Abstract Geometric Paintings

Title: I AM the Storyteller III Bold Geometry, Large Colorful Striking Artwork, the tree of life, beauty and abundance UPSIZED This work is part of the I AM series. It is part of ...

This geometric wall sculpture features blue hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Paolo Minoli (1942-2004) Archipainting 1988 Acrylic paints on canvas Size 60x60 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2, 1959-1979 Paolo Minoli was born in 1942 in Cantù (Como). He attended, at a very young age, the home of painter Enrico Sottili and, as a student, the studio of sculptor Gaetano Negri. He graduated "Master of Art" in 1961 from the State Art Institute of Cantù, where he taught from 1964 to 1978. Participated in 1968 in the national exhibition for young painters of the "San Fedele" prize in Milan. In 1969 he was featured in the exhibition "Urban Field. Aesthetic Interventions in the Urban Dimension," organized in Como, with a collective intervention on the theme "Signal Color." From 1977 to 1978 he was part of the research group "The Systematic Questioning" with Nato Frascà and Antonio Scaccabarozzi. Since 1979, at the Brera Academy of Fine Arts in Milan, he has taught the special course in "Chromatology" and collaborated, as a consultant, with companies for the application of chromatic solutions in industrial production. He was artistic director of the art series published by the "RS" editions in Como (1975-1986) and, from 1986 to 1989, of the "On Color" silkscreen printing workshop in Cantù, in collaboration with various artists, including Mario Radice, Carla Badiali...

Title: I AM Power Rhino Modern Bold Colorful Striking Nature Africa Investment Beauty Cubism Geometric Artwork depicting strength, power in a modern and colorful way. This work...

4 carrés (Abstract Painting) Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the cons...

Inspired by glossy magazine spreads of carefully staged, impossibly perfect interiors and landscapes, Martha Hughes strips these down to their barest colors, distorting angles and pr...

Brightly colored hard edge and geometric land scape by Antoine RENAULT (French B-20th c). He has been painting seriously since 1987 He started practicing t...

Paolo Minoli (1942-2004) ...On Stage... 1987 Acrylic on Canvas Size 70x70 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2...

Signed & dated Verso. 1965 Paul Reed in 1970. He favored “staining” untreated canvas. Paul Reed, the last surviving member of the Washington Color School, who explored the complexities of color and form in vibrant bio-morphic and hard-edge abstract paintings, died on Sept. 26 at his home in Phoenix. He was 96. His death was confirmed by his daughter, Jean Reed Roberts. Mr. Reed acquired his public identity as an artist when he was included, along with Gene Davis, Kenneth Noland, Morris Louis, Thomas Downing and Howard Mehring, in “The Washington Color Painters,” a landmark traveling exhibition that began at the Washington Gallery of Modern Art in 1965. All of the other painters had been shown, the year before, in “Post-Painterly Abstraction,” a 31-artist exhibition at the Los Angeles County Museum of Art organized by the critic Clement Greenberg in an effort to write a new chapter in the historic march of abstract art. Like his fellow Washington artists, Mr. Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that methodically explored formal issues, he created luminous fields of color by letting the paint bleed into, or stain, untreated canvas. “I have a saying: Pollock dripped, Frankenthaler poured,” he told The Washington Post in 2011, referring to the artist Helen Frankenthaler. “Morris Louis poured. Howard Mehring sprinkled. I blot.” In his first stained series, “Mandala,” color radiated from a circular central image. The nearly 100 paintings in his “Disk” series, which he called “a matrix for exploiting color,” consisted of a central circle and two triangles positioned at the corners of the canvas. Over the next decade he moved to hard-edge geometric zigzags and stripes in the vertical “Upstart” series, color grids and shaped canvases that allowed for more complex experiments in form and color relations. He also made welded steel sculptures and, in the “Quad” series of the 1980s, collaged photographs. “Reed was, in a sense, the ‘little master’ of that first batch of Washington colorists,” the critic Benjamin Forgey wrote in The Washington Post in 1997. “He was a latecomer — he didn’t turn seriously to painting until he was in his mid-30s — but he never considered becoming anything other than an abstract painter. And when he was ready to show, in his early 40s, he was a very good abstract painter indeed.” Mr. Reed gave himself a more modest assessment in an interview with NPR last year. “I’m sort of low man on the totem pole of that group of six,” he said. Paul Allen...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Untitled #SP-213 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

