Luigi Aloja

Europa Myth and Centaur - Etching by Luigi Aloja - 18th Century

Late 18th Century

Heracles and Cupid from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions with some folding. ...

Venus Goddess With Horse from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with some fo...

Deities from "Antiquities of Herculaneum"is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions w...

Hercules and Lion from "Antiquities of Herculaneum" is an etching on paper realized by Pietro Campana in the 18th Century. Signed on the plate. Good c...

Classical Mythological Figures Engraving, Montfaucon Antiquité Expliquée 1721 This original early eighteenth-century copper engraving originates from Bernard de Montfaucon’s monumental antiquarian publication L’Antiquité expliquée et représentée en figures, published in Paris in 1721. Widely regarded as one of the most important scholarly works of the Enlightenment, Montfaucon’s encyclopedic study systematically documented the art, mythology, and material culture of the ancient world, laying essential foundations for modern archaeology and art history. The plate presents a carefully arranged compilation of mythological and sculptural studies derived from ancient sources. Multiple vignettes depict classical figures, relief fragments, and symbolic motifs recorded from antique sculptures, gems, and coins. The composition functions almost as a visual catalogue, comparing different representations of mythological subjects collected from prominent European antiquarian collections, including references to works associated with scholars such as Maffei and other early collectors of classical antiquities. At the bottom of the composition, two triton-like sea beings with human torsos and serpent tails raise a nude female figure above the waves, evoking marine mythology connected to nereids, sea deities, or allegorical representations of Venus emerging from the sea. Surrounding studies include winged figures, sculptural heads, medallions, and mythological scenes rendered with remarkable clarity. Montfaucon’s analytical approach—placing multiple related images together for comparison—reflects the Enlightenment ambition to classify and interpret antiquity through visual evidence. The engraving demonstrates the refined precision of early eighteenth-century Parisian copperplate engraving, characterized by delicate linework, balanced spacing, and restrained tonal shading. Beyond its scholarly significance, the plate possesses strong decorative appeal, combining classical imagery with an elegant graphic structure that suits both traditional and contemporary interiors. This original antique engraving is offered unframed, allowing flexibility to select a frame appropriate to the intended interior or collection setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...

Pair of Classical Mythological Engravings – Montfaucon Antiquity Explained 1721 A refined pair of classical engravings depicting mythological figures after ancient Roman sculpture, ...

Roman Statues and Coins, Composite Antiquities Plate with Center Fold, 1721 Description: This large and visually rich engraving is a composite antiquarian study plate from the first...

Portuguese Dressage & Piaffe Engravings — Classical Horsemanship, 1790 This elegant set of three antique copperplate engravings originates from the celebrated Portuguese equestrian ...