Ink Black and White Photography

60 x 40 inches Edition of 5 Archival Pigment Print UNFRAMED

“Istanbul” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 16 x 24” External Dimension( with white border) : ...

“Street” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2019 Dimension: 20 x 30” External Dimension( with white border) : He...

“Earrings” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 24 x 16" External Dimension( with white border) : ...

“Flow” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 20 x 20” External Dimension( with white border) : Heig...

16" x 20" Limited Edition Silver Gelatin Print of 250 Hand Signed by Bill Lemke

Absent / From the series of Portraits of Hidden Wounds / Photograph Creator: Hatice Besun Creation year: 2023 Dimension: 48 x 36 External Dimension( with white border) : Height: 48....

Adama Sylla Untitled (2 Girls), c.1960s Archival inkjet print on dibond 24 x 16 inches (61 x 40.6 cm) 1 AP, Edition 1/3

Atchafalaya Study #1, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

Black and white photography.

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

This selection of images appear in my upcoming monograph scheduled for release fall of 2022 by the University of Texas Press. Ghostlight is an exploration of dark waters: the otherwo...

Phantom Moss, limited edition photograph, signed and numbered This photograph is part of Carter's series Ghost Light. Keith Carter’s work explores time, place, and vernacular cult...

Oak Mott Study #7, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Lo...

Hanging Moss, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Ang...

Ghostlight, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angel...

Crossing, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angeles...

Egret in Flight, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los ...

Cormorants, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angel...

Camellia Flowers, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los...

Black and white fine art landscape photography. Polypodiopsida, plant detail, La Gomera, Spain. Archival pigment ink print, edition of 8. Signed, titled, dated and numbered by artist...

Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

Drovers Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x 84 inches 57 x...

The Thundering Herd Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 78 i...

I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...

Shoot me Shooting you – Frank Sinatra at home in Toluca Lake, CA. Circa mid-1940s. Sinatra always had a camera and was often experimenting with them, here Nancy Sinatra Senior catche...

Archival chromogenic print on Hahnemüle Photo Rag Paper Edition of 25 Print size: 15 H x 11.5 W inches Frame size: 25 H x 19 W inches Artist bio: Peter Sorel, Immigrating to the ...

Salma Hayek photographed as Frida Khalo during the production of the 2002 film "Frida." Archival chromogenic print on Hahnemüle Photo Rag Paper, matted ...

Chaco Terada’s work addresses notions of light, time, and space – but in a completely unique fashion. Printed on two layered silk screens bound and separated by mats, her images lite...