Crayon Abstract Drawings and Watercolors

Abstracted Cubist Egyptian Pharaoh Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Centur...

Chrysler Building No 2 by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, ...

This painting, executed in rich shades of blue and gold, depicts Saint Tatiana in a moment of deep spiritual connection with nature. The central figure is Saint Tatiana,...

This painting, executed in bright and rich tones, depicts a moment of quiet contemplation and connection with nature. The central figure is a girl with a long braid, leani...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Fresh Impulse. "When a new idea has crossed your mind and you are full of inspiration to carry it out." This intuitive monochrome drawing is made with Chinese ink and pastel on whit...

Daisies and Sunflowers - Still Life Oil Pastel on Paper This fun, quirky oil pastel by a David Mark (American, 20th C) features bright, abstract yellow and white flowers with contra...

Rocio Rodriguez February 25, 2013, 2013 pastel, oil pastel and charcoal on paper 18 x 24 in. This original oil oil pastel drawing on paper by Rocio Rodriguez features abstracted rec...

Jeremy Moon Drawing 73/13 (20/5/73), 1973 Pastel on paper Hand-signed by artist, Signed and dated 20/5/73 in graphite on the lower front; the back of the v...

Confident, bold, decisive, bright! This artwork conveys such a mood. This intuitive abstract drawing is made with Chinese ink, pastel and pencil on white paper. It conveys an impulse...

Work : Original Drawing, Handmade Artwork, Unique Work ready to Hang. Medium : Watercolour, Charcoal and Pastel on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject ...

Chrysler Building No 1 by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, ...

Title : Smug Materials : Stamp,xerox transfer,pastel,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she h...

Anne Johnstone’s abstract oil pastel titled, "Flat Screen TV", features a central rectangular frame outlined in beige, white, and yellow lines. Inside, blue hues from sky blue to ind...

Each intuitive drawing has its own character, its own energy. If you tune in with it, it will give you a charge of vivacity and a bright mood! This work is made in the style of abstr...

Among my gestural drawings there is a special series. It's called «Image Meditation». Before I start drawing, I think of a word, close my eyes and try to feel the vibration of this w...

ODETTA is pleased to present works by Carol Diehl as our Flat File Feature Artist. Opening each drawer in the cabinet presents one in a series of pastel drawings that the artist beg...

"Free flow movement" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time ...

"A pleasant surprise" When something happens that you didn't expect. You are pleasantly surprised and very happy. This intuitive monochrome drawing is made with Chinese ink and past...

"Tendrils, Sleepy Orange" is an original piece by Roche Cruchon made from pastel on paper. This piece measures 15.5”h x 12.5”w framed and is signed en recto. Tendrils is a recent ex...

This spontaneous gestural drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of cheer...

This spontaneous gestural drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of cheer...

Drawn from her imagination, Paula Elliott’s modern abstract works of art depict mysterious objects. In her works pastel has become the principal medium c...

David Humphrey Remembering Florida, 1992 Oil Stick, Enamel on Handmade Paper (Contemporary Art Center of Cincinnati label verso of frame) Signed on the back 29 × 43 1/2 × 1 inches Unframed This is an abstract, mixed media work by David Humphrey. It has a "Contemporary Arts Center of Cincinnati" label on the verso. In a vintage mahogany box...

Rocio Rodriguez December 3, 2011, 2011 pastel, oil pastel and charcoal on paper 18 x 24 in. This original oil oil pastel drawing on paper by Rocio Rodriguez features abstracted rect...

Drawn from her imagination, Paula Elliott’s modern abstract works of art depict mysterious objects. In her works pastel has become the principal medium combined with charcoal, pencil...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

Abstracted Cubist Turkey Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abs...

Simon Samsonian (1912-2003) Untitled, 1991 Poster color and pastel on paper Sight size: 19 1/2 x 14 3/4 in. Framed: 28 1/4 x 22 1/4 in. Signed lower le...

Bill Shields "Micro Biomorphic Abstract Drawing III" 1990's Pastel, pencil on paper affixed to mat board Site measures 2.75"x2.5" silver wood frame 9.5"x9" Unsigned came from artist'...

A produce portraitist, Daisy Craddock's abstract oil pastel diptychs capture the skin and flesh of her subjects. Daisy Craddock examines her fruits and ...

Abstracted Nude Figurative in Pastel on Paper Vivid abstracted figurative by Black Arts Bay Area artist, Kelvin Curry (American, 20th Century), circa 2000. A woman's profile of her face and her breasts and leg is shown in bold and playful colors of fluorescent purple, orange, pink and yellow. Black outlines of organic and tribal shapes creates even more contrast, making this piece read well from a distance. The tall and thin size of this piece makes this ideal for those difficult and odd sized walls Unsigned Presented "floating" on foam core with black mat surround. Mat size: 38"H x 16"W Paper size: 29"H x 10.75"W Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Edith Isaac-Rose "Pastel Landscape Tree with Blue" 1964 Pastel on paper 11"x14" framed gold gallery frame 21.25"x1"x24" Signed and dated lower right in pencil. Came from a portfolio of her work. Born in Chicago in 1929, and neé Ganansky-Teitelbaum, she graduated from The Art Institute of Chicago in 1951 and moved to New York in 1959 where she lived ever since. Taking as her professional name her parents’ first names, Edith was a prolific artist working first as an abstract expressionist then turning in the 1980s to figurative, political work consisting of drawings, paintings, and embroideries which she called “Daily Rage”. She had been represented by the Phyllis Kind...

charcoal & pastel on paper

Large-scale abstract composition in pastel with bold geometric color-fields in in red, navy blue, green, with yellow and orange accents by Renee Harwin (Austrian, b. 1924). Tag on verso with artist info. "Renee Harwin Untitled Pastel #3 30 1/4" x 44 1/2"" is written in pencil on verso. Presented in a white plexiglass frame with plexiglass covering. Image size: 29.75"H x 44"W As a young Viennese woman, Renee Harwin found her artistic development interrupted by Hitler's arrival to her city. Soon after, Renee and her family left and moved to the United States. Harwin says that while "one can drawn his or her own conclusions from my work, I believe that the tremendous impact of change from Nazism to free America has left deep impressions on me that are played out on these canvases." Her work combines the influence of Midwest painters such as Clyfford Still and San Francisco Art Institute instructor Jack...

