Etching Abstract Paintings

Danny McCaw's (US based) "Conversations" is an oil painting with impasto brushstrokes that depicts two ambiguous figures with orange and red patterns stretching between them onto the...

"Cairo 2" Abstract Painting 39" x 28" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course completion fr...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Includes a Certificate of Authenticity

Howard Hodgkin based this print on a trip he took to visit his good friend and fellow Petersburg Press collaborator David Hockney in Los Angeles. The mid-eighties saw new levels of abstraction in Hodgkin’s work, building exuberantly off the ambiguous spaces of his earlier work. The artist used six colors of paint, producing a unique depth and texture to each print in this edition. Howard Hodgkin was introduced to the etching technique used in DH in Hollywood at Petersburg Press, where he was a long-time collaborator. Soft-ground etching allowed him to work fluidly and spontaneously, giving his prints the characteristic black brushstrokes seen in this print. Paper 8.4 x 11 in. / 21.3 × 27.9 cm Soft-ground etching (from one plate) with hand coloring in watercolor (orange-red, brown, and green) and oil pastel (red and...

"The Day After" is an abstract Post War oil on canvas painting by Michael (Corinne) West in 1963. The artwork is 85 1/4 x 50 1/8 inches and is 86 7/8 x 51 5/8 x 2 inches with the fra...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park. 89"". Born in South Korea, Park Jae Kon...

"The Zoo" is an abstract Post War oil on panel painting by Hans Hofmann in 1944. The artwork is 21 3/8 x 24 1/2 inches and, with the frame, is 22 1/4 x 25 1/2 x 2 inches. "The Zoo...

A painting by John Millei. This Untitled work is an abstract, oil on mylar painting by Post War artist John Millei.

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds, yellows, and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jaw Kon Park, 92"". Born in South Korea, Park Jae Kon...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...