Paul Kelpe

Man and Machinery #36

1934

Work on cardboard Golden wooden frame 41 x 50.5 x 6 cm

Signed lower right

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Title: Cubist Harbour Scene With Boats Nets And Fishing Equipment Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 14.25 x 21.25 inches (height x width) Proven...

Color woodcut, Edition 15. John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, ...

Medium: Oil on Canvas Signature: Signed Lower Right

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

John Hermansader (American, 1915 - 2005) Signed: J. Hermansader (Lower, Right) Steelworkers, c. 1940s Oil on Canvas 30" x 24" Housed in a 3" Frame Overall Size: 35 1/2" x 29 1/4" Craquelure throughout. In otherwise good condition. Biography: John Hermansader (1915–2005) was an American painter, graphic designer, and jazz fan. He is remembered for his iconic designs of Blue Note record covers. John Bancroft Hermansader was born on November 1, 1915 near Reading, Pennsylvania. In the 1930s, he studied at the Memphis Academy of Art in Tennessee and the New Bauhaus in Chicago, Illinois. In New York City he studied with Robert Motherwell at the New School of Social Research. In 1939, he and his wife Rosemary were founders of the Hot Club of Newark, New Jersey, a significant group of jazz enthusiasts. John became the first president. In 1951, when Blue Note Records began issuing 10 inch records, Hermansader was one of their first designers, along with Paul Bacon and Gil Melle. Looking back at this era, Michael Cuscuna of Mosaic Records said, “ What John Hermansader and Paul Bacon really did was evoke the feeling of the music. They used everything from Bauhaus designs to things that were really otherworldly.” Angelynn Grant adds, “When people think of Blue Note covers they think of Frank Wolff”s photography and Reid Miles design. But John Hermansader laid the groundwork that got them going along that path.” Richard Cook, who wrote Blue Note Records: The Biography states, “Hermansader in particular balanced the twin issues of photography and type in a way that would mirror the concerns of the Blue Note of the years ahead.” “John Hermansader was passionate about oil painting, “beautiful lyrical abstractions, full of color and movement.” He was an abstract expressionist painter who drew inspiration for his work from listening to jazz.” - (Obituary, Pilot, Redding Conn., July 14, 2005, p. 32A) His exhibitions included and the Gallery of Contemporary Art at Sunken Meadow, Long Island, 1951–58, Panoras Gallery 1956...

The Well Oiled Machine is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 88/275 (there were also 100 Roman and 2...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...