1941
“A storyteller with a brush, a custodian of the past” is how illustrator Tom Lovell once described himself. Lovell is regarded as one of the 20th century’s leading Western artists, with his work including figurative paintings of important historical events, portraits of homespun American life and thought-provoking illustrations for publications such as Life, National Geographic and The Saturday Evening Post.
Born in 1909 in New York City, Lovell spent his childhood in Nutley, New Jersey, where he developed a keen interest in art and Native American culture. He often visited New York’s American Museum of Natural History, where he would sketch Native American clothing, weapons and artifacts.
Lovell studied art at Syracuse University, where he roomed with future well-known illustrator Harry Anderson. While there, he began his illustration career by selling his work to pulp magazines. Later, he illustrated for publications such as The American, Cosmopolitan and Women’s Home Companion.
During World War II, Lovell enlisted with the Marine Corps Reserve and created illustrations for the Marine Corps’s Leatherneck magazine and the Marine Corps Gazette. He also completed several large paintings chronicling historical military events; they are now displayed at the Marine Corps headquarters in Washington, DC.
After the war, Lovell continued illustrating for magazines like Collier’s, Redbook, Ladies’ Home Journal and McCall’s, which featured “Day of Yellow Flowers,” one of his better-known illustrations. He contributed a series of historical works, including his famous Civil War painting “Surrender at Appomattox,” to National Geographic.
Throughout the 1960s, he was increasingly fascinated with the American Southwest. In 1975, Lovell and his family moved to Santa Fe, New Mexico, where he found inspiration for his landscapes that depict Native American and Old West culture.
Lovell received numerous accolades throughout his career. In 1974, the Society of Illustrators named him a Hall of Fame Laureate. In 1992, the National Academy of Western Art and National Cowboy Museum honored him with a Lifetime Achievement Award. Lovell is the only artist to have won the National Cowboy Museum’s invitational Prix de West exhibition twice.
Lovell died in 1997. His illustrations and paintings continue to be prized by Western art and Americana collectors.
On 1stDibs, discover a range of Tom Lovell’s paintings.
Happy Endings
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Linen Signature: Signed and Dated Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published July 1940, page 58. The...
Linen, Oil
"Farewell Without Regret"
By Tom Lovell
Located in Fort Washington, PA
Signature: Signed Lower Left Medium: Oil Paint Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published September 1940, page 47. ...
Oil
Formal Affair
By Tom Lovell
Located in Fort Washington, PA
Date: July 1942 Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Left Illustration for Cosmopolitan magazine. Tom Lovell’s illustrations range from adventur...
Canvas, Oil
"Marriage is a Private Affair, " story illustration for The Ladies' Home Journal
By Andrew Loomis
Located in Fort Washington, PA
Story illustration for “Marriage is a Private Affair” by Judith Kelly, published in the Ladies’ Home Journal, March 1941, page 13. Featuring a young bride and groom embracing as a ma...
Canvas, Oil
“He’s a dear, but a type you perhaps haven’t met before”
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “A Song for Miss Julie” by Michael Foster for Hearst’s International Combined with Cosmopolitan, published March 1944, page 39. The tale is described as: “A delicious story about a couple of Broadway playwrights who invade the Old South looking for scandal and come up drenched in magnolia.” The full caption reads: “I think someone should talk to you about men of Stephen’s type, my dear,’ said Mrs. Kimbro. ‘He’s a dear, but a type you perhaps haven’t met before.’ Miss Julie gasped. ‘But Mrs. Kimbro!’” A Native American finding a Raggedy Ann doll...
Canvas, Oil
Love in the Mist, Magazine Illustration
By Tom Lovell
Located in Fort Washington, PA
Love in the Midst, Magazine Story Illustration Ladies Home Journal, June 1959 Tom Lovell had an extreme attention for detail and rarely completed more then a dozen major oil pa...
Board, Oil
Original 1939 Saturday Evening Post vintage Poster, 'The Wedding', linen-backed
By John LaGatta
Located in Spokane, WA
Original 1939 Saturday Evening Post newsstand vintage poster, archival linen-backed in Grade A- condition, ready to frame. Images shown are of the exact poster you will receive. Ca...
Offset
Champagne for the Honeymoon
By Pruett Alexander Carter
Located in Miami, FL
Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...
Oil
1940's Fashion Illustration - The Two Elegant Brides
By Geneviève Thomas
Located in Cirencester, Gloucestershire
Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...
Gouache
Belle Epoque Bride in White Dress
Located in New York, NY
Beautiful Belle Epoque Lady in White dress, presumably a Bride by Frederick Hendrik Kaemmerer (1839-1902). Oil on Canvas, circa 1860's, signed lowe...
Oil
Love Story, Illustration for the Saturday Evening Post
By Bruce Bomberger
Located in Miami, FL
An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...
Gouache
Love Story, Illustration for the Saturday Evening Post
By Bruce Bomberger
Located in Miami, FL
An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...
Gouache
