19th Century Portrait Paintings

Well presented in a dark wood frame. Unsigned. On canvas on stretchers. Image size: 54 x 41cm.

Camille METRA or METRA-HUBBARD (Paris, 1864 – Paris, 1936) The cup of the King of Thule Oil on canvas Signed lower right and dated 113.5 x 146 cm 1896 Exhibition: Salon de l'Union des Femmes Peintres et Sculpteurs de 1896 (N°627) Camille Métra, eldest daughter of the chemist Louis Métra and Rosalie Merny, was born on November 28, 1864 in Paris. We know nothing to this day of her artistic training, however she was recognized in Parisian circles for her qualities as a figure painter and pastellist. Camille married for the first time on January 18, 1887 in Paris with Adolphe Fernand Blayn...

Extraordinary and unique 19th-century military portrait, signed and dated: "Julie de Lamontre 1832" Half-length military portrait in full dress uniform from the Restoration period. T...

Before us is a fine example of mid-19th-century European portrait painting, attributed to the Swedish artist Josef Wilhelm Wallander (1821–1888). This canvas, whose creation is linke...

This superb Victorian portrait oil painting is attributed to circle of Thomas Lawrence. Painted circa 1836 the sitter is William Henry Cooper, of Pains Hill, Cobham, Surrey and Hig...

Francis I of France (1494-1547) is depicted here in miniature. The work shows him in profile, after the portrait of the monarch by Titian now in the collection of the Louvre, Paris. ...

A characterful portrait of a man in traditional costume smoking a pipe against a deep scarlet background. Well-preened in gilt Florentine frame with ornate foliate designs. Unsigned....

A delightful mid-19th century portrait of a fashionable Victorian lady, dressed in a delicate lace bonnet and a fur stole. A ruby brooch fastens her collar, adding a subtle touch of ...

John Robert Dicksee British, (1817-1905) The Daughter of the House Oil on canvas, signed with monogram, transcribed verso Image size: 17.5 inches x 13.5 inches Size including frame: 22.25 inches x 18.25 inches A beautiful and sensitively painted half-length portrait painting of a young woman holding a tray of fruit by John Robert Dicksee. The woman is posed in a panelled room as if having just emerged from a darkened entrance and walking towards the light of an unseen window, with her head turned to look directly out towards the viewer. She is depicted wearing a turquoise blue gown with lace edged sleeves and an orange beaded necklace...

Portrait of an English Gentleman English School, early 1800's period oil on panel, framed framed: 12.5 x 10.5 inches panel : 11 x 9 inches Provenance: private collection, UK Conditio...

A beautiful portrait painting after George Romney (1734–1802), depicting Mrs Ann Pitt in the guise of Lady Hamilton as Mirth. The composition demonstrates characteristics associated ...

Boy & His Dog, 19th Century by Jules BRETON (1827-1906) sales to $1,500,000 Large 19th Century French country portrait of a Boy and his Dog, oil on canvas by Jules Breton. Larg...

This charming 19th-century British School portrait depicts a young boy standing within a softly rendered landscape. Dressed in a dark, buttoned tunic with a white ruffled collar, the...

Pierre-Auguste Renoir 1841-1919 (France) "Buste de femme au corsage vert" (Gabrielle). 1908 Oil on canvas Size 49.30 x 35.30 cm (19 x 14 in.) Framed 33.75 x 30 x 2.75" Signed upp...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her l...

This unsigned painting, attributed to the circle of Martin Theodore Ward around 1840, is an exemplary piece showcasing the talent of this 19th-cen...

Sir David Wilkie RA (18 November 1785 – 1 June 1841) “The Parish Beadle” Oil on canvas Although unsigned, this beautiful painting is undoubtedly an original work by David Wilkye as...

Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...

RARE museum-quality example of a 19th‑century Russian plein‑air oil study on canvas, executed with swift, confident brushstrokes by the skilled hand of a masterful artist. The tall f...

View Of Capri, 19th Century attributed to George Edwards HERING (1805-1879) 19th century extensive view of Capri, Italy, oil on canvas attributed to George Hering. Excellent quali...

This romantic late 19th-century portrait depicts a young lady in a flowing tunic, gazing wistfully into the distance. The subject is rendered with soft, diffused brushstrokes and bat...

