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Couture Coco Chanel Paul lribe Signed France Pearl Glass Art Deco Earrings c1928

$8,200per set
£6,194.34per set
€7,222.86per set
CA$11,639.07per set
A$11,713.38per set
CHF 6,798.39per set
MX$142,242.99per set
NOK 78,091.81per set
SEK 80,605.75per set
DKK 53,992.97per set

About the Item

Like the initial unbranded couture costume jewelry since 1924 commissioned by French Gabrielle "Coco" Chanel for her foreign-client ensembles, "Made In France" was stamped on their antique brass backplates. These one-of-a-kind wired earrings with among the earliest handcrafted brass ear-clips and without visible settings are decorated with a fan of button-like cultured mother-of-pearl disks mixed with Parisian organically-coated lampwork glass beads for contrasting size and texture, which we photographed in indoor sunlight for the most accurate iridescent ecru colors. Unlike other 1920s French couture designers, Chanel's early jewelry commissions sometimes mixed real and faux gems. Given their flowing abstract motif recalling a nautilus shell or crashing wave and sole color of real pearls, the earrings were most likely based on a late-1920s sketch by Chanel's new lover, the illustrator-and-multimedia-designer Paul Iribe. With designs distinguished by the liberal use of fluid forms until he died in 1935 at Chanel's French-Riviera villa, his largely uncredited collaborations with her on unsigned costume jewelry began around the time that he left his American wife in 1928 to continue their affair. In photographs of Chanel from this period, one mostly notices the abundance of pearls, such as huge round stud earrings with layered long necklaces that include baroque shapes. After Chanel's "little black dresses" and pearls fetish had radically changed women's fashion in the mid-1920s, Iribe's published design manifesto that defined traditional Frenchness aspired to make an anti-"cube" impact away from Art Deco style with his adherence to minimal rounded shapes and color with maximal use of a luxurious material like ebony or shagreen for furniture and pearls or diamonds for jewelry (see our attached photo of his pre-Chanel fountain-like brooch made with a fine jeweler). This aesthetic is apparent in their only widely known Chanel design collaboration that was the couturier's sole "high-jewelry collection". It featured flexible ribbon-like invisible settings with colorless diamonds that reflected his mirror-and-crystal interior designs, which were the exhibition setting for the 1932 public spectacle. On our earrings, the intricate glass artistry, wired cluster arrangement and earring findings are further characteristic of one of Chanel's first couture costume-jewelry fabricators Louis Rousselet. He was a lampwork master with a workshop since 1920 that became recognized for glass beads and wire-work construction. As the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated brass hardware to the 1920s. The beads of various sizes and shades of white that are wired to these earrings include four round graduating iridescent mother-of-pearls, along with lampwork glass replicating four baroque pearls, three round pearls and two seed pearls. There are natural impurities present on the green-and-pink-reflecting cultured pearls. Of note, Chanel did not include a brand signature on most of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with a similar set with more but somewhat smaller elements, which we priced the same in a different listing despite the slightly greater size and weight of this pair. So we know that they both were created for a single commission of multiple one-of-a-kind earrings with similar lampwork-glass shapes and findings to be paired with the button-like pearls personally selected by Chanel. Further, couture-earring commissions by Chanel in the 1920s can be distinguished from Rousselet's own early unsigned brand of jewelry with handcrafted decorative beads that he produced in glass, galalith and/or metal (see our other listings) because his ready-to-wear pieces during that period were sold with disposable paper tags only at French boutiques--without country-of-origin stamps and without a rear cover-plate to hide bead wiring.
  • Creator:
  • Metal:
  • Stone:
  • Stone Cut:
  • Weight:
    12 g
  • Dimensions:
    Width: 1 in (25.4 mm)Depth: 0.5 in (12.7 mm)Length: 1.25 in (31.75 mm)
  • Sold As:
    Set of 2
  • Style:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    late 1920s
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU3244222074132

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