Bold abstract black and white pastel landscape drawing by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the estate of the artist. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

Abstracted Sleeping Female Figurative in Pastel on Paper Vivid abstracted sleeping female figurative by Black Arts Bay Area artist, Kelvin Curry (American, 20th Century), circa 2000. A woman's sleeping on her side is shown in bold and playful colors of fluorescent purple, orange, pink and yellow. Black outlines of organic and tribal shapes creates even more contrast, making this piece read well from a distance. The tall and thin size of this piece makes this ideal for those difficult and odd sized walls Unsigned Presented "floating" on foam core with black mat surround. Mat size: 38"H x 16"W Paper size: 29"H x 10.75"W Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-303 Hand-signed by author

Two Faces (Purple and Magenta) in Pastel on Paper Brightly colored faces by Bay Area artist, Kelvin Curry (American, 20th Century). Two faces are shown in profile, looking to the left. They are boldly colored - one in purple, one in magenta - and each wearing earrings. A bright orange and lime green creates even more contrast, making this piece read well from a distance. Signed "Kelvin Curry" lower right. Artist's gallery label on verso. Presented "floating" in a white mat. Mat size: 28"H x 22"W Paper size: 15.25"H x 11.5"W Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-302 Hand-signed by author

This artwork "Untitled #2" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed with initial in pencil at the lower right corner by the artist. The image size is 23 x 18 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

This artwork "Untitled #3" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 21.75 x 16.75 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

Anna Kunz was born in Chicago, Illinois, where she continues to live and work. After receiving her BFA from the Art Institute of Chicago, Kunz went on to complete her MFA at Northwes...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

"Bourrée Fantasque #2", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet ...

Bold abstract large-scale vertical pastel with textural red, black and orange forms in a sweeping diagonal composition by Renee Harwin (Austrian, b. 1924). Tag on verso with artist's name, title, and mediums. Unsigned and unframed. Image size: 54"H x 33.5"L. As a young Viennese woman, Renee Harwin found her artistic development interrupted by Hitler's arrival to her city. Soon after, Renee and her family left and moved to the United States. Harwin says that while "one can drawn his or her own conclusions from my work, I believe that the tremendous impact of change from Nazism to free America has left deep impressions on me that are played out on these canvases." Her work combines the influence of Midwest painters such as Clyfford Still and San Francisco Art Institute instructor Jack Jefferson...

Neo-Expressionist Linear Geometric Abstract #2 - In the Style of Basquiat Dynamic contemporary Neo-Expressionist abstract composition in red...

Brightly colored portrait by Michael William Eggleston (American, 20th Century). A woman with a large green hairdo is depicted against a purple and red background. She is wearing a l...

The Rainbow Pipe - Fauvist Portrait and Interior in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). A blue-faced figure on ...

Abstracted Cubist Lion Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abstract...

Increspature is a beautiful artwork realized by  Maurizio Gracceva in the 2014. Colored mixed media on plywood.  Title, date, techinique and sign on the back. Author of numerous p...

Futurist Composition is an original pastel drawing realized in the beginning of XX century by Anonymous futurist artist Mixed colored pastels on plywood. Includes a very beautiful...

Edith Isaac-Rose "Pastel Landscape in Blues 2" c.1960 Pastel on paper 17"x15" unframed Unsigned Edith Isaac-Rose (1929-2018) Born in Chicago in 1929, and neé Ganansky-Teitelbaum, she graduated from The Art Institute of Chicago in 1951 and moved to New York in 1959 where she lived ever since. Taking as her professional name her parents’ first names, Edith was a prolific artist working first as an abstract expressionist then turning in the 1980s to figurative, political work consisting of drawings, paintings, and embroideries which she called “Daily Rage”. She had been represented by the Phyllis Kind Gallery and her work is in the Hirshhorn Museum as well as numerous private collections. Edith, along with her partner of 35 years, Bea Kreloff, (1925-2016), founded Art Workshop International in 1981 where they held art and writing workshops in Assisi, Italy, Monhegan Island, Maine, and Puerto Escondido, Mexico. Edith was a resident at the Westbeth Artist Housing in Greenwich Village and was actively involved with the anti-war movement, gay liberation...

Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: Excell...

Bill Shields "Micro Biomorphic Abstract Drawing " 1990's Pastel, pencil charcoal on illustration board Site measures 3"x3" silver wood frame 9.75"x10.75" Unsigned came from artist's ...

Daisy Craddock's Moros is an abstracted still life of a Blood Orange, rendered in oil pastel. Drawn from life, Craddock considers her diptychs to be literal depictions of her fruit a...

Heads and Tails Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The ...

A striking modern abstract pastel on paper by listed Monterey, California artist Henry Elinson (American, 1935-2010), 1980. Featuring clean lines and bold geometric shapes in a palet...

Unsigned. Presented in a contemporary white frame. On paper.