Paint Animal Prints

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: O...

Artist: John James Audubon (American, 1785-1851) Title: "Roseate Spoonbill" (Plate 362, No. 73) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.75" x 10.44" Image size: 5" x 7.63" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: In excellent condition Very rare The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series Notes: Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine. The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Katharina Fritsch Schlange / Snake 1999/2001 Plastic, paint 7/8 x 7 1/2 x 3 3/8 inches; 2 x 19 x 9 cm Edition of 240 Accompanied by a certificate of authenticity signed and numbered ...

Artist: John James Audubon (American, 1785-1851) Title: "Whooping Crane" (Plate 313, No. 63) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Orig...

"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...

"Sandwich Tern' Antique Hand Colored Lithograph Delicately rendered naturalist drawing of a sandwich tern from the 1903 edition of "A History of British Birds" by F.O. Morris. This...

George Edwards: "A History of Uncommon Birds", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...

"Three Herons" - Hand Watercolor Engraving "Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Sacelle male, de la cote de Coromandel" (Plate 949) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Set of 4, Italian, circa 1750, original strike, hand-colored avian engravings from the Natural History of Birds by Saverio Manetti. Printed on laid paper, with self-matting, in later...

George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Origina...

Set of 3 Colored Bird Prints each unframed, 10.5 x 14.5 inches condition: very good A beautiful set of 3 colored prints of classical birds in landscape settings. As a set, they make...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Corvus, Cornix (Hooded Crow)" (Plate 106) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Original Hand-Co...

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Han...

Artist: John James Audubon (American, 1785-1851) Title: "Wilson’s Petrel - Mother Carey’s Chicken" (Plate 460, No. 92) Portfolio: The Birds of America (F...

Jean-Michel Basquiat Bearbrick 1000% Vinyl Figure: A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered collectible reveals the ...

Artist: Thomas Pennant (Welsh, 1726-1798) Title: "The Royston Crow (Hooded Crow)" (Plate D1) Portfolio: The British Zoology, Class II: Birds Year: 1761-1766 (First edition) Medium: O...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...

Artist: Dan May (American, 1955-) Title: "Dog Portrait II" *Signed by May in pencil lower left Year: 1997 Medium: Original Monoprint on unbranded white co...

Artist: William Cavendish (English, 1593-1676) Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, page 76) Portfolio: Methode et Invention Nouvelle de Dresser ...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martin...

Artist: John James Audubon (American, 1785-1851) Title: "Bonaparte’s Flycatching-Warbler (Great Magnolia)" (Plate 73, No. 15) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.5" x 6.5" Image size: 7.5" x 5.63" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: Minor area of discoloration upper right corner. In excellent condition with strong colors Notes: Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted on August 13, 1821. The Canada warbler is a small boreal songbird of the New World warbler family. It summers in Canada and northeastern United States and winters in northern South America. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Artist: John James Audubon (American, 1785-1851) Title: "Booby Gannet" (Plate 426, No. 86) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.38" x 6.75" Image size: 5.94" x 5.5" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: Two small tears at top edge. In otherwise excellent condition with strong colors Notes: Provenance: private collection - Seattle, WA. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted May 14, 1832. Audubon wrote: "I am unable to find a good reason for those who have chosen to call these birds 'boobies'. Authors, it is true, generally represent them as extremely stupid; but to me the word is utterly inapplicable to any bird with which I am acquainted". The view of the Florida Keys is based on a drawing by George Lehman. The bird family Sulidae comprises the gannets and boobies. Collectively called sulids, they are medium-large coastal seabirds that plunge-dive for fish and similar prey. The 10 species in this family are often considered congeneric in older sources, placing all in the genus Sula. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Bizarre Horses is an original contemporary artwork realized by Aldo Pagliacci in 1973. Mixed colored oil on canvas. Hand signed and dated on the lower right margin. Titled and sig...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Ba...

Storks And Flamingos is an impressive original black and white xylograph on paper realized by Anonymous artist in the XX Century. Including white cardboard passepartout, cm 49 x 69...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Ardea, Nycticorax (Black-crowned Night Heron)" (Plate 78) Portfolio: Nederlandsche Vogelen (Dutch Bird...

Artist: John Gould (English, 1804-1881) Title: "Platalea Leucorodia (Spoonbill)" (Vol. 4, Plate 32) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colore...

Set of 4, Italian, circa 1750, original strike, hand-colored avian engravings from the Natural History of Birds by Saverio Manetti. Printed on laid paper. New custom double matting ...

Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa. The Netherlands: 1705....

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Larus, Cinereus (European Herring Gull)" (Plate 101) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Origi...

Artist: John James Audubon (American, 1785-1851) Title: "Scarlet Ibis" (Plate CCCXCVII - 397; part No. 80) Portfolio: The Birds of America (Havell Edition) Year: 1837 Medium: Origina...

Artist: John Gould (English, 1804-1881) Title: "Larus Islandicus (Iceland Gull)" (Vol. 5, Plate 58) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Sheet size: 14.57" x 21.57" Image size: 12" x 16.25" Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Condition: Soft handling creases to sheet. Remnants of mounting tape from previous framing at top on verso. In excellent condition with strong colors Notes: Provenance: private collection - Mount Vernon, IA. Lithography and hand-coloring by German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were John Gould and English artist Henry Constantine Richter (1821-1902) "The Birds of Great Britain" is recognized as Gould's greatest work. Comes with its original accompanying text page. Gold gilded edges as issued. The Iceland gull is a medium-sized gull that breeds in the Arctic regions of Canada and Greenland, but not in Iceland, where it is only seen during winter. The genus name is from Latin larus, which appears to have referred to a gull or other large seabird. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" (Plates 276, 143) Portfolio: A Natural History of Uncommon Bi...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" (Plates 90, 308) Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History Year: 1743-1764 Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers Limited edition: Unknown Printer: C. Rickaby, London, UK Publisher: William Gardiner and Messrs. Robinson, London, UK Sheet size (each): approx. 11.25" x 9" Image size (each): approx. 8.63" x 7.38" Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198 Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors Notes: Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included. Biography: George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...

Artist: John Latham (English, 1740-1837) Titles: "New-Zealand Plover" (Plate CLIV - 154), "Nilid Grosbeak" (Plate XC - 90), "Black-throated Bunting" (Plate XCII - 92), and "Variegated Chatterer" (Plate LXXXV - 85) Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

Print Sz: 16"H x 21 3/4"W Frame Sz: 19 1/4"H x 25"W Classic Deauville, French polo etching with gouache highlights by Eugene Pechaubes (1890-1967) penc...

Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...

Classical bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Beautiful monoprint - "Owl & Star" with hand applied, glitter, watercolor and screenprint on lanaquerelle watercolor paper. Pencil signed and dated. A must have for true Kiki Smi...

Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...

Les cygnes by Georges Manzana Pissarro (1871-1961) Watercolour monotype 49 x 63 cm (19 ¹/₄ x 24 ³/₄ inches) Signed lower left, manzana Executed circa 1920 Provenance: Private collec...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Don Quixote And Sancho Panza by Kate Boxer ilustrating men on horses on a yellow background with white elements. Additional information: Sold unframed limited Edition of 30 To...