1920s Figurative Prints

Jesus and the Disciples is an Original woodcut print realized by François Bouchot in 1922. The artwork is in good condition and included a brown cardboard passpartout (36.5x27.5 cm). No signature. François Bouchot (1800-1842), peintre et graveur, est né à Paris en 1800. Il étudia la gravure sous la direction de Richomme, puis devint élève de Regnault, puis de Lethière, et obtint le grand prix...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

Marie LAURENCIN Two Girls with Horses and Dog (1928) Stone Lithograph Printed in Atelier Mourlot Printed signature in the plate On China paper 31 x 42 c...

Maternite Au Jardin Lithograph, 1926 Signed lower right in pencil (see photo) Publisher: Edmund Frapier, Paris Blindstamp lower right: Galeries des Peintres-Gravures, Paris Blindstam...

Fresco from Pompeii is a beautiful hand-watercolored etching realized by Francois Mazois, in 1922. Titled on the lower center. Sculptor's name on the lower right margin. Good condi...

Still life is a vintage offset print, realized in 1929 reproducing the original watercolor by Giorgio Morandi. Very Good conditions.

One Hundred Prints Of The Noh - 1925 Original Japanese Woodblock Print Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869...

Bernard Sanders (1906-1967) was a master at suggesting layers of meaning. Here, at first glance, this is study of sisters, posed to show subtle differences in height and profile. But...

Ange Déchu is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Tit...

Dante's Vision is a lithograph realized after a watercolor by Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 19...

Simonson, Lee (American 1888-1967). PORGY. Lithograph in colors, 1929. A Window Card for the Theater Guild's production of Porgy, the play by DuBose and Dorothy Heyward, adapted from...

Ulysses and the Sorceress is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lithograph on ivory paper. Perfect conditions. Ulysses and the Sorceress is an excellent Liberty artwork realized by Ferdinand Bac in the second decade of the XX Century. The work is in full Liberty style and depicts a man, Ulysses surrounded by two figures. The famous sorceress Circe appears on the upper left corner and a second female figure is going to stop him. They are into a sea cave and, on the background, we can see the surface of the sea. Ferdinand Bac (1859 - 1952). Ferdinand-Sigismond Bach, known as Ferdinand Bac was a French cartoonist, artist and writer, son of an illegitimate nephew of the Emperor Napoleon. As a young man, he mixed in the fashionable world of Paris of the Belle Époque, and was known for his caricatures, which appeared in popular journals. He also traveled widely in Europe and the Mediterranean. In his fifties, he began a career as a landscape gardener. He attended Adolphe Thiers, Gambetta, Richard Wagner, Victor Hugo, Taine, Villiers de L'Isle-Adam, Paul Verlaine, Maurice Barrès, Barbey d'Aurevilly, Alphonse Daudet, Guy de Maupassant, Verdi, Gounod, Pierre de Nolhac, and many more other famous people of the time. He established himself as one of the first cartoonists and caricaturists of his time, as famous as Albert Robida...

Work on paper Wooden frame with glass pane 57 x 46.5 x 2.5 cm

The sailors are still in uniform in this post-World War I print of young people meeting at a semi-secluded park setting, Snug Harbor, along Riverside Drive...

Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...

Amateurs d'Estampes is an artwork realized by the Armand Coussens in 1921. Original etching on paper. Passepartout included (cm 51 x 35). Mint conditions. The artwork represents two male figures watching a print. They are two lovers of prints talking over and watching the artwork. The theme of the print lover was very famous during that years. The stroke is very soft and delicate and presents the two figures in a movimented and fresh way. Armand Coussens (1881-1935) a French painter, engraver and artist best-known for its etchings. From 1900 to 1907, he painted at quais de Seine and frequented the cabarets de Montmartre and collaborated with illustrated magazines Le Ire, Le Cri...

Portrait of Gladys Anne Hoskyns Collotype after a Wyndham Lewis drawing, 1923 Singed in the plate and reinforced in pencil Published by The Dial Publishing Company in Living Art...

Raphaël DROUART Homage to Maurice Barrès: Un Jardin sur l'Oronte (A Garden on the Orontes, Opera), 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c...

Jean-Emile Laboureur Rustical Hunter, 1926 Original woodcut Handsigned with ink Numbered /160 Bears the blind stamp of the editor (Lugt 1140a) On Vell...

Woodcut print realized by Mathilde Hérouard in the 1920s. Mounted on paper. Signed in the plate. Very good condition.

Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Die Bettler (The Beggars) Lithograph, 1922 Signed in pencil lower right (see photo) From: Berliner Reise Series, Plate 7 Printed on wove paper Edition: 100...

Couple from Ecce Homo is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 57 from the porfolio Ecce Homo published between 1922/1923,edition o...

Black and white etching. Hand signed and dated by the artist on lower right margin. Original title: "Figura Femminile Dormiente". Very good conditionsexcept lightly browned paper on ...

Composition is an Original Pochoir from "Le Bonheur du Jour" realized by Georges Barbier in 1929. Good condition. The artwork represents the mastery of the artist and his use of ha...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...

The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil. It's in an usually spare drawing style but one that Na...

Maurice DENIS Maternity Original stone lithograph Signed with the stamp of the artist From a limited edition of 35 proofs (not numbered) On Japan paper 50 x 32.5 cm (c. 20 x 13 inch...

