John Philip Falter

Schools Out, Saturday Evening Post Cover, June 1958

1958

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 30, 1959. The Post described, “It is so refreshing to get away from...

Date: 1950 Medium: Oil on Masonite Dimensions: 25.75" x 20.00" Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 1st, 1950. The Post des...

Medium: Oil on Canvas Signature: Signed Lower Left Saturday Evening Post Cover, July 21, 1956 This Falter cover was owned by Sarah Johansen, daughter of John Falter. She is the you...

Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...

Signed lower right 'F. Sands Brunner' for Frederick Sands Brunner (American, 1886 - 1954) and painted circa 1935. Canvas dimensions: 17 x 16.5 inches Born in Boyertown, Pennsylvani...

"High School Dance" WPA Mid-20th Century Modern American Scene Social Realism Heusing (20th Century) "High School Dance" 27 x 32 inches Oil on canvas Signed and dated '47 Lower Righ...

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...