Abstract composition by Hans Vandeweghe Oil on panel

Ces McCully, Australian, b. 1982 Untitled (Altar), 2021 Signed and dated CES '21 on the reverse Oil on canvas 39 1/2 x 31 1/2 inches (100.3 x 80 cm) Unframed Ces McCully (born 1982, Melbourne, Australia) Now based in Southern France, Ces McCully is a contemporary Australian artist, whose work is collected and shown internationally. ​ Rachael McCully's oeuvre includes text based pieces which utilize chance in color relationships, and abstract geometric paintings which often have a meditative effect; both sharing autobiographical elements with a reflection on society, and a minimalist approach. "I dabbled in painting, photography, writing and design over the years," before settling more firmly on painting. Feminist icons Cindy Sherman and Barbara Kruger were amongst her inspirations as she began studying art. However now Rachael McCully-Kerwick is forging her own visual language in the south of France. Ces McCully explores themes of female relationships and identity through minimalistic forms, geometric compositions and repeated tribal motifs. Her work, which moves between text pieces and abstract painting, is collected and shown internationally. In McCully’s typography works, she uses vivid colours to create stylised and geometric typographical pieces, divulging secret, and often brutally honest thoughts. Muted-color, cloth-like ‘Patchwork’; geometric and linear works including ‘Mono’ and ‘Shape’; and three-dimensional Cubes with bold colors which brighten up the space. More recently however, we have seen McCully embrace the folk art like characteristics of her work, incorporating religious iconography and human figures into her paintings. Her works are held in private collections internationally and has been shown within Europe and Australia. Mccully has had her work on display in the Louis Vuitton flagship store, Sydney CBD. SELECT SOLO EXHIBITIONS 2022 More Than This, Breach, Miami, USA 2021 Strange Like Me, PIERMARQ*, Sydney, Australia 2019 A Cure for Melancholy, Galerie 42B, France 2017 Beyond the Blablabla Sky, Galerie Rompone, Germany SELECTED GROUP EXHIBITIONS 2022 PINK, PIERMARQ*, Sydney, Australia (with new work by Maximilian Daniels, Gabriele Herzog, Ces McCully, Galina Munroe, Rob Tucker, Andrew Salgado and Spencer Shakespeare). 2019 Bluerider Art Gallery, Taiwan Delphian X Guts Gallery, London, UK (Douglas Cantor, Florence Hutchings, Geoffrey Bohm, Igor Moritz, Jake Grewal, Lauren Roche, Morteza Khakshoor, Rachael McCully, Sebastian Eriksson, Sunyoung Hwang, Tania Alvarez, Valerie Savchits.) Ten Hours By Train, PIERMARQ*, Sydney, Australia Andenken Gallery, Portugal Rachael McCully & Jordi Kerwick HOME@735 Gallery, Sydney, Australia Inhabitants, PIERMARQ*, Sydney, Australia 2018 A Little Christmas Tree, Valerius Gallery, Luxembourg Spring Time, RVCA, Melbourne, Australia (Patrizia Cercamondi ( Italy ) (Ella Mittas, Alice Oehr...

Abstract geometric painting on canvas. About the Artist: My text based paintings build upon the theme of myth vs. memory, which has been the focus of past paintings and sculpture...

This striking geometric abstract painting by Martín Pelenur presents a layered architectural composition built from bold vertical structures and intersecting color fields. Deep black...

Abstract Composition - the Urban Landscape signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, framed framed: 20 x 20 inches canvas: 19.5 x 19.5 inches condition:...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Title: Mid Century French Abstract Seascape in Blue and Green Signed SG by Serge Guerin (b. 1916), French Acrylic and gouache on artists paper, unframed Size: 19.75 (height) x 25.75 ...

"Shards" Large Scale Abstract Geometric Composition in Acrylic, Signed, 58x48 This large scale composition by Betty Usdan-Zwickler depicts a lively arrangement of patterned textiles...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Collage has always been a part of the artist's work. The idea of reusing, recontextualizing, and even resurrecting parts of the painting. From an economic standpoint the materials ar...

