Screen Mixed Media

Artist: De La Nuez, Nelson Title: I Bite Babies Date: 2025 Medium: Acrylic and mixed media on paper Unframed Dimensions: 33" x 32" Framed Dimensions: 40" x 42" Signature: Sign...

This orginal piece by Luke O'Sullivan is made from wood and salvaged materials that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 56”h x 26”w x 10”d. Artist Statement // My work is about the intersection of built environments and subterranean systems. I create drawings and sculptures of fantastical urban environments. Often inspired by dystopian and science fiction films, I combine recognizable architectural forms and impossible buildings to make diorama-esque works. Early Nintendo games...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

This piece titled "Bonus Zone" is an original artwork made from screenprinting on wood by Luke O'Sullivan. This piece measures 33”h x 9”w x 9"d "Surprise and luck are always present...

This piece titled "Jake Yeager Untitled 3" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. Founded in 1997 at 10...

"Chanel No. 5", 2018, 40 x 40 cm, is a mixed media work by German artist Devin Miles depicting Marilyn Monroe. The mixed media work is a painstaking crafted work made of brushed alum...

Artist: De La Nuez, Nelson Title: Martini Time Date: 2026 Medium: Mixed Media on Paper Unframed Dimensions: 33.5" x 33.5" Framed Dimensions: 42" x 42" Signature: Signed Editio...

Jeff Koons Monkey Train beach towel 2008: A highly decorative limited edition 2008 Jeff Koons Monkey Train towel. Measuring 70x60 inches - this work would look outstanding framed. This outstanding Jeff Koons Monkey Train collectible...

Gerald Laing City Center Light Opera, 1968 Lime colored Screenprint on die-cut Mylar Hand signed, numbered 6/144 and dated in pencil on the front 25 × 35 inches Unframed Gerald Lai...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture with additional wire and copper details. The finished piece measures 40”h x 35”w x 11”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

Known for his elaborately crafted paintings and ornate sculptures, Rolón worked with master printer Luther Davis of the renowned Axelle Editions print shop to create a hybrid silkscr...

Mr. Brainwash Chaplin, 2023; Executed in the famed style of the famous graffiti artist Banksy, this composition fuses historic pop images with present day icons. Mr. Brainwash, a pse...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Audrey is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame. 24 × 18 in...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...

Unique hand embellished with acrylic paint and silver marker on serigraph. Hand signed and dated by Ronnie Cutrone. Artwork size: 40 x 30 inches. Frame size: approx 44 x 34 inches...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s Keith Haring Pop Shop Tokyo bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop Tokyo logos, plus bright, lush colors which make for a unique frame piece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Artist: De La Nuez, Nelson Title: All About The Bag Date: 2024 Medium: Mixed Media Unframed Dimensions: 37" x 33.5" Framed Dimensions: 45.5" x 42" Signature: Signed Edition: ...

Artist: Brainwash, Mr. Title: Not Guilty Date: 2026 Medium: Silkscreen and mixed media on paper Unframed Dimensions: 36" x 36" Framed Dimensions: 42" x 42" Signature: Signed E...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Damien Hirst, H13 The Empresses, H10-3, Theodora, 2022 Limited Edition. 100 cm by 100 cm, 39.3 in by 39.3 in. Beautiful large piece; stored since original purchased. Laminated Gicl...

This piece titled "Jake Yeager Untitled 12" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. Founded in 1997 at 1...

Jacquelyn Strycker Held Breath, 2026 collage of risographs on Japanese papers with sewing and acrylic gouache 33.5 x 33.5 in. (Str043)

Jacquelyn Strycker Before it Settles, 2026 collage of risographs on kita kata papers and handmade papers with sewing 34 x 23 in. (Str044)

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Arman Filetto Al Barolo - Barolo - New York, NY, 1998 Ceramic Plate Signed in plate, Artist signature fired into the plate on the front and back and numbered 157 from the edition of 1000. (far fewer made) 10 3/10 inches diameter by 1/4 inches height Unframed Very rare as only a fraction were actually made, and many were thought to have been lost after 9/11. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

Artist: Peter Max (1937) Title: Sailboat on the Horizon Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 21 x 15 inches Inscription: Signed in ink Notes: Publishe...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Artist: De La Nuez, Nelson Title: I Love NY Dog Date: 2025 Medium: Acrylic and mixed media on paper Unframed Dimensions: 32" x 32" Framed Dimensions: 40" x 41" Signature: Sign...

