Charcoal Abstract Paintings

Two Stories (Abstract painting) Acrylic, charcoal and graphite on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in ...

Pebble In The Sky (Abstract painting) Acrylic, charcoal and oil pastel on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant t...

Red Monologue (Abstract painting) Acrylic, charcoal and oil pastel on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube....

The Palms #2 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

The Palms #6 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

The Palms #4 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

The Palms #5 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

The Palms #9 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

In the weeds ink bloom #1 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #2 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #3 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

My black greyhound (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This...

North Point (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method...

"in City and in Forest 29" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

Advance (Abstract drawing) Charcoal on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, c...

Graphic romantic– Part 1 (Abstract painting) Acrylic, charcoal and pastel on raw canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound se...

Stem in Black #1 (Abstract painting) Charcoal & Oil stick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, im...

Intermezzo 6 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Lux on the 5th (Abstract painting) Acrylic, charcoal and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama ...

Intermezzo 4 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Monochrome abstraction Part 1 (Abstract painting) Acrylic, charcoal and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound...

Intermezzo 7 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Advance (Abstract drawing) Charcoal on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, c...

Ingenuity (Abstract painting) Ink, oil pastel and charcoal on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a pro...

Intermezzo 5 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Graphic romantic– Part 2 (Abstract painting) Acrylic, charcoal and pastel on raw canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound se...

Stem in Black #1 (Abstract painting) Charcoal & Oil stick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, im...

Graphic romantic– Part 2 (Abstract painting) Acrylic, charcoal and pastel on raw canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s pa...

Intermezzo 6 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Monochromatic Series – Nr 2 (Abstract painting) Acrylic, charcoal, graphite and oil pastel on (off-white) canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be sh...

The Mediterranean (Abstract painting) Acrylic, charcoal and oil pastel on canvas - Unframed. This work will be shipped rolled in a tube. Artwork exclusive to IdeelArt. Adrienn Krah...

Manifest 2 (Abstract Painting) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such a...

Balance (Abstract painting) Ink, oil pastel and charcoal on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama and emoti...

Intermezzo 4 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Monochromatic Series – Nr 2 (Abstract painting) Acrylic, charcoal, graphite and oil pastel on (off-white) canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be sh...

Monochromatic Series – Nr 1 (Abstract painting) Acrylic, charcoal, graphite and oil pastel on (white) canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shippe...

Manifest 2 (Abstract Painting) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such a...

Charcoal & Oil stick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that a...

Charcoal and acrylic paint on canvas - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal,...

Charcoal on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal, paint on traditiona...

Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal, paint on t...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal, paint on t...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a ...

This unique perspective cityscape piece titled, "Manhattan" is a 46x46" mixed media painting on canvas by artist Abraham Pinto. Featuring a bird's eye view of the New York City, Pint...

Shadow & Fog IV, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Shadow & Fog III, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive int...

Shadow & Fog II, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Shadow & Fog I, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into ...

Scattered Light, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Not Tranquility, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Restless Thoughts, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive in...

Intoxication & Trauma, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a div...

Abstract diptych painting by Katherine Filice created with layered ink, stucco, mica, charcoal, and found materials on two wood panels. Part of her "Common Ground" series, this work ...

Encaustic abstract painting by Katherine Filice, incorporating charcoal, ink, wax, and found objects on a wood panel. Part of the artist’s newest series, "Common Ground", this painti...

Isabel Turbán Untitled , 2017 Mixed media on paper 30 x 22 in (76.2h x 55.88w cm)

Acrylic, enamel, lacquer & pastel pencil on canvas

Acrylic on canvas Diptych 2 x (30 x 30 cm) Hochstrasser Cinzia born in 1979 is a Swiss artist who lives and works in Lugano, Switzerland. She is a self-taught artist who started pa...

Acrylic on canvas Diptych 2 x (80 x 40 cm) Hochstrasser Cinzia born in 1979 is a Swiss artist who lives and works in Lugano, Switzerland. She is a self-taught artist who started pa...