George Hughes

Sunday Afternoon Callers, Saturday Evening Post Cover, June 17, 1950

1950

Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, December 2, 1950 The Post described, “One night Art Editor Stuart was having a party. His three boys came downstairs four times and were conducted back up by their mother. The next time they came down, Papa Stuart waxed excited, firmly conveyed them aloft himself, and they did not show up again. Stuart was warmly congratulated on his success as a father. When the party broke up, the youngest lad was found asleep on the stairs. Stuart claims that the older ones never did come down again, but this was probably because they merely went to sleep in their beds from natural causes. George Hugehes has painted some other people’s offspring, to get over the idea that children all over America are eager to improve their minds by listening to sophisticated conversation.” (The Saturday Evening Post, December 2, 1950, p. 3) Exhibited: Norman Rockwell Museum...

Cover of The Saturday Evening Post, February 5, 1949 Label on back is Falter’s handwriting, his daughter said Curtis Publishing probably titled it “meeting the Date”. The Episcopal ...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 18.50" x 16.75", Framed 24.00" x 22.25" Saturday Evening Post Cover, April 19, 1952 Thornton Utz liked to work out the poses of his figures with rapid, free sketches that clearly expressed the mood or mental attitude of his characters. Once this had been established, he then posed an photographed his models, as nearly as possible, in the predetermined positions. The photos furnished the details of folds and lighting which lent added factuality to his original poses. He used this approach effectively for his humorous Saturday Evening Post covers as well as for the more serious fiction illustrations for Cosmopolitan, McCall’s, The Ladies’ Home Journal, Redbook, and Good Housekeeping. Utz participated in the Society of Illustrators Air Force Art Program and received a citation from General Curtis LeMay for documenting the airlift of Hungarian refugees. Utz also received the Governor Bryant of Florida Award for his freedom posters. He was born in Memphis, Tennessee, and studied under Burton Callicott in Memphis. He also attended the American Academy of Art in Chicago and late taught at the Chicago Art Institute. Utz eventually concentrated on paintings and commissioned portraiture, which included President Carter...

Medium: Oil on Canvas Signature: Signed Lower Left: Hughes Sight Size 25.00" x 23.00;" Framed 31.25" x 29.25" Original cover illustration for The Saturday Evening Post, November 11,...

This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Only Ballantine Ale Brews "Brewer's Gold," ad illustration appeared in the major magazines of the day. A magic moment is caught at a peak point of drama. It's the instant of friends having fun. A cold beer from the fridge is offered and it's is acknowledged with a head nod. The woman in the foreground covers her giggling face reacting to a funny comment. The decisive moment is preserved. Sounds like a critique of an art photograph? No, it's an illustrator. This ingenious Infiniti "S" composition simultaneously represents the best of photography and painting. Cartier-Bresson could have captured the precise moment. While Nicolas Poussin could have rendered the complex figural composition. Add to it , a painting technique and color scheme with the quick drama of a post-impressionist. We have a great work of art by an overlooked American illustrator/artist/painter, Mike Ludlow...