Artist: Max Hein Title: Cube Year: 1974 Medium: Acrylic with Collage on Paper, signed and dated in pencil Size: 23 x 29 in. (58.42 x 73.66 cm)

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

Sam Francis Suite of Four Limited Edition Ceramic Plates, ca. 2000 Set of four (4) limited edition ceramic plates in original museum box Edition of 2000 7 × 7 inches Unframed Note: M...

2015 piece by Mr. Brainwash, hand finished, and unique, one of a kind. Metro Polisa. Hard to come by piece. Dimensions of 24 x 46 inches. Stunning piece featuring the Mona Lisa in th...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Peter Halley Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000 Limited Edition Ceramic Plate. Artist signature fired into the plate on the underside and numbered 166 from the edition of 510. 10 3/10 inches diameter by 1/4 inch height Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo...

TECHNICAL INFORMATION Speedy Graphito Home Street Home 2013 Hand-painted silkscreen with acrylic and spray paint 40 x 27 1/2 in. Unique Signed l.l. Accompanied with COA by Gregg...

This striking “Unyielding” aluminum signed print from 2020 stands as a commanding testament to one of the most influential figures in contemporary street art. Conceived by Shepard Fa...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Robert Petersen Giotto, 1989 Mixed Media: Silkscreen with Watercolor and Acrylic on paper Hand signed, numbered and dated on front A.P 2/3 (Unique variant - each example unique with ...

Allan D'Arcangelo Trenette Al Pesto - I Tre Merli - New York, NY, 1998 Ceramic Plate Artist signature fired into the plate on the back and numbered 132 from the edition of 1000. 10 1/8 inch diameter by 1/4 inch height Unframed "My most profound experiences of landscape were looking through the windshield." - Allan D'Arcangelo. Note: the stated edition is 1000, but far fewer were actually made, and many were said to have been lost after 9/11 which is why this is so scarce. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

Mr Brainwash Balloon Girl, 2022 Screenprint in colours and mixed media Hand signed in ink lower right, hand signed and dated on the reverse Inscribed 'UNQ21218', with a drawing (...

The Long Memory is an 18-color screenprint on paper by the artist Betye Saar The Long Memory 1998 Signed and numbered, recto 18-color screenprint on paper (Edition of 100) 14.5 x...

This piece is an original black and white photograph by George Hurrell with an original mat design by Erté. The photograph, which was shot in 1984, depicts cabaret artist and costum...

(Unique) 1/1 edition Max, Peter Profile with Flowers, c. 1989 Mixed media with watercolor and serigraphy on paper 15 x 11 in.

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content. Pat Lay has used computer data and computer parts...

Double layered 3D constructed mixed media serigraph on white museum board with crystals and glitter. Hand signed lower right by Charles Fazzino. Hand numbered 62/200 lower left. I...

Unique hand embellished with silver marker on serigraph. Each print has been embellished by Ronnie Cutrone differently, making each unique. Hand signed lower right by Ronnie Cutron...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Published, printed,...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

D*Face is a London-based sculptor and stencil artist, who uses London as his own personal gallery. Sticking, pasting and drawing on any wall or space he doesn't actually own. (If he ...

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Monotype silkscreen on Fabriano paper Size: 19.75 x 15.25 inches Inscription: Hand signed in ink PETER MAX (1937- ) P...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Darren Goins, (American, b. 1993) Acrylic paint and metal flake glitter with silkscreen on paper Not signed on front. (presumably signed verso but has not been examined out of fram...

Yaacov Agam - Colorful Screenprint with Transparent Acrylic Prismsedition numbered '57/144' A vibrant and visually dynamic work by Yaacov Agam, pioneer of kinetic and optical art, c...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 28 x 22 inches Inscription: Signed in ink Notes: Published, printed,...