20th Century
$9,000
H 18.5 in W 28 in
"The Deer Herd" Pablita Velarde, Pueblo Native American, South-Western Art
Located in New York, NY
Pablita Velarde The Deer Herd, circa 1965 Signed lower right Earth pigments on sand board 9 3/4 x 19 1/2 inches Provenance Private Collection, New Mexico Santa Fe Auction Private Co...
Board, Pigment
$4,750
H 18 in W 24 in
Wild Horses, Arizona, Early 20th Century Western Landscape, Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964) Wild Horses, Arizona, 1937 Watercolor on paper Signed and dated lower right, titled verso 15 x 20 inches 18 x 24 inches framed Frank Nelso...
Watercolor
$600
H 19.5 in W 23.25 in D 1 in
Chuzo Tamotzu Litho, Southwestern Landscape with Donkeys & Mission
By Chuzo Tamotzu
Located in New York, NY
Chuzo Tamotzu (1891-1975) Untitled (Southwestern Scene), c. 1950 Lithograph Sight: 12 1/2 x 16 in. Framed: 19 1/2 x 23 1/4 x 1 in. Edition 14 of 30 Numbered lower left, signed lower...
Lithograph
$1,100
H 11.38 in W 15.13 in
'Navajo Horse Race' — Southwest Regionalism, Native American Subject
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Horse Race', lithograph, 1946, edition 30, Czestochowski 204. Signed and titled in pencil. Signed and dated in the stone, lower le...
Lithograph
$350
H 23 in W 32 in
Indian Stalking Elk, American Western Lithograph After Charles Marion Russell
By Charles Marion Russell
Located in Long Island City, NY
A lithograph print by Charles Marion Russel of Indigenous American hunters with rifles following an elk. This print is after an 1897 painting and is signed, numbered, and titled in p...
Lithograph
$500
H 5 in W 6.75 in
Taos Pueblo Screen Print, American Modern, Signed, Circa 1940s
By Anna Barry
Located in Fairlawn, OH
Taos Pueblo Screen print, late 1940's Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Edition: Unknown Clasic depiction of Ranchos de Taos, the oldest continually inhabited city in North America. Condition: Excellent Image size: 5 x 6 3/4 inches Sheet size: 6 1/4 x 7 5/16 inches Anna Barry (1970-2001) “In 1944, after several prior trips to the area during which they had become friends with several of the Taos Founders, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. They would reside in the area on and off until 1955. Like many others, Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard; the Southwest was starting to be recognized as an art center. Moskowitz and his wife became acquainted with Oscar Berninghaus, Andrew Dasburg, Ernest Blumenschein, and Mabel Dodge Lujan, among others. Ira wrote of that time that "Our house was always open and we had scarcely a single meal without visitors dropping in." "Anna Barry was an artist/printmaker. She married Ira Moskowitz (from a long line of Polish rabbinical leaders) in New York in 1938. They soon visited Taos and Santa Fe in New Mexico, returning there for extended periods until in 1944 they moved there permanently—staying until 1949 when they returned to New York. Her work in New Mexico depicts mostly the pueblos and their people, capturing ritual ceremonial dances in colorful serigraph prints and other artworks. She and Ira (also an artist) worked closely together during their New Mexico sojourns. The pueblos seemed their favored subjects there. She signed her New Mexico work as, "Anna Barry." Her prints are colorful and often detailed. The only ones I have seen (6 in all) were 5"x7" in size. Anna probably lived longest in New York, but perhaps was also in both Europe and Israel for extended periods. (See the AskART Ira Moskowitz biography.)" Courtesy of Fred McCraw "Anna Barry (née Anna Barshefsky), painter, printmaker and teacher, was born to Russian émigrés Max and Ida Goldberg Barshefsky on 20 May 1909 in Philadelphia, Pennsylvania. In the 1930 U.S. Federal Census her family name is changed to Barish and they are listed as living in Bronx, New York. It is not yet known where she had formal art training but she was listed as a teacher on the 1940 U.S. Census. She married artist Ira Moskowitz on 13 November 1938 and they began frequenting New Mexico. They befriended such luminaries as Mabel Dodge Lujan, Georgia O’Keeffe, Oscar Berninghaus, and many others who had become attracted to the unique landscape. Barry and Moskowitz moved to Taos, New Mexico in 1944 and remained until 1949 when they returned to New York. One can’t help but wonder if Anna Barry studied with serigrapher/painter Louie Ewing...
