American Modern Animal Drawings and Watercolors

Milton Avery Fish, 1952 Signed and dated twice lower left Crayon on paper 3 1/2 x 10 inches Milton Clark Avery was born in 1885 in Altmar, New York. Largely self-taught, Avery is t...

Post War Bay Area Figurative - Original Watercolor Painting Three Horses on a Rolling Hill, Signed Vibrant watercolor of three horses in the Bay Area rolling hills with California P...

A charming 1930s Western watercolor painting by American artist Lloyd Moylan, depicting a tender scene of horses and a foal set within a softly rendered Southwestern landscape. This...

Clarence Holbrook Carter (American, 1904-2000) Sleeping Cat, 1929 Watercolor on paper Signed and dated upper right 15 x 19 inches 21.25 x 25.25 inches, framed Clarence Holbrook Car...

An adorable wide-eyed, smiling lion nestles deeply within lush foliage, amid overlapping leaves, and clusters of small garden flowers. Californian artist Edward Lupper...

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Although we use the word 'pencil' fo...

A Delightful, 1950s Mid-Century Modern Ink Drawing of a Resting Cat by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 9 1/4” x 11 1/2” (Sheet), unframed, mat...

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. This charming piece places the yooun...

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Here an eagle, a majestic bird-of-pr...

Minou-Study of Head Charcoal and pencil on vellum, 1984 Signed and dated in pencil by the artist Minou was Barnet's feline companion throughout many of his most prolific years. It has been said that if you entered Barnet's studio and Minou did not like you Barnet lost interest and dismissed you almost immediately. Provenance: Susan Teller Gallery, prior to 2005 (one of Barnet's friends and dealers) Babcock Galleries, 2005-2008 This drawing is related to a similar composition reproduced in the Richard Boyle catalog for Babcock Galleries. References: Boyle, Will Barnet Drawings, related to works reproduced on pp. 21, 41 (see photo of page 41) Minou is the cat on the back right. Condition: Excellent Stray ink and paint consistent with a working studio drawing Archival framing with DEN Glass (see photo) Image size: 9 x 11 7/8 inches Frame size: 17 x 19 inches Will Barnet Born May 25, 1911, Beverly, Massachusetts, US Died November 13, 2012 (aged 101), New York City, US Will Barnet (May 25, 1911 – November 13, 2012) was an American artist known for his paintings, watercolors, drawings, and prints depicting the human figure and animals, both in casual scenes of daily life and in transcendent dreamlike worlds. Biography Born in 1911 in Beverly, Massachusetts, Barnet knew by the age of ten that he wanted to be an artist. As a student, he studied with Philip Leslie Hale at the School of the Museum of Fine Arts, Boston and viewed first-hand John Singer Sargent at work on the murals of the Boston Public Library. In 1930, Barnet studied at the Art Students League of New York, with Stuart Davis and Charles Locke, beginning his long association with the school. Here he concentrated on painting as well as printmaking, and, in 1936, he became the official printer for the Art Students League. There, he later instructed students in the graphic arts at the school and taught alongside the likes of Yasuo Kuniyoshi, Robert Beverly Hale and Richard Pousette-Dart. Barnet influenced a generation of artists, including James Rosenquist, Knox Martin, Emil Milan, Paul Jenkins, Ethel Fisher and Cy Twombly. Barnet continued his love of teaching with positions at the Cooper Union, at Yale University, and at the Pennsylvania Academy of Fine Arts. He was represented by the Bertha Schaefer Gallery in New York City. Barnet had three sons, Peter, Richard, and Todd Barnet, by his first wife Mary Sinclair. Barnet later married Elena Barnet, with whom he had a daughter, Ona Barnet. Death A longtime resident of the National Arts Club, Barnet died in New York City on November 13, 2012, at the age of 101. Works Barnett's works span the various "movements" of their era, from his early social realist work to his final signature style of clean lines and carefully placed volumes of solid color in a kind of minimalist representational approach. His work is concerned with humanity, yet at his core he always remained a formalist, cerebral in his approach to the elements that make up a good picture. In his interviews he articulated his well thought out principles regarding color use, composition and subject matter, in a professorial manner reflecting the theoretical acumen he brought to his teaching. Like many American painters of his generation he was digesting the evolving trends in Europe and integrating the new visual vocabulary into his American style while remaining universal, referencing his own personal history with images of his wife, his daughter, and their family pets. As James Thomas Flexner wrote, Barnet's work "makes us experience the interplay between the personal and the universal." While remaining representational, the simple elegance of the figures and their flat surfaces reflect his exploration with abstraction. Will's artistic output spans eighty years. Few artists, other than Picasso or Monet, can claim such a long continuous period of inspired art making, nor the logical progression of moving through artistic phases: in the 1930s he was a social realist, in the 1940s a Modernist, in the 1950s an Abstract Expressionist and in the 1960s and onward he settled on a representational minimalism honed from the refinement of his earlier explorations. His early work is decidedly social realist, with sullen portraits done in dark tonalities that suggest both the struggle of the depression era and the hope in the simple love of family life. He moves out of this phase with the improving economy and in the 1940s adds vibrant color and more abstract figures, suggesting a lifting of the depression era malaise. He was a key figure in the 1940s New York movement called Indian Space Painting, artists who based their abstract and semi-abstract work on Native American art; a striking movement which had a handful of practitioners (notably Steve Wheeler...

