Glitter Paintings

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

A portrait can tell a story, my artistic pieces highlight the exploration of the complexity of human identity, space and existence. My imagery embodies the unconventional expression ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

A portrait can tell a story, my artistic pieces highlight the exploration of the complexity of human identity, space and existence. My imagery embodies the unconventional expression ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is str...

A dramatic mixed media on canvas painting with wonderful details and pops of purple, yellow and cobalt blues. We are enamored by the stark contrast, as the shape of the paint takes o...

#431 by Jessie Woodward [2018] Original abstract mini Additional information: Original Acrylic and glitter on canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Abstract expressionist figurative nude by California artist Stephanie Heit (American, b. 1947). The paint in this piece has a metallic quality in some areas, possibly created with th...

In Celestial Glow, Haleh Mashian transforms the emotional teardrop into a cosmological event. Across a wide horizontal canvas, large sculptural teardrops — each one a world unto itse...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Frida Willis (Swedish, born 1971) "Parallels" 2025 Oil paint, glitter, and mixed media on canvas, stretcher bars The artist signed the back of the painting. “Parallels” is a restrai...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

Hares unicorns

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Artist: Peter Mayer Title: Dog (Orange on Pink and Black) Year: Circa 1990 Medium: Acrylic on Canvas, stamped verso Size: 24 x 30 in. (60.96 x 76.2 cm)

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

Little Cherry Glitter by Nicky Chubb [2022] Hand signed by the artist Acrylic and glitter on Canvas Image size: H:20 cm x W:20 cm Frame Size: H:23 cm x W:23 cm x D:3.5cm Please note ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Bruce Helander Road Runner (Beep, Beep) Mixed Media Artwork Hand signed and dated This is a unique work and is not numbered. Frame: 31" X 21.25" Image: 29.5" X 19.5" This appears to be glitter and paint over a printed background on canvas. Wile E. Coyote and the Road Runner are a duo of cartoon characters from the Looney Tunes and Merrie Melodies series of animated cartoons, first appearing in 1949. The characters were created for Warner Bros in 1948 by animation director Chuck Jones and writer Michael Maltese Bruce Helander (1947 -) is an art critic, arts writer, curator and artist whose specialty is collage and assemblage. He has a master’s degree in painting from the prestigious Rhode Island School of Design, where he later became the Provost and Vice President for Academic Affairs of the college. He is a former White House fellow of the National Endowment for the Arts and has won the South Florida Cultural Consortium fellowship for professional achievement in the visual arts. He is one of two 2014 inductees to the Florida Artists Hall of Fame, Florida’s most prestigious arts and culture honor (the other is musician Tom Petty). Helander is the former Editor-in-Chief of The Art Economist magazine and recently exhibited his work at Georgia Scherman Projects (Toronto), Corzine Fine Art (Los Angeles), Peter Marcelle Gallery (Bridgehampton, New York), Cornell Museum of Art (Delray Beach), and ArtHouse 429 (West Palm Beach). Most currently, his work was shown by Arcature Fine Art at Art Miami and Art Miami New York/Pier 94 and by Tansey Contemporary at Art Wynwood. Helander had a retrospective of his collages and paintings for the Coral Springs Museum of Art, scheduled for 2017, and his collages are included in “Open This End,” a five-year traveling museum show of works from the celebrated Blake Byrne collection in Los Angeles, currently at the Nasher Museum of Art. It included Pop art and Conceptual Art, Minimalism, body-oriented performance art, the Pictures Generation, identity politics and psychologically-inflected figurative works. Andy Warhol, Ed Ruscha, John Baldessari, Cindy Sherman, Louise Lawler, Rita McBride, Bruce Helander, Marlene Dumas, Albert Oehlen, Glenn Ligon, Mark Bradford and more. His work is in over fifty museum permanent collections, including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum of Art, the Smithsonian Institution, the Montreal Museum of Art, the Art Institute of Chicago, the Whitney Museum of American Art, the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, the White House and the Vatican in Rome. His collages have been the subjects of over one hundred exhibitions in North America and Europe, with reviews in leading magazines such as ARTnews and Art in America. Helander's work is in numerous private collections, including actors Martin Mull and Dennis Hopper, musicians David Byrne and Jimmy Buffett and fashion designer Todd Oldham, as well as numerous corporate commissions. Prominent artists who collect his work include Dale Chihuly, Robert Rauschenberg, James Rosenquist and Larry Rivers. Football great Dan Marino, Senator Howard Metzenbaum and author Tom Wolfe own Helander work. City Link magazine called Bruce Helander "arguably the most recognized and successful collage artist in the country.". "If there was a Pulitzer Prize for collage, Helander would surely win it," observed Kenworth Moffett, the former director of the Museum of Fine Arts in Boston, in a feature article in the November 2001 issue of Gold Coast magazine. His collages appear nationally in leading print media, including The New Yorker magazine. He was commissioned by the United Nations in August 1999 to design a first day postal cover design and limited edition print, which was presented in the General Assembly Building. He has produced prints for the Washington Opera, Ballet Florida and the Palm Beach and Boston Film Festivals. He has written extensively on contemporary art and in 2007 Grassfield Press will publish a book, titled Fire & Ice, of one hundred of his favorite reviews. He writes a monthly columns in South Florida Times magazine. Select Exhibitions 2013 Zadok Gallery, 20 Shades of Grey, Miami 2011 Dennis Hopper Estate Sale Exhibition, Christie’s, 2001 Bernice Steinbaum Gallery, A Painting Over the Sofa (that is not necessarily a painting), Miami, Florida 2001 Society of the Four Arts, 63rd Annual National Exhibition of Contemporary American Paintings, Palm Beach, Florida 2000 ArtWest Gallery, RISD on the Road—Printmaking 2000 Woods-Gerry Gallery, RISD on the Road—Printmaking & Photography, Providence, Rhode Island 1999 Armory Art Center, Figurative Small Works, West Rhode Island School of Design, Art in a Box, Providence, Rhode Island 1995 Norton Museum of Art, Group show, West Palm Beach, Florida 1995 Marisa del Re Gallery, Summer group show 1993 Philharmonic Center for Contemporary Art, Greetings From Florida, Naples, Florida (included Robert Rauschenberg, James Rosenquist, Larry Poons, Jules Olitski and Hanson) 1992 Museum of Art, Stars in Florida, Fort Lauderdale, Florida (curated by David Miller; included Larry Rivers, John Chamberlain, Richard Anuszkiewicz) 1991 O. K. Harris Works of Art, Centennial Biennial Invitational, New York, New York 1986 Diane Brown Gallery, RISD in New York, New York, New York (included Jedd Garet, Italo Scanga, Jim Sullivan, Dale Chihuly, Stuart Diamond, Heide Fasnacht) 1986 Forum Gallery, Collages, New York, New York (included Romare Bearden, Varujan Boghsian, Buster Cleveland...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Hares unicorns

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

"Shape Up (diptych)" is an original artwork by Eustace Mamba and measures 24”h x 18”w x 1”d (left panel), 48”h x 24”w x 2”d (right panel). The artists cuts, arranges, sews, and coll...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

Hunt Slonem "Veil" Red Diamond Dust Glitter Bunny A rabbit gestured in red on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Painting is fr...

Inspired by her background in fashion, Atlanta, Georgia-based artist Lindsey McCord creates artworks that encapsulate the fun of being stylish and the a...

Jay Mikal’s “Moon of Malachi 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Small mixed media nude shower painting with acrylic and glitter on canvas, set in an interior bathroom scene that frames introspection as a daily ritual. “Dolce Doccia” (2026) presen...