Andreas Cellarius

Atlas Coelestis Harmonia (Celestial Atlas)

1708

18th-century celestial FLAMSTEED, John. Eridanus Orion Lepus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...

18th-century celestial FLAMSTEED, John. Camelopardal & Auriga London, C. Nourse, 1753. Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...

The Work of Horace is an Original Etching realized after Claude Mellan (1598-1688). The artwork is in good condition included a white cardboard passpart...

Ancient Roman Fresco is an etching on paper realized by Francesco Cepparoli in the 18th Century. Signed on the plate. Good conditions except for some minor stains and a cutting ...

18th-century celestial FLAMSTEED, John. Andromeda Perseus Triangulum London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas ...

Italian Renaissance style framed print of a celestial map depicting the beliefs of the Earth is stationary at the center of the planetary system with the Sun and Moon revolving the E...

Italian Renaissance style framed print of celestial map depicting stars and heavens (dated 1700 and inscribed Marco Bembo)

Antique Astronomical Chart, Planetary Systems, Lapie Atlas 1838 This refined and intellectually engaging astronomical engraving titled Systèmes Planétaires originates from the important French publication Atlas Universel de Géographie Ancienne et Moderne by M. Lapie, published in Paris in 1838. The Lapie atlas is widely regarded as one of the most elegant and scientifically grounded cartographic works of the early 19th century, combining geographical precision with broader educational content, including astronomy and physical geography. The composition presents a beautifully balanced scientific tableau centered around a detailed armillary sphere, symbolizing the classical representation of the cosmos. Surrounding this central motif are a series of finely engraved diagrams illustrating planetary systems, lunar phases, eclipses, and orbital mechanics. These include both heliocentric and earlier cosmological interpretations, reflecting the transitional scientific understanding of the period. The clarity of line, precision of engraving, and restrained aesthetic give the sheet a distinctly modern feel despite its age. Printed on high-quality paper typical of French atlas production in the 1830s, the engraving demonstrates the technical excellence associated with Parisian publishing houses of the time. The typography, layout, and scientific diagrams reveal the influence of Enlightenment thinking, where knowledge was presented not only accurately but also beautifully. This sheet would appeal to collectors of scientific prints, astronomy enthusiasts, and interior designers seeking intellectually sophisticated wall decoration. Its symmetrical composition and neutral tones make it particularly suitable for contemporary interiors, studies, or libraries where historical depth and visual harmony are desired. Condition report: Good condition overall. Light age toning and scattered foxing visible, primarily in the margins. Original center fold as issued. Paper remains strong and stable. Plate mark visible. Framing tips: Highly suitable for a dark walnut or black frame with a generous ivory or off-white mat to emphasize the fine engraving details. Works exceptionally well in study or library settings, or paired with other scientific or cartographic prints for a cohesive gallery wall. Keywords: antique astronomy print, planetary systems engraving, armillary sphere print, Lapie atlas 1838, French scientific engraving, celestial diagram antique, solar system...

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

DISTINGUISHED PEDIGREE: from the libraries of Robert Hoe and John Barrymore. Elegantly illustrated and bound copy with a famed pedigree that spans from Robert Hoe—the businessman, collector, and founding member of the Grolier Club in 1884— to "The Lamberts" (probably purchased in the epic Hoe library auction of 1911-1912), who gifted it to the colorful and famous actor John Barrymore. Their bookplates adorn the inside covers, will your bookplate be next? Giarda, Cristoforo Bibliothecæ Alexandrinæ icones symbolicæ … elogiis illustratæ Milan: Giovanni Battista Bidelli, 1628. 4to, 9 5/8 x 7 inches (244 x 178 mm); (xii) + 140 pp, not including plates and inscriptions. Engraved architectural title with Saints Peter and Alexander by Francesco Bassano, 16 copperplates of female figures; woodcut dropcaps and tailpieces throughout. Later (circa 1890) red levant morocco binding by R. Petit (signed in gilt on front turn-in) with triple gilt frames on boards, raised bands, gilt title and decorative motifs in compartments; inner dentelles, marbled endpapers, professionally rebacked preserving original richly gilt backstrip in compartments; title and preliminaries stained, occasional spotting or light soiling and a few small light ink stains to covers. [Praz p.349] Provenance: Robert Hoe (blue morocco book label...