Bull engaging the muleta (Bull Fight) Signed with the Estate stamp lower left (See photo) Provenance: Estate of the Artist Marbella Gallery Inc., NYC Refer...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

Pastel on paper, anthropomorphic variety of birds ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. Hi...

Frank Nelson Wilcox (American, 1887–1964) Wild Horses, Arizona, 1937 Watercolor on paper Signed and dated lower right, titled verso 15 x 20 inches 18 x 24 inches framed Frank Nelso...

Pioneering Woman Illustrator Margery Stocking Hart draws a pen-and-ink story depicting a round table of predators encircling a vulnerable bunny rabbit. ...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 // Norton Museum of Art, West Palm Beach, Florida; High Museum of Art, Atlanta, Georgia; Brandywine Museum, Chadds Ford, Pennsylvania, October 1, 2022–September 24, 2023, Joseph Stella: Visionary Nature EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

Signed in pencil. Blanche Grambs, whose career started with the WPA, later developed a career in illustration. This drawing, watercolor and ink on trac...

Pigs on a Trolley - Vintage Picture Book Two-Page Spread Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (Ameri...

This is a complicated drawing, even for Morris Graves (1910-2001), known as the Mystical Painter of Nature. Graves tried to be sensitive to the slightest tremor or breeze that a sma...

This artwork "Looking at the Jungle" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the lower left corner by the artist. The size is 16.5 x 26.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Charlotte Huntley might have been a renowned graffiti artist – her earliest work consisted of drawing on walls. But fate intervened and she learned to control these urges with a formal education at Scripps College, Chouinard School of Art, and the Los Angeles County Art Institute. These early tendencies reemerged not just in painting, but in other artistic ways as well, to the benefit of community theaters in the San Francisco Bay Area and Chicago. She spent years as a professional puppeteer and set designer, and developing her own unique watercolor painting style. Charlotte’s use of pointillism. Charlotte Huntley AWS, June Workshop Instructor “Charlotte Huntley has special insights into color and fresh approaches to cliche subject matter. Her work in watercolor is truly unique. Charlotte adapts the Pointillism of Seurat and other post-Impressionists and makes it her own in watercolor. With Pointillism, distinct points of primary colors create the impression of a wide selection of secondary colors. The technique relies on the perceptive ability of the eye and mind of the viewer to mix the color spots into a fuller range of tones. Charlotte truly makes the most of this style of painting. Over her illustrious career, Huntley has been awarded a signature membership in 29 watercolor societies, including the American Watercolor Society, California Watercolor Association, Transparent Watercolor Soc. of America, Northwest Watercolor Society, and Watercolor West. Overall, Charlotte has received 45 Awards in National Exhibitions since 2000 – an impressive achievement. This imaginative Watercolor Artist has had over 575 paintings accepted in National Juried Art Exhibitions in 46 states, also Canada and Puerto Rico, with 113 Awards. Charlotte has proven to be a popular Juror, knowledgeable Juror, inspiring Workshop Instructor, and an Award-winning Author.The work of Charlotte Huntley is held in collections in the U.S. Canada and Puerto Rico as well as in some European country. In 2016 Charlotte has been accepted in 14 National Exhibitions with 1 Award: Signature American W/C Society (CA), Rockies West National (CO) , Animals in Art (LA) (Judge’s Award) , Georgia W/C Society , Missouri W/C Society, Society of W/C Artists (TX) , Gibson Co. Visual Arts Ass’n (TN) , Illinois W/C Society, W/C Soc. of Alabama, Rocky Mountain Nat’1 W/C (CO), Alaska W/C Soc., Aqueous USA 2016 (KY), Niagara Frontier W/C Soc . (NY) and Northwest W/C Soc. (WA). Elite Awards Sylvan Grouse Guild Award, Pennsylvania Watercolor Society Elite Signature Status , Watercolor Art Society-Houston Master Signature Member, Western Colorado Watercolor Society Received over 100 Awards in National Exhibitions: 2014 3K1 Place, Gibson Co. Visual Arts Ass’n (TN), 4lb Place, Soc. of Watercolor Artists (TX) and 5 other Awards. 2013 !st Place, Gibson Co. Visual Arts Association (TN). Awards Red River W/C Society , West VA W/C Society, Watercolor Wyorning 2012 2nd Place, Gibson Co. Visual Arts Ass’n. (TN). 3’d Place, Cheyenne Artists’ Guild, Awards and 2 others. 2011 lst place Cheyenne Artists Guild, lst place Society of Western Artists, CA 2nd Place Niagara Frontier WS, NY and 6 others. 2010 Best of Watercolor, Arts in Harmony , MN, and First Place, Kentucky W/C Society Aquaventures 2009 Mary Anderson Surnner Award and Gold Medal, Red River Valley, TX 2008 Amy Freeman Award, Texas Watercolor Society, Presidents Award, Arizona Watercolor Association 2007 Founders Award, Watercolor West, CA , Third Place, Red River Valley Museum , TX 2006 AWS Traveling Exhibition 2005 First Place in Painting Division, Girardot, MO 20(A Second Award, Gulf Coast National , TX 2003 Arches Award, Aqueous Open, PA 2002 Best of Show , Visual Arts Center of NW FL, President’s Award, Society of Watercolor Artists , TX 2001 Board Of Directors’ Award, Western Colorado Watercolor Society 2000 Best of Show, Art Wyoming, WY Books and Magazines Together with Judi Betts...