Screen
$250
H 21 in W 29 in
Trackers Moon, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Trackers Moon, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, Size: ...
Lithograph
$4,750
H 18.5 in W 24 in
Colorado River, Needles, California, 1950s Western Landscape, Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964) The Colorado At Needles, California, c. 1950 Watercolor on paper Monogram lower right, titled verso 14.5 x 20 inches 18.5 x 24 inches fram...
Watercolor
$3,500
H 7.75 in W 11.18 in D 0.07 in
Taos Artist Gene Kloss Original Etching. Indian Summer
By Gene Kloss
Located in Phoenix, AZ
Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins. Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W. Unframed. Archivally matted. ...
Paper, Etching
$250
H 22 in W 30 in
Let's Move 'Em, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Let's Move 'Em, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18.5 x 27 inches, Siz...
Lithograph
Gene Kloss 1953 Taos Pueblo Ceremonial Day Signed Etching Southwestern Art
By Gene Kloss
Located in Denver, CO
This 1953 signed etching by American printmaker Gene Kloss, titled Ceremonial Day at Taos, is a striking example of mid-20th-century Southwestern art and one of her most celebrated T...
Etching
Kenneth Miller Adams Taos New Mexico Snow Landscape Lithograph Mid-Century Print
By Kenneth Miller Adams
Located in Denver, CO
A striking winter landscape by Kenneth Miller Adams, this mid-century lithograph captures the quiet beauty of northern New Mexico under snow. Adobe forms and simplified architectural...
Lithograph
1933 American Art Lithograph, Clear Creek Canyon by Ross Braught, Colorado
By Ross Eugene Braught
Located in Denver, CO
This striking original lithograph, Clear Creek Canyon I (Colorado), was created in 1933 by acclaimed American artist Ross Eugene Braught (1898–1983). A master of landscape and form, ...
Lithograph
Kenneth Miller Adams “House in the Sun” 1950 Southwestern Modernist Lithograph
By Kenneth Miller Adams
Located in Denver, CO
House in the Sun is an original 1950 black-and-white lithograph by celebrated New Mexico modernist Kenneth Miller Adams, a distinguished member of the Taos and Santa Fe art colonies....
Lithograph
Lloyd Moylan 1930s Western Watercolor Horses & Foal Southwest Landscape
By Lloyd Moylan
Located in Denver, CO
A charming 1930s Western watercolor painting by American artist Lloyd Moylan, depicting a tender scene of horses and a foal set within a softly rendered Southwestern landscape. This...
Watercolor, Gouache
Archie Musick Prospector’s Cabin 1937 WPA Era Modernist Lithograph Print
By Archie Musick
Located in Denver, CO
A historic 1937 WPA-era lithograph by American modernist Archie Musick titled Prospector’s Cabin, depicting a rugged frontier scene centered on an isolated mining cabin set deep within a dense mountain landscape. The composition captures the stark atmosphere of the early American West, where weathered architecture, towering trees, and dramatic terrain create a sense of isolation, endurance, and narrative tension. Executed in black-and-white lithography, the work demonstrates Musick’s precise control of line, shadow, and spatial depth. The scene is built through layered tonal contrasts, with dense forestry framing the central cabin and a foreground that subtly reinforces the harshness and quiet stillness of frontier life. The overall effect is both documentary and symbolic, reflecting WPA-era interest in regional storytelling and American labor history. This American modernist print introduces texture, narrative depth, and architectural grounding into a space. It works particularly well in curated, neutral, or gallery-style interiors where monochrome works provide structure and visual weight without overwhelming color. Created in 1937 as part of the WPA-era printmaking movement, this original signed lithograph by Colorado artist Archie Musick reflects his broader involvement in New Deal art programs and American Regionalism, where depictions of frontier life were elevated into modernist visual language. Very good vintage condition with light toning consistent with age; a museum-quality WPA lithograph...
Lithograph