Pinckney Marcius-Simons, (American, French, 1867-1909) Signed: Marcius-Simons, (lower, right) " Lost in Her Thoughts ", circa 1890-1892 Oil on mahogany panel bearing the stamp on verso of " H. Vieille e. Troisgros Sueei, 55 Rue de Laval...

This finely observed early 19th-century oil painting, attributed to German artist Carl Adolf Mende (1807-1857), depicts Jean Gerard Vonderbank, a German surveyor, instrument designer...

Albin Mattenheimer. German ( b.1823 - d.1875 ). Self Portrait, Munich 1875. Oil On Canvas. Signed & Dated Lower Left. Image size 34.1 inches x 26.6 inches ( 86.5cm x 67.5cm ). Frame size 42.5 inches x 34.8 inches ( 108cm x 88.5cm ). Available for sale; this original oil painting is by the German artist Albin Mattenheimer and is dated 1875. The painting is presented and supplied in its original period frame (which is shown in these photographs). The frame has benefitted from cleaning, restoration and reinforcement, which was performed on our instruction, supervision and approval. The canvas and the painted surface have been professionally restored whilst in previous ownership, probably within the last 20 years. This includes a couple of repairs to perforations in the canvas which are of good material integrity. This antique painting is in good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated 1875 lower left. Albin Mattenheimer (1823–1875) was a German painter associated with the artistic traditions of Bavaria during the nineteenth century. Born in Bamberg in 1823, he belonged to the distinguished Mattenheimer family of artists, several generations of whom worked as painters, restorers, and teachers in southern Germany. The family had established a notable artistic reputation from the eighteenth century onwards, particularly through Andreas Theodor Mattenheimer and his descendants, who were active in Bamberg, Munich, and other Bavarian cultural centres. Mattenheimer studied at the Academy of Fine Arts in Munich, one of the most important artistic institutions in Germany during the nineteenth century. He subsequently worked in Munich and is generally regarded as a landscape painter. His surviving recorded works include views of Nuremberg and other Bavarian subjects, reflecting the enduring popularity of topographical and landscape painting in the period. He is often associated with the circle of painters known as the Chiemseemaler, artists inspired by the scenery of the Chiemsee region of Upper Bavaria. Like many German painters of his generation, Mattenheimer worked during a period when Romanticism was gradually giving way to a more naturalistic approach to landscape and genre painting. His works demonstrate an appreciation of atmosphere, place, and the character of the Bavarian countryside. Although comparatively little is known about his career today, Mattenheimer’s paintings occasionally appear on the art market and are represented in specialist reference works on nineteenth-century German art. His relative obscurity has meant that much of his oeuvre remains under-researched, and works by the artist are consequently of particular interest to collectors of German and Central European painting. Albin Mattenheimer died in 1875, leaving behind a small but intriguing body of work that forms part of the rich tradition of nineteenth-century Bavarian painting...

Dr. Franz Heinrich Zitz (1803-1877), a prominent attorney from Mainz, Germany is depicted here in miniature. He was a member of parliament and served as the head of the militia in Ma...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her l...

A finely executed 19th-century portrait depicting a woman dressed in traditional regional attire. Presented against a dark background that emphasizes her calm expression and dignifie...