Legendary female illustrator, Peggy Bacon, paints a moonlit scene of a cat running through the quiet sanctuary of a cemetery. Cast in a nocturnal blue tone, Bacon creates a poetic ...

Clarence Holbrook Carter (American, 1904-2000) Pappy (Study for Over and Above: Gorilla), c. 1973 Colored pencil on paper Signed and dated lower left 7 x 7 inches 20.75 x 19 inches, framed Condition: Small stain on mat next to lower right corner of painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Early modern original watercolor and gouache ad layout for Foley's by Houston portraitist Robert C. Joy. The work features a mink stole laid out in the shape of a question mark. Ther...

VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Salty” Materials : Chalk pastel and pencil on Arches Paper Date : 2016 Dimensions : 20 ¼ x 24 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

untitled (Painting of Exotic Birds in Fantastic Landscape leaning against a wall)) Graphite on paper Signed by the artist in pencil lower right Pr...

Striking and refined, “Pinto” (1933) is an original modernist ink drawing by American artist Hilaire Hiler, capturing a powerful Native American figure on horseback with elegance and...

This artwork "Man Riding a Camel" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the lower ...

This artwork "The Bird Lover" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the lower righ...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Full title: That Day in Crete when you found the Blue Blanket in the Rocks and Dried it ...

John Whorf captures one of the thrilling moments of fishing in this watercolor – when the fish is on the line, but still trying to escape. One of the fastest fish in the world, marlin fishing...

Quicksand (Small) #18 Colored pencil on raw sienna laid rag paper, 1980 Signed and dated by the artist on the image upper right (see photo) Titled and described by the artist verso C...

British-American painter and Female Illustrator artfully renders six different animals closely grouped on one page. They are seen as individuals, but silhouetted, not relating to one...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

This remarkable aquatint print handpainted and collaged with watercolor depicts dogs actively engaged in friendly play in a desert landscape. Leashes fly outside the square composit...

"Seated Cat" is an original charcoal drawing on paper by Sylvia Spicuzza. The artist stamped her signature lower right and wrote the title in charcoal lower left. This piece is a stu...

Signed and dated to lower edge 'Paul Rand 11.52'. Collection of the artist - Mounted along upper eduge to matboard, Unframed.

Paul Cadmus captures the quiet grace of a sleeping cat in these expressive sketches. Executed in white chalk on brown paper, this intimate study measures 10.25 x 13 inches. Three St...