Zachary Schomburg

Blue and Red Study I: Acrylic Painting on Canvas, Abstract, 2010s, New, 42x34

2023

Blue and Red Study III by Zachary Schomburg feels introspective and heavy with atmosphere. A dense expanse of deep blue fills most of the canvas, layered and uneven, with variations ...

Saint Anita II by Zachary Schomburg feels rhythmic, playful, and quietly architectural. A broad field of deep blue fills the canvas, layered in loose, rectangular strokes that create...

Carrying a Big Thing by Zachary Schomburg feels bold yet contemplative. A large, organic red form dominates the canvas, its edges soft and irregular, with subtle tonal variations tha...

Blue Bridge by Zachary Schomburg feels quiet, restrained, and contemplative. A soft, neutral field fills most of the canvas, its surface subtly animated by delicate, almost ghostlike...

A highly textured Abstract painting in blue with subtle red coloring in the background by Chilean-born artist Gustavo Schmidt. Artist: Gustavo Schmidt, Chile (1963 - ) Title: Blue ...

Abstract, expressive painting. Ready to hang. Catalog number A0098. Signed on the front. The painting is accompanied by a certificate of authenticity signed by the author. The painting is framed in a wooden frame in matte black. Ready to hang on the wall. Tadeusz Zych b. 1968 in Krakow, Poland. Painter artist, photographer. He presented his works at dozens of individual painting and photographic exhibitions in Poland and abroad. From the history of painting...

Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process: “The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core." Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...

Abstract colorfield with dark shades and also lots of light. Red, pink and blues toned down by dark teal. This painting arrives mounted in a wooden canvas, sides painted, signed in f...