Biho Takashi

Bat in Moon

1905

Japanese Woodblock Shotei Takahashi (1871-1945) Hiroaki "The Moon and Ishiyama" About the artist Born in Tokyo as Katsutaro Takahashi, Shotei (aka Hiroaki/ Komei) was in his mid-teens when he began to work in the design department of the Imperial Household Agency. He studied Nihonga, or Japanese-style painting, under his uncle Fuko Matsumoto, but also worked as an illustrator for periodicals and textbooks. Beginning in the early Taisho period, Shotei regularly collaborated with the prominent Shin Hanga publisher Shozaburo Watanabe. Shotei used a variety of signatures. Many of his large landscape prints...

Woodcut printed in black on tan wove paper, 1953. Signed by the artist and dated in pencil, lower right.

SNOW, MOON AND FLOWERS OF THE ÔGIYA TEA HOUSE Head and shoulders portrait of a beautiful courtesan of the Ôgiya Tea House. With an attentive gesture, she brings her left hand behind her ear with delicate wrist and finger motion. This image is part of the bijin-ga series, “Pretty women”, drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print “Snow, moon and flowers from the Ôgiya Tea House” (1793-1795). The tittle is a Japanese topic in art and design originating from a poem by Tang dynasty poet Bai Juyi. It became popular in the late Edo used to describe serene beauty. The artist reproduces the seal of the censor (Kiwame) and from the original publisher (Tsutaya, climbing leaf)), as it appears in the woodblock print used as a model; between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014). The mesaurements of the drawing are 76 x 56 cm., with a painted surface of 67 x 49,5 cm. (the woodblock print is 36,2 x 25,9 cm.). With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the family business, away from commercial art galleries. In 2012, a deep interest in oriental art was awakened in him and he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late XIX century. The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...

Original Japanese Woodblock print, chuban Size "An unbecoming thing" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known for h...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

Decorative piece of wall art in a coral colour beautifully framed for an interior atrium Contemporary Art Sz: 53 1/2"H x 26 1/2"W Frame Sz: 60 1/2"H 33 1/2"W

Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...

Lithograph, 1954 Handsigned by the artist in pencil and annotatd EA 7/7 Edition : 220 Publisher : Guilde de la Gravure (Paris et Genève) Printer : Mourlot (Paris) Catalog : Polieri 1...

Moongazers [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Ple...

Bijing-ga Series XXII (Nº 22) Title: THE FLICKLE TYPE Upper half of the body of a woman in yukata (summer kymono) with part of her chest bare. Depicted just after a bath, she is turning her head and drying her hands with the towel hang on her shoulder. Her just-washed hair is tied around an ornate hairpin, the hair style called bai-mage (spiral-shell chignon). The unkempt hair of the nape and the movement of the hands one on the other are clear examples of Utamaro's mastery, who had an exceptionally observant eye for women. The Fickle ( or Fancy-free) Type is flirting with more than one member of the opposite sex This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...