This superb British 19th century equine oil painting is by noted horse lover, George Gascoyne. Painted in 1889, this French born chestnut horse is Phoenix. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. This painting is from his time in Argentina with Kemmis. Phoenix is depicted in a flat landscape against a vivid blue sky. A gentleman, possibly his owner, Guillermo Kemmis, stands smiling in front of him holding his reigns and gives perspective to how tall Phoenix is. Although in profile, Phoenix is turning to look at the viewer, his chestnut coat gleaming and his anatomy perfectly portrayed. This is a superb Victorian equine portrait of a noted horse in the 19th century and is a lovely example of Gascoyne's work as a horse lover. Signed with initials and dated GG 1889 lower right. Provenance. Inscribed "Phenix" (Cymbal -- Belle-Etoile) by George Gascoyne, Sittingbourne, Kent to reverse. Condition. Oil on canvas, 36 inches by 28 inches and in good condition. Frame. Housed in a wooden frame, 44 inches by 36 inches and in good condition. HORSE BIOGRAPHY Phoenix (FR) 1875 – 1893? Chestnut horse. Cymbal (GB) x Belle Etoile (FR), by First Born (FR) Family 25. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. Race record. Complete record unavailable but as follows: 1878: Won Prix de la Forêt (FR, 1600mT, Longchamp) 1879: Won July Cup (ENG, 6FT, Newmarket July). Won Rous Memorial Stakes (ENG, 8FT, Ascot). Won Bunbury Stakes (ENG, Newmarket). 2nd Rosebery Handicap (ENG, Epsom) 1880: Won Lennox Stakes (ENG, Goodwood) As a stallion: Phoenix was the Argentine champion sire six times, reaching the top in 1887-1890, 1892 and 1895. Notable progeny: Hawk Eye (ARG), Lenape (ARG), Marinera (ARG), Osiris (ARG), San Martín (ARG), Surplice (ARG) Connections: Phoenix was owned by Comte Frédéric de Lagrange. After being exported to Argentina, he stood at Haras Las Rosas, the stud farm of leading Argentine breeder Guillermo Kemmis. His last known foals were born in 1894. Pedigree notes: Phoenix is outcrossed through five generations. Sired by Cymbal, a son of 1861 Derby Stakes winner Kettledrum, he is out of Belle Etoile, whose half sister Garenne (by Gladiator or Ethirion or Freystrop) is the second dam of 1894 Prix Royal-Oak (French St. Leger) winner Gouvernail and the third dam of 1894 Prix du Jockey Club (French Derby...

Hugh Latimer (c.1487-1555) was an English Protestant preacher. He was Bishop of Worcester during the Reformation and Church of England chaplain to King Edward VI, but was arrested on...

A charming early 19th-century portrait depicting Mary Emerson, wife of George Forster of Steel-Hall. The artist captures her in period dress, wearing a finely frilled mob cap typical...

A remarkable copy after Peter Paul Rubens (1577-1640). Following the death of his first wife, Rubens married Hélène Fourment (1614-1673), the sixteen-year-old daughter of a wealthy A...

Frederick II (1712-1786), King of Prussia from 1740 to 1786, is depicted here in miniature. A brilliant military campaigner, Frederick II greatly enlarged Prussia's territories and m...

Portrait of Countess Carolina Reuss Ebersdorf. Nineteenth century. Mixed media on paper: charcoal, chalk highlights, red earth. The drawing is in an antique gilded wooden frame. On ...

"Animal Studies, 1814" Charles Towne (British, 1763-1840) Oil on panel Signed and dated Chas. Towne/ Pinxit 1814 (lower right) 15 x 11 3/8 (21 x 17 ¼ frame) inches Provenance: Collec...

Portrait of a Seated Lady English School, mid 19th century oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, England condition: good and sound condition

Gustave de Jonghe An Afternoon Visit Oil on panel Image Size: 32.8 x 25 inches Framed Dimensions: 41.7 x 33.5 Hand signed in lower left corner

Attributed to Charles Edward Hallé (British, 1846-1914) "Mother and Child" oil on canvas. The Victorian era artwork depicting a young mother holding her joyful infant child, within a...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant...

Anton Ebert (1845-1896) A celebrated painter born in a noble familie in castle kladrau in mies, bavaria. His father was royal treasurer. He studied in Prague, Bohemia and made carre...

Exquisite 19th century Italian orientalist oil painting depicting a romantic sunset scene with a young Middle Eastern woman at an ancient well. The composition features a beautifully...

