1990s Abstract Prints

Joan Brossa (Spain, 1919-1998) 'Laberint Poema visual de Joan Brossa', 1996 engraving, silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: BRO1205-005-150_3 Hand-sig...

Etude in Resonance, 1991 Serigraph Print Edition of 72 44 x 40 inches

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

Albert Rafols Casamada (Spain, 1923-2009) 'Xaloc', 1991 silkscreen, marble dust or sand on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 150 ID: CAS1205-003-150_3 Hand-signed by aut...

Cecile DE BRUIJN Woman with Bird, c. 1995 Original screen print Handsigned in pencil Numbered / 20 ex On vellum 76 x 56 cm (c. 30 x 22 inch) Excellent condition

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper with centerfold as issued 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique Mon...

Aquatint in colours with carborundum "Summer Sign" by Robert Motherwell from 1990. The edition on Whatman comprises 55 copies. The present copy is monogrammed in pencil below the...

Peter Saville, British (1955 - ) - The Letter V, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 19 x 16.5 inches, Size: 35 x 23 in. (88.9 x 58.4...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

Alford lives and paints on the Galisteo plain just southwest of Santa Fe. His home and studio are situated on a land swell from which the view can only be described as wholly open, e...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on Hahnemühle Velvet Year: 19...

Sun is an original screen print realized by Luigi Veronesi in 1995. Excellent condition on a white cardboard. Hand-signed with pencil by the artist on the lower left corner. Luigi...

John Hoyland, British (1934 - 2011) - Dreaming, Year: 1990, Medium: Screenprint on Rag paper, signed, dated and numbered in pencil, Edition: 4/40, Size: 44 x 41 in. (111.76 x 104...

Carroll Dunham (b. 1949) is a contemporary American artist best known for his distinctive fusion of abstraction and figuration. He rose to prominence in the early 1980s in New York C...

Signed, inscribed and dated number 27/30 1998 Originally distrbuted by Alan Cristea Gallery London Each Frame 11.5" x 9.75" Gordon House produced many of his own prints first at K...

Joan Miro, After, Spanish (1893 - 1983) - Equinoxe, Year: 1996, Medium: Offset Lithograph Poster, fascimile signature, Image Size: 29.5 x 20.5 inches, Size: 37.5 x 25.5 in. (95.2...

Screen print realized by Bruno Munari in 1991. Hand-signed and numbered in pencil. Edition of 100. Excellent condition.  Bruno Munari (October 24, 1907 in Milan – September 30, 1...

Okaga - Red, Blue and Green Composition, Year: 1998, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 13 x 11.25 in. (33.02 x 28.58 cm)

Doo-shik Lee, Korean (1947 - 2013) - Impressions of Women 5, Year: 1993, Medium: Lithograph on Arches, Signed and numbered in pencil, Edition: 175, Size: 22 in. x 26.5 in. (55.88...

Composition rouge orangé Etching, Aquatint, and Engraving, 1990 Signed "Piza" lower right corner (see photo) Edition: 99 Numbered 96/99 lower left corner (see photo) Publisher blinds...

Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfol...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Theater from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed and num...

Frank Stella Raft of the Medusa, Part IV (Casino Knokke poster, Hand signed by Frank Stella), 1991 Offset lithograph (hand signed in black marker by Frank Stella) Signed in black mar...

Michel Roncerel was a highly regarded mezzotint artist in France, and served as president of the Sociéte des Peintres Graveurs Français. His abstract, somewhat biomorphic prints comb...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Blue and Pink on Yellow - Textured Transfer Monotype in Oil on Paper Original hand painted and transfer monotype painting by California artist Heather Speck (American, 20th C). Pink...

Bold black and white print by David Mar (American, 20th Century). A white lily is formed from the negative space of the print. Artist's chop in the lower left corner. Titled, numbe...

A six block woodcut published in an edition of only 23. It is signed. David Kapp is best known for his paintings of the contemporary urban landscape. His paintings have been descri...

Liu Jian, Chinese (1961 - ) - XXXI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Joanne Miller Rafferty, American - Daybreak #2, Medium: Screenprint on BFK Rives, signed, titled and numbered in pencil, Edition: 300, Image Size: 22 x 32 inches, Size: 29.5 x 39...

