Art by Medium: Plastic

In Untitled 10.4.25, Bryan Ricci creates small, deliberate strokes that gather across the surface, accumulating into layered fields of blooming color. These marks oscillate between p...

Be Wild Fiberglass / Composites Filled Resin Base Turquoise Finish 37" x 18" x 10" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed guide...

The face of a young woman is featured in this oil painting on mylar, mounted on panel that is 12 x 12 inches. Professionally framed in burnished gold leaf over wood with an outer dim...

Fidel Santos' evocative photograph, L'occhio di Dio, captures a stunning polychromed carving of the All-Seeing Eye, radiating golden beams of light against a stark black background. This aged and fragmented artifact, with its cracked and weathered surface, embodies the passage of time while preserving its spiritual and symbolic power. The All-Seeing Eye has deep historical roots, originating in ancient Egypt as the Eye of Horus...

Artist: KAWS, Title: Share (Brown) Series: Toys Date: 2020 Medium: Sculpture Unframed Dimensions: 12.4" x 6.3" x 3.94" Signature: Stamped Edition: Open Edition KAWS (Americ...

Sergio Ranalli Caribbean Sea, Aerials, 2017 44 x 60 inches Edition of 10 Archival Pigment Print Unframed Ask us for framing options.

Artist: Initialled “RG” (British) Medium: Acrylic on paper Date: 1969 Size: 16 x 23 inches Signature: Initialled and dated 1969 Condition: Good condition Description A bold and ener...

The artist intends to modifie the human landscape with the abstract presence of his artworks. The point of starting to think this artwork, we can say that it is the same of the Fran...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

Part of a triptych, inspired by recycling, golf ball, plastic lovely silver wooden frame. Will be signed. I like especially the transparent background of the picture which is giving ...

Created for the 2017 Whitney Biennial, Aurora uses a photograph of a dense, lush landscape captured at dawn. For this work, Soto developed a technique using layers of face-mounted, l...

Figurative oil on board painting in brass frame placed under plexiglass by Polish artist living in the USA, Monika Rossa. Frame is an integral part of the painting. Artwork depicts s...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Contemporary Fiber Art, Needle Felted "Painting" with Hand Stitched Wrapped Edge Hangs on wall via french cleat Groot Foundation Honorable Mention Recipient 2025 "My work, both in...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

This piece depicts a colorful collage composition portrait of a Pin-up model from the 1950s, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 36 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

Ole Ole. Fiberglass and resin carpaint New construction and Perfect condition Limited Edition 8 copies + 4 H.C. Bernard Rives was born 1947 in Carcassonne (France). He studied in ...

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth, piled upon one another into a column, or as the artist calls it, a totem. The pastel painted plaster in peach and lavender looks almost soft. The piece is smooth and the bold navy blue, taupe and marigold yellow paint embellish the abstract geometric design. This sculptural votive candle holder is a functional and decorative tabletop art...

This engaging and kinetic artwork was created by the French artist Jean Marie and Marthe Simonnet Title "Polimorphes" translated in "Polymorphic". This artwork is Kinetic and can c...

3-D hand made artwork using Perler beads and mixed media in a plastic pot with foam dirt the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

Miriam LaTour Shapiro Mardi Gras, 1997 Acrylic and mixed media Hand-signed by artist, signed in acrylic paint on the front Unframed (the work was removed from its original vintage fr...

"Breathless Civilization" In this work, I explore the fragility of human systems—the moment when the line between protection and vulnerability begins to dissolve. Gas masks, once symbols of survival, become artifacts here. They no longer protect; instead, they carry the memory of fear and the instinct to endure. I intentionally build a tense, almost fractured surface—through aggressive drips, layered textures, and broken, gestural marks. For me, this is a visual language of urban decay and emotional residue, traces of what remains after overload, anxiety, and loss of control. The fragmented elements within the composition are not just formal—they reflect a world where survival has become automatic, stripped of human presence. I’m interested in that shift—from conscious existence to something mechanical. This work does not follow a direct narrative. I see it as an artifact—a trace of a civilization that adapted too late. Air, in this piece, is not only a physical necessity but also a metaphor for freedom—something increasingly restricted, filtered, and controlled. By merging painting with object, I intentionally blur the boundaries between mediums, reinforcing the central tension of the work: protection and vulnerability, presence and disappearance." Artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Circa 2010. Canvas size...

Technique: Every piece of the artwork is handmade with polyurethane resin - mixed media mosaic  Edition: limited edition of 10 copies Certificate: of authenticity provided Size: 6...

"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor Print size 40x40 Inches Artwork finished size 42x42 Inches Limited edition of 20 Artist proof 2 Signed and numbered by the artist. Comes with COA issues by the artist. Medium: This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

#11071, 9 September 2015, Chaco Canyon, New Mexico is a piece from Jamey Stillings new ongoing project CHANGING PERSPECTIVES. CHANGING PERSPECTIVES buil...

Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...

Foam clay, acrylic and enamel on fir wood circular relief that combines lunar bas-relief with a measured, stitched yellow band; a mixed-media wall sculpture engaging lunar topography...

Dramatic small-scale painting created with oil on mylar mounted on panel by Russian-American artist Elena Zolotnitsky that depicts a “chair” from her “Extinct series” of paintings that features abandoned chairs. Artwork is 6 x 6 inches, Professionally framed 7 x 7 inches. Elena Zolotnitsky is Inspired by the concepts of beauty, adolescence, and passing time. She seeks to create works that are alive with the raw physicality of paint, to which viewers can relate on an emotional level. Artist signed, titled, and dated verso. The condition is new and excellent. Proudly presented by Andra Norris...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

Tiger 1, Archival Photographic print reverse mounted to Plexiglass with aluminum hanging hardware- Edition of 10. Max Clifton is a renowned nature photographer who is celebrated no...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Shuttleworth's work is noted for her use of traffic cones and other found materials. Lana describes her work as representing the "common ground aspirations for diverse societies by depicting idealized landscapes transforming cross-cultural bi-products into works of art. Across the global commons, once diverse landscapes and the societies they support are synchronizing with the ideology of progress in plastic consumption. Plastics are nature-transformed from ancient life remains buried deep beneath the foot of our cultural landscape. Born into service to progress, recovered water bottles, x-ray film and safety cones...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

“Greenhouse Composition 36x24 Series 02” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

“Greenhouse Composition 36x24 Series 01” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

“Greenhouse Composition 36x24 Series 15” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

“Greenhouse Composition 36x24 Series 21” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

“Greenhouse Composition 36x24 Series 05” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

Planter square. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden ...

Dramatic oil on mylar on panel painting by Elena Zolotnitsky depicting a chair from her Extinct series of abandoned chairs and their unique histories. Professionally framed in a clea...

Cowboy II, Archival Photographic print reverse-mounted to Plexiglass with aluminum hanging hardware- Edition of 10. Max Clifton’s 2024 Cowboy Series is a powerful study of characte...

Artist: Takashi Murakami, Japanese (1962 - ) Title: Hiropon II Bear Solar Citizen Watch Year: 1998 Medium: Plush Toy and Watch Edition: 1999 Size: 7...

Keith Haring Pop Shop bag c.1987: Rare original 1980s Keith Haring Pop Shop collectible featuring Keith Haring’s Three Eyed Smiling Face on a double-sided vinyl pouch. A classic 1980s Keith Haring Pop Shop collectible that is well-suited for display. Medium & Dimensions: Screen-printed heavy-weight vinyl pouch with sliding zip top. Double-sided. Approximately 9x9 inches. Condition: Well-preserved and in very good overall vintage condition. Unsigned from an edition of unknown; scarce. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened...

J'Adore Fiberglass / Composites Filled Resin Base Gold Metallic Finish 47" x 12" x 10" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed g...

Various artists We Love You...So Love Us, 2000 We Love You – AMOUR 1 LP Cover art credit: Banksy Album cover with vinyl record inside Vinyl record held silkscreened album cover 12 1/...

Keith Haring Pop Shop, c.1986: Vintage original 1980s Pop Shop bag designed & illustrated by Keith Haring. Features a bold 1985 Keith Haring prin...

High schoolers picnic on the beach at Bonita Springs, Florida, 1955. Slim Aarons Spring Break Black and White Photography Slim Aarons Estate Edition Nu...

Bussie Parker Kehoe’s Bounty exemplifies her innovative practice of transforming recycled house paint into sculptural paintings. Built entirely from layered and carved pigment, the w...

"Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflective eyes. This pain...

Stunning original panel made of 9 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is unique, with beautiful rust and copper tones, and several are signed by the artist. This very large, striking piece has a great Brutalist and Modernist feel. It is particularly notable as an example of Hitchin’s mastery of finishing techniques in simulating aged metal. The relief sculptures were visible outside of Ron’s house and became a Hackney landmark. They were carefully removed by the artist's estate after Ron passed away. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Rust and copper tones Signature: 5 of the relief sculptures bear the artist's trademark initials “RH” Framing: The sculptures have been carefully mounted on a cotton covered board with a walnut wood trim and a hidden subrame on the reverse for ease of hanging. Authenticity: This piece was purchased directly from the Artist's Estate and comes with a certificate of authenticity signed by the sole executor of the Ron Hitchins...

artwork dimensions (unframed): 15h x 20w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

"Flying Carousel", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French pho...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

A figure appears when looking straight in the middle of the piece Acrylic, STRAWS, Plexiglas. Sang Sik Hongs' work is all made by hand; each straw is hand placed, a contrast to the...