"To my mother" is the main graphic work of the artist Sidonie Springer. The portfolio consists of 10 images drawn by the artist in charcoal and partially tinted in color, which come ...

Artist: Georges Rouault Title: Jean-Francois ne Chante Alleluia (Jean-Francois Never Sings Alleluia) no. 25 from the Miserere et Guerre series Year: 1923 (published 1948) Medium: Aqu...

The Old Woman is an original Modern artwork realized by Hermann-Paul (Paris,1864 – 1940). Original woodcut print on paper. Hand-signed in pencil on the lower right corner. Passep...

ONE WEEK ONLY SALE This woodcut print is an expressionist print on one of the poems from Max Weber's poetry collection "Primitives: Poems and Woodcuts". This work is signed in penci...

Profil de Lumière is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 192...

Christ is an original print realized by Jacques Beltrand in 1928. Cromolithograph. Good conditions except for being aged and some rips on the lower margin and a cutaway on the top l...

Etching realized in 1922 to illustrate Richard Strauss' work. Hand signed in pencil ower right. A tear in the right margin and a corner crease in the upper right, otherwise overall...

Le Potomak (Le Potomak précédé d’un Prospectus 1916) is an original modern rare book illustrated by Jean Cocteau (Maisons-Laffitte, 1889 – Milly-la-Forêt, 1963) in 1924. Published ...

"Venise" is an original etching and chine colle by Edgar Chahine. This is an artist's proof, the third state of the etching, and the artist signed the piece in pencil lower right. Th...

Signed on plate. From the portfolio “Le Bonheur du Jour” by George Barbier. Etching and Pochoir. Passepartout included : 49 x 34 cm

Lithograph on vellum, realized by Kubin in 1929. Hand signed in pencil. Framed under glass, frame dimension 63.5x51 cm. Ref. Raabe 380.

A L'Abattoir Les Cartellistes, Album- Souvenir des Elections de 22 Avril 1928 is an original colorful illustrated rare pamphlet with a satiric political scen...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions. ...

Kinuta is a wonderful color xylograph on paper, made by the Japanese master Tsukiota Kogyo (1869-1927). The artist's signature is in the red seal printed in the lower right corner "Tsukioka". From the series "One Hundred No Dramas" (Nogaku Hyakuban), published by Matsuki Heikichi (Daikokuya) and published in 1922. Kinuta is the wife of the prince of Ashiya, portrayed while she is ironing the laundry, beating a sort of fan so that the sound brings her wish to her husband in the distant capital. In excellent conditions, except for a little stain on the higher left margin, and some light decolorations, this original print preserves his freshness of line and colors. The texture of the princess's kimono has a precious golden hatch, and the artwork keeps still today the rare beauty and the incredible delicatessen inspired his creation, and in perfect syntony with the Japanese mood. Tsukioka Kōgyo, Sometimes called Sakamaki Kōgyo, (1869 - 1927) was a Japanese artist of the Meiji period, a student and adopted son of Tsukioka Yoshitoshi, and also studied with Ogata Gekkō...

"Harmonie" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe...

Stage Design is a modern artwork realized after Sergei Eisenstein in the mid-20th century. Mixed colored phototype print. Includes frame: 44 x 33 cm Fair conditions due to the tim...

Amour is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Ecstasy is an original offset and lithograph realized by George Grosz. The artwork is the platen.16 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Japanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League and Cooper Union, NYC, and also printmaking with Joseph Pennell. He worked on the Federal Public Works of Art Project in the 1930s and in the 40s, during WWII, was interned at the Japanese-American internment camp in Topaz, Utah. His work is in the permanent collections of the Metropolitan Museum of Art and the Brooklyn Museum of Art, NYC, and the Library of Congress and Smithsonian Institution, Washington, DC. This etching of New York...

Alone from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 67 from the porfolio Ecce Homo published between 1922/1923, edition ...

Die neue stadt is an book written by J. Luitpold and illustrated by Otto Rudolph Schatz (Wien, 1900 - Wien, 1961) in 1926. Original First Edition. Published by Buchergilde Gutenberg, Berlin. Format: In Folio. The dimensions of the book are indicative. The book includes 38 pages with 12 Woodcuts. Good conditions. This Book has been illustrated by Otto Rudolf Schatz...

Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition. From Morse: " A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945). "HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play) Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...

Die Zisterne is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a port...

Figure is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Titled ...

Tito, Ettore (Italian, 1859-1941). UNTITLED (KNIGHT AND DAMSEL ON HORSEBACK). Pochoir in colors, not dated/ Edition of 50, signed in pencil and numbered 50/50. In addition to the ima...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 44 x 33 cm Fair condit...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions, w...

New York: Sylvan Cole, 1929. Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...

This 1927 etching by Frank W. Benson is entitled Winter Wildfowling. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size 11 7/8 x 9 7/8" (30 x 24.8 cm) and sheet size 15 1/16 x 12 5/8" (38.3 x 32 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Disastrous is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Stage Design is a modern artwork realized after Sergei Eisenstein in the mid-20th century. Mixed colored phototype print. Includes frame: 44 x 33 cm Fair conditions due to the tim...

Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...