Robertino Fatica’s Barracks (1970) is a long, narrow painting that reads almost like a piece of architecture. At 17.5 by 122 inches, it stretches acros...

Geometric Abstraction Artist signed on reverse, oil on canvas JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almo...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the work is in overall very sound and good c...

Transcromático by Juan Carlos Amador showcases abstract canvases that use thick, layered paint to evoke the fluidity and light of water sports, rather than literal representation. By...

Title: Mid Century French Geometric Abstract in Multicolour Ink and Gouache on Paper by Serge Guerin (b. 1916), French signed with initials lower right and named stamped verso Ink an...

Anthony Falcetta oracle, 2026 acrylic, spray paint & gypsum compound on canvas 48 x 44 in. (fal022)

Sophie Dumont – Obscura Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood or black floater frame (collector's choice) Signed lowe...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

"Two Women on the Shore No. 7A" by Zachary Schomburg is the mirror companion to No. 7B — here the black field occupies the left, a pale circle resting within it near the lower edge, ...

Abstract Composition of A Girl Lying On A Deck Chair by Jacqueline VERDET (French, 1931-2023) signed oil painting on canvas, in wooden frame with the bottom part of frame missing siz...

Triptych "Nostalgia for the handwritten" 100x70cm, 100x140cm, 100x70cm

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, framed framed: 20 x 20 inches canvas: 19.5 x 19.5 inches condition: the work is in overal...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

Anthony Falcetta fleetfoot, 2025 acrylic, spray paint & gypsum compound on canvas 40 x 30 in. (fal017)

In her work, Noam explores the intersection of geometry, rhythm, and material through a refined visual language. Using repetition and variation, she constructs a structured grid that...

Harold Town (1924-1990) is renowned across Canada and beyond for his eclectic and dynamic body of work. In the 1950s, Town established his reputation with a series of abstract mono...

Original abstract geometric oil on paper painting by the well known American artist Helen Gerardia. Signed middle bottom. Circa 1955. Condition is very good. Under glass. The artw...

Go Figure, No. 17, 2026 (Pink and White Abstract Geometric Oil Painting on Antique French Linen floated in Shadow box frame without glass) oil and oil stick on antique linen 42 x 47....

The Red Cable, 1976 José Luis Tolosa (Bilbao, 1934) Oil on canvas Height: 73 cm Width: 92 cm Original oil on canvas by Basque artist José Luis Tolosa, titled The Red Cable (1976)....

Rip/Tear, 2017, Oil on Painted Plywood, 12 x 12 x 1 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery in Boston. ...

Anthony Falcetta flimflam, 2025 acrylic, spray paint & gypsum compound on canvas 40 x 30 in. (fal020)

Title: Mid Century French Geometric Abstract in Black White and Blue Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Sophie Dumont – “Chroniques de l’Esprit” Oil on canvas – 59.06 x 19.69 in (150 x 50 cm) Framed dimensions: 61.81 x 22.44 in (157 x 57 cm) – Choice of black or natural wood frame Year...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 36 x 29 inches condition: the work is in overall very sound and good con...

Abstract Composition by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39.5 x 29 inches condition: the work is in overall very sound and good conditio...

Very Large Square Painting of New York City Skyscrapers USA - Red Blue & Yellow - by Polish Artist, Katarzyna Szulc. Signed Kasha on the front of the canvas. Art measures 47.2 x...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 46 x 32 inches condition: the work is in overall very sound and good con...

The abstract painting "World in Reflections" reveals one of the key themes of Anna Shesterikova's work—the idea of ​​reality as a multilayered, fragmented, and simultaneously coheren...

The "Space of Pause" is a medium-sized contemporary abstract painting created in a modern abstract expressionist style. The artwork is made using acrylic paint, chalk, and wax crayon...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Title: Mid Century French Architectural Abstract Ink Drawing Signed Serge Guerin by Serge Guerin (b. 1916), French signed lower right, name stamped verso Ink on artists paper, unfram...

Detroit, Michigan's skyline is represented in this original watercolor by Detroit artist Aris Nichols. Featured is the Renaissance Center, which was built by Ford, later occupied by...

Miriam Peralta Sostenido 15, 2015 Graphite and charcoal on canvas 65h x 68.10w in 165.10h x 172.97w cm

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...