This exquisite lithograph and pochoir after Eugene Delacroix (1798–1863), titled Enfant nu (Nude child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition translates Delacroix expressive draftsmanship and sensitivity to form into a refined modern printmaking language that preserves the immediacy and emotional nuance of the original drawing.
Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 14.57 x 9.055 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris.
Artwork Details:
Artist: After Eugene Delacroix (1798–1863)
Title: Enfant nu (Nude child), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968
Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued
Dimensions: 18.5 x 14 inches overall; image size 14.57 x 9.055 inches
Inscription: Signed in the plate and unnumbered as issued
Date: 1968
Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris
Printer: Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris
Notes:
Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade.
About the Publication:
Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the album inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars.
About the Artist:
Eugene Delacroix (1798–1863) was a French painter whose dramatic imagination, revolutionary use of color, and emotional intensity established him as the defining figure of Romanticism and one of the most consequential artists in the history of Western art, fundamentally reshaping painting by liberating it from Neoclassical restraint and infusing it with movement, passion, and psychological depth. Deeply inspired by Old Masters such as Peter Paul Rubens, Titian, and Paolo Veronese, as well as by literature, music, travel, and contemporary political events, Delacroix transformed history painting, literary subjects, and so called exotic themes into vehicles for expressive force and symbolic meaning, producing masterpieces such as Liberty Leading the People that redefined the relationship between art and modern life. His lifelong rivalry and intellectual dialogue with Jean Auguste Dominique Ingres crystallized the nineteenth century debate between line and color, reason and emotion, a dialectic that propelled European art toward modernism. Delacroix bold chromatic experimentation, dynamic composition, and visible brushwork directly informed the evolution of later movements, with artists such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray studying his work as a crucial bridge between classical tradition and radical innovation. Revered by the Impressionists, Symbolists, and early modernists, Delacroix enduring influence extends across painting, sculpture, and conceptual art, securing his position as a cornerstone of museum collections worldwide and a perpetual reference point for artists seeking emotional and symbolic power. His lasting market strength is underscored by his highest auction record, achieved in May 2018 when Lion Hunt sold for approximately 13.3 million USD at Sothebys New York.
Eugene Delacroix lithograph, Enfant nu, Visages d Enfants Jacomet, Daniel Jacomet pochoir, Romantic drawing after, Parisian printmaking twentieth century.