Color-Field Abstract Drawings and Watercolors

Interior design paintings. The artwork was done with acrylic, watercolor and white felt pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) ...

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

This Gold Leaf and Oil on paper, named Benton Irises in Starry Night is a part of Le Bleu Series by award winning British artist Shizico Yi. She created the painting in her garden p...

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...

Title: Mid Century French Abstract Tree Expressionist Ink Painting Medium: Black ink and wash on paper, unframed French, circa 1950's Size: 23.75 inches x 15.75 (height x width) Condition: The work is structurally sound though with visible creasing, surface rippling and age related toning throughout the sheet. There is a horizontal fold line across the centre and light edge wear consistent with storage. The ink remains bold and stable. This would benefit from professional flattening and framing. Provenance: from a large collection in Paris Description: A striking mid-century French abstract expressionist ink painting on paper, executed in bold black gestural marks with a strong sense of movement and rhythm. The composition reads as a lively field of calligraphic brushwork, with sweeping strokes, broken textures, and clustered forms that suggest foliage, energy, or a landscape fragment without becoming literal. The confident use of black against the raw paper creates a dramatic, graphic impact, making this an ideal piece for modern interiors, particularly for collectors drawn to monochrome abstraction, post-war European modernism, and expressive works on paper. In this particularly powerful example, the abstract gestures resolve into a sculptural tree form. A thick, sweeping trunk rises from the lower edge of the sheet, curving upward into branching limbs that extend dramatically across the upper half of the composition. The bold, loaded brushstrokes create dense black passages, contrasted with dry-brushed edges that reveal the speed and physicality of execution. The central mass gives the composition weight and presence, while the upward branching creates a sense of growth and vitality. The organic structure is rendered through expressive, economical mark making, aligning closely with the spirit of post-war French Art Informel and modernist landscape abstraction. This fabulous mid century original French expressionist abstract tree painting...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

On offer is a mid-century abstract landscape painting by the prominent Northern California modernist painter Alexander Nepote (1913–1986). The piece showcases Nepote’s signature fasc...

Delightful petite abstract work by American abstract artist Vaclav Vytlacil. About this artist: Born in 1892 to Czechoslovakian parents in New York, Vaclav Vytlacil and his parents ...

A bold 1940s graphite on paper WPA era mural study of a Chicago city scene by Rudolph Weisenborn. Artwork size: 12 1/2 x 9 1/4 inches. Archivally matted to 18 x 16 inches, Provenance: Estate of the artist. Rudolph Weisenborn was born in Strassburg, Germany in 1881, but was orphaned at the age of nine. He was taken-in by Mid-Western farmer Thomas Westaby and spent his early years in Wisconsin, Iowa and North Dakota. Weisenborn first attended the University of North Dakota in 1898, then the Students School of Art in Denver. Various accounts have him working out west as a gold miner and cowboy. Around 1912, he settled in Chicago and worked as a window designer for Marshall Field’s. Weisenborn is best known as the founder of the Chicago No-Jury Society of Artists. The group was founded because many artists could not get their work accepted into the mainstream Art Institute shows. Weisenborn is quoted as saying that he harbored feelings of disdain for any jury and that his own paintings were frequently rejected by conservative jurors. He was also involved and helped found other radical artist’s groups such as the Salon des Refuses, Cor Ardens and Neo-Arlimusic. In 1936, he helped found the New York-based American Abstract Artist’s Group. He created the only abstract mural for the 1933 Century of Progress Exhibition in Chicago and also worked for the Federal Arts Project in the Easel Division. His WPA murals can be found in Crane Technical High School and Nettlehorst Elementary School in Chicago, IL. In 1945, Chicago businessman Herman Spertus...

Artist : Kory Twaddle Title : Blue Springs Semi Upper Level Materials : Colored pencil, marker, tempera, gouache, stickers, tape, glitter glue, pastel, oil pastel, acrylic, graphite...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...

A Striking, Colorful 1930s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "To the Wind", the artwork is colored pencil a...