Peter Halley, Jablonka Galerie, Köln (Hand Signed), 1993 Offset lithograph poster (hand signed by Peter Halley) 26 1/2 × 26 1/2 inches Unframed Alpha 137 Gallery is honored to offer ...

LANDLINES is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques on archival...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 20 inches Size: 20 in. x 24...

Seymour Chwast, American (1931 - ) - The Letter L, Portfolio: The Alphabet Portfolio, Year: 1993, Medium: Screenprint, Image Size: 33 x 22 inches, Size: 35 x 23 in. (88.9 x 58.4...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...

One Plate, 1994 – 95 Anish Kapoor Spit-bite etching with aquatint, on wove Signed and numbered from the edition of 30 Published by Paragon Press, London Printed by Hope Sufferance S...

Artist: Robert Indiana Title: The American Dream Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 62/395 Frame Size: 26 1/2" x 22" Sheet Size: 18 1/2" x 16" Image ...

Etching realized by Fausto Maria Franchi in 1999. Edition of 64/250. Hand signed and numbered in pencil. Excellent condition.

Martin Noel "Letchkov" Year: 1994 Color woodcut on handmade paper Size: 27.75 x 22.5 inches (70 x 60 cm) Signed by hand, lower center Publisher: Edition by Griffelkunst-Vereinigung, ...

Maurice ESTÈVE (1904-2001) Découpage VI Original screen print (silkscreen) Plate signed On LanaPrime 250g/m² vellum 20 x 25 cm (c. 8 x 10 in) Limited to 500 copies, numbered on the ...

Charlie Hewitt, American (1946 - ) - Wheels in Motion, Year: circa 1990, Medium: Hand Colored Etching, signed in pencil lower right, Image Size: 22.75 x 14.75 inches, Size: 25.5 ...

IVAN CHERMAYEFF Perestroika/Glasnost (Aka Gorby's Head), 1991 Silkscreen on wove paper Hand signed in pencil by Ivan Chermayeff. One of only a handful of known signed copies. Unframe...

Artist: Al Held, American (1928 - 2005) Title: Scholes II Year: 1991 Medium: Silkscreen, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Alison Hildreth, American (1934 - ) - Golden Eye, Year: 1990, Medium: Woodcut on thin wove paper, signed, titled, numbered and dated in pencil, Edition: 7/20, Image Size: 11 x 9 ...

Namiko Prado Arai (Mexico, 1963) 'Untitled 12', 1998 engraving on paper Guarro Biblos 250g. 22.3 x 29.6 in. (56.5 x 75 cm.) ID: PRA-314 Hand-signed by author Unframed

Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this abstract painted composition, Ricard combines expressive poetry with vibrant color. A bright yellow forms the background for two rounded rectangles printed...

Figurative abstract wood cut print titled "Copula Amarilla" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10", title, and signature bottom margin. Image, 31.25"H x ...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Lawrence Weiner Then Now and Then: Leo Castelli Gallery (Hand Signed), 1997 Vintage Poster Signed by Lawrence Weiner 14 × 12 1/2 inches Unframed Uniquely hand signed poster (of unkno...

Vibrant green nature-themed screenprint with leaves and tree by Deborah Rumer (American, 20th Century). Titled, numbered, signed, and dated ("Viriditas Ed/40 © Deborah Rumer c. '94")...

Frank Stella; An Illustrated Biography (Hand signed and dated by Frank Stella), 1995 Hardback monograph (hand signed and inscribed on the title page) Hand signed and dated by Frank Stella on the title page 12 1/4 × 9 1/2 × 1 inches Unframed This lavish First Edition 1995 hardback monograph is hand signed and dated by Frank Stella on the title page. Makes an excellent gift. Publisher's Blurb: A friend and colleague of Frank Stella's for forty years, Sidney Guberman presents a unique view of this seminal figure of contemporary American art...

Artist: Alan Parker, Canadian Title: Zero House Year: 1992 Medium: Etching with Aquatint, signed and numbered in pencil Image Size: 12.5 x 17.5 inches Size: 22 x 29.5 in. (55.88 x ...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects. Grafica Lombar...

Signed edition 66 / 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Spiral Kyohei Inukai (aka Earle Goodenow), American (1913–1985) Screenprint, signed and numbered in pencil Edition of 50 Image Size: 21.5 x 25.5 inches Size: 23 x 29.75 in. (58.42 x ...