Stencil Figurative Prints

Edouard Benedictus, 'Variations, plate 8' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 14' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Edouard Benedictus, 'Variations, plate 1' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 1' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 15' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Edouard Benedictus, 'Variations, plate 5' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 20' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Edouard Benedictus, 'Variations, plate 9' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 19' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La chambre de Vuillard aux Clayes (Vuillard's Bedroom at Clayes), from the folio Vuillard, Douze...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Rue Royale, La Madeleine (Rue Royale, La Madeleine), from the album Paris Capitale (Paris Capital), originates from t...

Edouard Benedictus, 'Variations, plate 17' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Pablo Picasso, After, Spanish (1881 - 1973) - Faune a la Diaule. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.5...

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

Edouard Benedictus, 'Variations, plate 18' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bal (The Ball), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the F...

Jacques Camus Pink Tulips, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio pr...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Portrait de Nadia (Portrait of Nadia), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon ...

Pochoir. This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. Passepartout included : 49 x 34 cm Image Dimensions : 31.5 x 20.5 cm This artwork is s...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This artwork, "Moses Smiting the Rock of Meribah, Exodus" 1972 is an original color stencil on hand crumpled momigami paper. It is hand signed, dated and numbered 47/70 in White ink by the artist. The artwork size is 27.5 x 24.75 inches, framed size is 39 x 36 inches. It is custom framed in a wooden gold frame, with matting and black color spacer. It is in excellent condition, Please NOTE, the dark area at the lower left corner of the frame is only the shadow, the frame is in perfect condition. About the artist: Sadao Watanabe born and raised in Tokyo, was a Japanese printmaker in the 20th Century. He was famous for his Biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Aube (The Dawn), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 13 Waterc...

This exquisite lithograph after Henri Matisse (1869–1954), titled La danse (The Dance), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition p...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Offrende (The Offering), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Grand Parade sur Fond Rouge (Grand Parade on Red Background), from the folio Contrastes, 13 Aquarelles, ...

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

Jacques Camus The Yellow Castle, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfo...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph after Andre Derain (1880–1954), titled Age d'or et Terre promise (Golden Age and Promised Land), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Montmartre, Place Saint-Pierre (Montmartre, Place Saint-Pierre), from the album Paris Capitale (Paris Capital), origi...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Vague (The Wave), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels), originat...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Tourelle (The Turret), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels), ori...

Pablo PICASSO (1881-1973) Diurnes, Woman By the Sea, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Passerelle (The Footbridge), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Pablo Picasso, After, Spanish (1881 - 1973) - Buste de Faune. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.53 x...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

This exquisite lithograph and pochoir after Gustave Courbet (1819–1877), titled Portrait de Juliette Courbet endormie (Portrait of Juliette Courbet asleep), originates from the 1968 ...

Pablo PICASSO (1881-1973) Diurnes, Man with Cats II, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 X 40 cm (c. 11.2 X 15.7 in) ...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled Le Salon aux Clayes (The Salon at Clayes), from the folio Vuillard, Douze Pastels (Vuillard, Twe...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Amoureux (The Lovers), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, ...

Fernand LÉGER Cubist Wood Logs, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled Madam Vuillard a Table (Madame Vuillard at Table), from the folio Vuillard, Douze Pastels (Vuill...

Pablo PICASSO (1881-1973) Diurnes, The Satyr, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in) REFERENCE ...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage (Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the...

Mr. Brainwash World Class, 2009 Thirteen color silkscreen on hand stained archival art paper. Individually finished with spray paint and stencil balloon; unique variant Hand signed t...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...

This exquisite lithograph and pochoir after Raoul Dufy (1877–1953), titled Paddock, from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition publi...

Pablo PICASSO (1881-1973) Diurnes, The Guy in a Tree, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) ...

Pablo PICASSO (1881-1973) Diurnes, The Satyr with Plants, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in)...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Chaise et la Vache (The Chair and the Cow), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis,...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Le Violoneux (The Violinist), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love...

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...