Mid-18th Century Figurative Prints

Surgical Treatements is part of the suite realized by Lorenz Heister in the series of Institutiones Chirurgicae, Amsterdam, Janssonius-Waesberg, 1750. Etching on paper. The work be...

Human Anatomy from the Suite Institutiones Chirurgicae by Lorenz Heister. Amsterdam, Janssonius-Waesberg, 1750. Etching on paper. The work belongs to the Latin edition of the famou...

Surgical Instruments is part of the Suite Institutiones Chirurgicae by Lorenz Heister. Amsterdam, Janssonius-Waesberg, 1750. Etching on paper. The work belongs to the Latin edition...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

Interior of animal is an etching realized by Lorenz Heister in 1750. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...

Animal's digestive system is an etching realized by Lorenz Heister in 1750. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...

animal's urogenital system is an etching realized by Lorenz Heister in 1750. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la...

Ears is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

Portrait is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident strokes...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident s...

Heads Proportion is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing and folding. The artwork is depicted through confident strokes. The etching...

Hands and Feet is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing and folding. The artwork is depicted through confident strokes. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

Anatomy Studies Muscles after Titian is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through ...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and stain. The artwork is depicted through confident s...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etching was...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etching was...

Portraits after Giulio Romano is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etch...

The Ocean is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. The artwork is depicted through confident strokes. The etching was realized for the anatomy stu...

Landscape is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized f...

Portrait after Domenichino is an etching realized by Nicholas Cochin in 1755. Good conditions. signed on plate. The artwork is depicted through confident strokes. The etching was...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. The...

Portraits after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. Th...

Portrait after Raphael is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strok...

A L'Image Notre Dame is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

Roman Head from the Antiquities of Herculaneum Exposed, is an etching realized in the mid-18th century by Various Artists. In very good condition, except for some stains along the m...

Officier Tartare is an original artwork realized by the French artist Jean Baptiste Le Prince (1734-1781) Etching on paper. Signed, dated on p...

Animal Figures of Ancient Rome from the Antiquities of Herculaneum Exposed, original etching of the mid-18th century, made by Various Old Masters. In very good condition, except for...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old MastersIn very...

Roman bust for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very goo...

Suite de Vases is an original artwork realized by the French artist Jacques François Saly (1717-1776) Etching print. drawing on the back, 1750 c. Passepartout cm 21x22,5 Good cond...

Capital Letter from Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", original etching from the end of the 18th cent...

Framefrom Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters. In very good cond...

Human heads from Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", original etching from the end of the 18th Century, made by Various Old Masters. In very good con...

Human headsfrom Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", original etching from the end of the 18th Century, made by Various Old Masters. In very good cond...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In ...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters.In ver...

Roman Decoration from the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters...

Roman bust, from the series the Antiquities of Herculaneum Exposed, original etching end of the 18th century, made by Various Old Masters. In very good condition, except for some st...

Roman bust for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very goo...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good...