Unknown

Path to Town

Circa 1950

Lovely watercolor landscape painting of path through wood, 1992. Signed lower right. Original artwork on paper displayed on a white mat with a ...

French watercolor mingles old world charm with impressionistic street view and colorful shop fronts, circa 1950. Original artwork on paper displayed on a white mat with a gold b...

Mid-century watercolor by French artist Heintz, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archival plastic ...

Beautiful French ink wash painting of farm, circa 1940. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. ...

Stanley Reckless's formal art training began at the Pennsylvania Academy of the Fine Arts in 1913. He studied with Daniel Garber and was greatly influenced by his teacher's lyrical a...

PRINS Pierre Ernest (1838-1913) Pastel on card signed low right and dated 1912 Luxury frame gilded with gold leaves with protective glass cover Card Size ...

This artwork titled "Village by a Road" c 1940 is a watercolor on paper by noted artist Donald Jeffries Bear 1905-1952. It is signed in pencil at the lower right corner by the artist. The artwork size is 10.65 x 14.5 inches, framed size is 17 x 21 inches. Framed in original frame. The artwork is in good condition, paper is toned by time, the four extreme corners are slightly discolored by hanging tape. The frame is also in good condition with minor dents, the linen is slightly discolored by time. The item is over all in good condition. About the artist. Donald Jeffries Bear, the Santa Barbara Museum of Art's founding director from 1940 to 1952, was born on this day, February 5, 1905, in Terre Haute, Indiana. He previously served as the Director of the Denver Art Museum (1935-1940), regional advisor for the Federal Art Project (1935-38), and as principal of the World's Fair in New York (1938-39). While director of the SBMA, Bear served as president of the Western Association of Art Directors from 1943 to 1946. He was also an art critic and, last but not least, an artist. Bear was well travelled, spoke numerous foreign languages, and as a Renaissance man, he was a singular match for another local polymath, Wright S. Ludington. In addition to his duties as director, Bear was also the curator and was responsible for producing over 600 exhibitions during his tenure. The exhibitions were as remarkable for their quality as well as their quantity, including SBMA's inaugural exhibition, Painting Today and Yesterday in the United States (June 5―September 1, 1941), which featured pieces from George Bellows, Mary Cassatt, Robert Harnett, Childe Hassam, Robert Henri, Winslow Homer, Edward Hopper, Yasuo Kuniyoshi, Georgia O'Keefe, and numerous others. Perhaps most remarkably, the SBMA displayed two of the most influential paintings of the 20th century, Pablo Picasso’s Guernica (1937) and Marcel Duchamp’s revolutionary Nude Descending a Staircase, No. 2 (1912) as part of the “Free France” exhibition in 1942. He was also responsible for producing numerous solo artist exhibitions, many of which were the first of their careers, including: William Dole, Clarence Hinkle...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Initialed and dated in pencil in the lower right recto...