Jean François Portaels 1818 - Brussels - 1895 Belgian Painter ‘Oriental Girls - Mediants à Tanger, Maroc’ Signature: signed lower right ‘J. Portaels’ Medium: oil on canvas Dimensions: image size 40,5 x 28,5 cm, frame size 67,5 x 56 cm Biography: Jean François Portaels, also known as Jan Portaels, was a versatile Belgian painter born on April 3, 1818, in Vilvoorde and passed away on February 8, 1895, in Schaerbeek. He was celebrated for his genre scenes, biblical stories, landscapes, portraits, and Orientalist subjects. As a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels, Portaels significantly impacted Belgian art, becoming a pivotal figure in the Belgian Orientalist school. His works were known for their 'everyday elegance and feminine grace,' and he played a crucial role in influencing the next generation of Belgian artists, including notable figures like Théo van Rysselberghe. Portaels was the son of a wealthy brewer who also served as Vilvoorde's mayor. Showing an early passion for drawing, he was sent to the Académie Royale des Beaux-Arts in Brussels in 1836, where he studied under François-Joseph Navez, a former student of Jacques-Louis David. Navez invited him to his studio, which was renowned at the time, allowing Portaels to refine his skills alongside other talented students like Charles de Groux and Joseph Stallaert. In 1841, Portaels moved to Paris, enrolling at the Ecole des Beaux-Arts and studying under Paul Delaroche. He became influenced by the emerging Orientalist movement, which was gaining traction in Paris. In 1842, he won the Grand Prix de Rome, which funded his travels across Italy and other regions, including Morocco, Algeria, Egypt, Lebanon, Judea, Spain, Hungary, and Norway. These journeys profoundly influenced his artistic vision, particularly his Orientalist works. Upon his return to Belgium in 1847, Portaels was appointed Director of the academy in Ghent. In 1849, he married Marie Hélène Navez, the daughter of his first teacher. Despite being offered the directorship of the Brussels Academy, he initially declined, opting to preserve his independence. He later accepted a teaching position at the Academy and eventually became its director in 1878, succeeding Eugène Simonis. Portaels was known for his broad range of artistic talents, including history painting, portraiture, and genre art. He was particularly recognised for his Orientalist depictions, often portraying the 'Oriental woman' with distinctive features like arched eyebrows and almond-shaped eyes. His style, marked by charm and elegance, distinguished him from the dominant artistic movements of Classicism and Romanticism. He was a pioneer in monumental art in Belgium, working with Jean Baptiste van Eycken to introduce fresco techniques like water glass painting...

La femme au MANCHON d'après Louis-Léopold BOILLY (1761-1845) - Huile sur toile d'époque XIXè.

A characterful copy of Fred Barnard's illustration, Bill Sikes and Bullseye from the Charles Dickens novel 'The Adventures of Oliver Twist'. Much like Barnard's character study, this...

Franz Joseph I (1830-1916), ruler of Austria-Hungary, is depicted here in miniature, dressed in splendid military uniform. Beautifully presented in an antique gilt frame. Inscribed v...

'Morning Amusement' English School, circa 1800's after the painting by Sir Joshua Reynolds, British 1723-1792 oil painting on canvas, unframed canvas...

This is an original antique 19th-century large oil painting on canvas painting depicting a portrait of a Lady in a long black dress, standing near a bright red curtain. The painting...

Robert Frain active 1829-1877, was a Scottish painter. There is very little biographical information regarding Frain, however he was active in the first quarter to the third quarter ...

Beautiful portrait of a young woman in the manner of Peter Paul Rubens. Oil on oval canvas measuring 12 7/8 x 16 inches. Unsigned. Canvas was originally painted for rectangular for...

This beautiful late 19th century portrait oil painting is attributed to circle of Walter Langley. It has the hallmarks of the Newlyn School of artists such as the subject matter, com...

After The Hunt: Gentleman With His Favourite Hound, 19th Century English School Large 19th Century English Hunting portrait of a gentleman with his favourite hound, oil on canvas. ...

A captivating early 19th century portrait of a young gentleman in exquisite attire, holding his poetry close to his heart. The subject is illuminated by dramatic light that casts a r...

Portrait of Gentleman French School, late 19th century indistinctly signed and dated oil on canvas, unframed canvas: 28 x 22 inches Provenance: private collection, France Condition: ...

A finely detailed silhouette of a Victorian clergyman. Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the right, wearing coat and cravat Inscribed to t...

A fine mid-nineteenth century portrait of a monk wearing a brown robe. Initialled and signed to the lower right. Well presented in a vintage gilt frame. On canvas on stretchers. Imag...

This late 19th century oil on board portrait, created in the style of Rembrandt, showcases chiaroscuro technique. The subject, wearing a wide-brimmed hat and ornate collar, emerges f...

Gathering Firewood by W Pettingale (19th century) signed oil on canvas, framed framed: 16.5 x 12.5 inches canvas : 14 x 10 inches Provenance: private collection, England Condition: v...

A cavalier in richly decorated period dress sits at a wooden desk in this characterful oil painting. In one hand he holds a quill, while his other hand rests on a sword at his hip. W...

Napoleons Retreat From Russia, 19th Century French School Large Napoleonic Wars Scene Large 19th Century French School Napoleonic Wars Scene of Napoleon retreating following the in...

A striking bust-length portrait of a young man, depicted against a softly graduated blue-grey ground. The sitter is rendered with considerable presence - dark, curling hair, a neat m...