Joseph Mathias Negelen

Joseph Mathias Negelen (1792-1870) - 1833 Charcoal Drawing, Lady in a Bonnet

1833

A charming portrait mezzotint of a young lady with a well-plumed hat by Minnie Cormack (1862-1919), thought to be after one of a pair of works by George Morland (1763-1804). Wearing ...

A striking early 19th Century portrait in charcoal, showing an elegant young woman. Her dress and the style of her hair date this portrait around 1830. Her soft, sloping shoulders an...

A charcoal and white chalk portrait of Lady Frances Calder (1795-1855), wife of Sir Henry Roddam Calder, 5th Baronet of Muirtown (1790-1868), and daughter of Edmond, Earl of Limerick...

A charming study of Thomas Gainsborough's three-quarter length portrait of Welsh actress Sarah Siddons. Sarah Simmons was born a family of theatre professionals in Brecon, Wale. Afte...

Portrait is a modern drawing in pencil on paper realized by an Anonymous artist of the 19th Century. hand-signed on the lower righ, illegible. Good conditions. The artwork represen...

Paul Gavarni (1804-1866) La Soubrette (The handmaid), pencil, watercolor and heightenings of gouache on paper Signed lower right (faded) 20 x 15 cm In quite good condition, lightly sunstroke and yellowed Framed 28.5 x 23 cm Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier (13 January 1804 – 24 November 1866), a French illustrator, born in Paris. The story is told that he took his name from Gavarnie in Luz-Saint-Sauveur where he had taken a journey into the Pyrenees. He was a very famous illustrator, friend of Felix Nadar...

Jean-Henri Cless (1774-1812) Portrait of a young woman in a landscape signed "Cless fec" for fecit on the lower left Brown ink and brown ink wash on paper Size of the sheet : 31.5 x 22 cm Size of the motive : 24.5 x 17 cm very simply framed under glass without actual frame 32 x 22.5 cm This pre...

Watercolor Portrait of a Fashionable Woman Wearing a Turban by Henry Edridge, A.R.A. (London 1769–1821) signed and dated 'H. Edridge / 1818' (lower left) pencil and watercolor heightened with white, on paper Executed in 1818, this highly finished drawing stands as a prime example of Henry Edridge's late, celebrated portrait style. It perfectly captures the sartorial elegance of the late British Regency period. By the turn of the nineteenth century, Edridge had established a highly lucrative London practice. He was patronized heavily by the royal family and prominent members of high society. His distinctive technique combined meticulously detailed graphite work in the face with broad, fluid watercolor washes to delineate drapery and background textures. A wealthy, unidentified gentlewoman is seated upon a classical, heavily carved Regency chaise...