George Washington Nicholson

The Encampment, Forest, Wildflowers, 19th Century, Romantic, Realist

Samuel John Egbert Jones (fl. 1820-1845 London) The Encampment Signed lower right Oil on canvas 28 x 36 in Samuel John Egbert Jones was a British painter best known for his charming...

Dimensions with frame: 22 x 29,5 x 3,5 cm Signed "N. Diaz" in the lower left corner. A richly atmospheric 19th century Romantic landscape painting depicting an intimate woodland clearing animated by delicate figures and fluttering white doves. The composition unfolds beneath a dense canopy of trees, where dramatic brushwork and layered impasto create a sense of movement, mystery, and depth. At the center of the scene, small elegantly dressed figures appear gathered near the water’s edge, possibly engaged in a poetic or symbolic moment. The surrounding birds in flight add dynamism and luminosity, their pale forms contrasting beautifully against the deep greens, earthy browns, and golden highlights of the forest. The artist employs expressive, almost impressionistic brushstrokes, giving the foliage a vibrant, textural quality. Light filters through the trees, illuminating portions of the composition while leaving other areas in shadow, enhancing the romantic and slightly theatrical mood. Both mysterious and lyrical, this work evokes themes of nature, contemplation, and transcendence. It would make a compelling addition to a refined interior, particularly for collectors drawn to moody landscapes and narrative European painting of the 19th century. A compelling and atmospheric antique oil painting that beautifully captures the poetry of nature and the elegance of human presence within it. 19th century landscape painting, Romantic forest painting, antique woodland scene, European Romantic art, antique oil on canvas, atmospheric landscape artwork, forest clearing painting, figures in landscape, doves in painting, impressionistic brushwork, Continental school painting...

‘A Scion of a Noble’ by Andrew MacCallum (1821-1902). The painting is signed by the artist and dated 1889, in which year it was exhibited at the Grosvenor Gallery in London. At fir...

Beautiful British Countryside Heathland Landscape Antique Oil Painting H. Easy (19th–20th Century British) Framed: 17 x 23.5 inches Board: 15 x 22 inches Medium: Oil on board, framed...

Circle of John Constable (English, 1776-1837) A fine woodland sketch, with a figure ambling Oil on panel, unframed Dimensions: (Panel) 13 in. (H) x 10.5 in. (W) Condition: overall...

This lovely British Victorian landscape oil painting is by noted artist Sam Bough. It was painted in 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes alongside fellow artist Alexander Frazer. The location is the ancient forest of Cadzow in Lanarkshire which they both favoured. The landscape is of a rough path through ancient oaks heading towards more dense forest with white cattle grazing to the right. A superb balanced composition and an excellent example of Bough's skill in landscape painting. Signed lower left and dated 1855. Provenance. Christie's stencil verso 519GG. James Bourlet & Sons label verso. Condition. Oil on canvas, 28 inches by 18 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 35 inches by 25 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skil ful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

British Countryside Landscape Antique Oil Painting Woodland Meadow View H. Easy (19th–20th Century British) Framed: 17 x 23.5 inches Board: 15 x 22 inches Medium: Oil on board, frame...

New Forest,Hampshire, 19th century,landscape oil, by Frederick Golden Short A fine small framed landscape oil painting on canvas o...

Astley David Middleton Cooper (American, 1856 - 1924) Signed: A.D.M. Cooper 90 (Lower, Right) " Indian Encampment by the River ", 1890 Oil on Board 20" x 30" Housed a 2 3/4" Per...

By Samuel Baldwin of Halifax. Signed to the lower right. Presented in a gilt frame. On board.