered the United States through an early dealer, estate, or ecclesiastical collection. Presented on traditional joined wood panel construction with horizontal butons. Surface wear, craquelure, scattered paint losses, edge wear, and age-related abrasions are present throughout and should be viewed as consistent with the devotional use, age, and authenticity of the icon rather than defects. These surfaces contribute to the deeply timeworn spiritual character prized in antique Orthodox icons...

19th century Spanish Colonial carved giltwood Triptych of Virgin Mary & Christ Child Late 19th century, South America Of exceptional quality, the hinged three panel devotional ic...

Édouard Lièvre, Brass Renaissance Revival Lion Medallion Salver, C. 1870 France, circa 1870 This beautiful Renaissance Revival brass salver, made by the renowned French artist Édoua...

19th C. Polychromed Terracotta Relief Plaque of the Pietà Polychromed Terracotta Devotional Relief Depicting the Pietà Southern Europe, Late 19th Century This finely modeled polyc...

Antique Bronze Jesus Portrait Medallion Plaque by Henri Miault, French Catholic and Christian Gifts An antique bronze medallion with a portrait of Jes...

Bas Relief 'Christ with Crown of Thorns' in Cast Bronze Early 20th Century. This is a beautiful bas relief plaque depicting Christ with th...

A remarkably expressive antique cast bronze sculpture depicting the Head of Christ following the Crucifixion, most likely French and dating to the late nineteenth century. Masterful...

Stunning, one of a kind bronze corpus of Christ. The meaning of this antique sculpture obviously needs no explanation. However, not everybody looks at the corpus of Christ with the same ideas and emotions. And each individual may also have different emotions and ideas depending on his or her state of mind at a certain moment in the day or at a certain time in his or her life. Besides that, every artist/sculptor may also have his or her own ideas of what he or she is trying to express and communicate. What is important to us, is that a work of religious art speaks to us. If it speaks to us then almost always there will also be someone else who sees the beauty, deeper meaning, quality, style and uniqueness. This particular corpus stands out for its exceptional physical details and its painful facial features. We also rarely seen an antique Christ sculpture...